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Artist: Mayo (Antoine Malliarakis)
L'Arbre de l'Amour (The Tree of Love) - Original Lithograph by Mayo - 1980
By Mayo (Antoine Malliarakis)
Located in Roma, IT
Beautiful hand signed lithograph by the Greek painter naturalized French citizen Antoine Malliarakis (Mayo, 1905-1990).
Edition 68/100, signed and dated in pencil lower right. Very ...
Category
1980s Surrealist Mayo (Antoine Malliarakis) More Prints
Materials
Lithograph
Personnage sans Tête - B/w Etching - Mid 1900
By Mayo (Antoine Malliarakis)
Located in Roma, IT
Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990)
Signed in pencil on lower right margin...
Category
Mid-20th Century Surrealist Mayo (Antoine Malliarakis) More Prints
Materials
Etching
The Painter - b/w Etching - 1977
By Mayo (Antoine Malliarakis)
Located in Roma, IT
Image dimensions: 33x22.5 cm.
Edition of 25 prints, numbered and hand signed.
Very good conditions.
Category
1970s Surrealist Mayo (Antoine Malliarakis) More Prints
Materials
Etching
The Hooded - Original b/w Etching - 1977
By Mayo (Antoine Malliarakis)
Located in Roma, IT
Image dimensions: 23x28 cm.
Edition of 25 prints, numbered and hand signed.
Excellent conditions.
Category
1970s Surrealist Mayo (Antoine Malliarakis) More Prints
Materials
Etching
Surrealist Nude - Original b/w Etching - 1977
By Mayo (Antoine Malliarakis)
Located in Roma, IT
Image dimensions: 33x22.5 cm.
Edition of 25 prints, numbered and hand signed.
Excellent conditions.
Category
1970s Surrealist Mayo (Antoine Malliarakis) More Prints
Materials
Etching
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Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
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Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
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In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
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Mayo (antoine Malliarakis) more prints for sale on 1stDibs.
Find a wide variety of authentic Mayo (Antoine Malliarakis) more prints available for sale on 1stDibs. You can also browse by medium to find art by Mayo (Antoine Malliarakis) in etching, lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Surrealist style. Not every interior allows for large Mayo (Antoine Malliarakis) more prints, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Anatole Krasnyansky, Hans Bellmer, and André Masson. Mayo (Antoine Malliarakis) more prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $293 and tops out at $836, while the average work can sell for $446.