Raphael Soyer Art

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

Artist: Théo Tobiasse (Israeli-French, 1927-2012) Title: "Fruits Accrochés le Long de notre Vie (Fruits Hanging along our Life)" *Signed by Tobiasse in pencil lower right Circa: 1984...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Musée des Arts Décoratifs (The Scream)" Year: 1969 Medium: Original Lithograph, Exhibition ...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (verde)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102...

Nahum Tschacbasov Mid Century Modern Clown, 1956 Lithograph Signed, dated and numbered 144/250 in graphite on the front 34 x 27.5 inches Unframed, affixed to matting Published by American Color Slide Co, Ltd., New York Terrific uncommon vintage signed, numbered and dated mid Century modern lithograph from this interesting and distinctive -and undervalued Russian American artist. Highly collectible clown...

A signed and numbered lithograph print. Moshe Gat was born in Haifa in 1935. in 1952 he began his studies at the Bezalel School, in Jerusalem. In 1955 he returned to Haifa, where h...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (carmín)', 1975 Lithograph on paper 20.9 x 24.5 in. (53 x 62 cm.) Edition of 75 ID: BUR110...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (rosa)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Antonio Lopez Garcia (Spain, 1936) 'Mujer de Tomelloso', 1961 lithograph on paper 11.9 x 13.8 in. (30 x 35 cm.) Edition of 170 Unframed ID: LOP2001-008 Ha...

Original colored lithograph postcard after tempera design by Oskar Kokoschka. 1907/1908. Condition is excellent. Published by the Wiener Werkstaette. Unframed. Comes with the orig...

Circle of Life Lithograph on tan paper, c. 1910's Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 50" in pencil lower left (see photo) Provenance: Estate of the artist Borghi & Company, New York Herb Lerner, Boca Raton, FL Condition: Excellent Image size: 11-3/4 x 17-1/2 inches Sheet size: 19 x 22 1/2 inches Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...