Sean Henry Sculptures

**1stDibs Shipping quotes are not accurate for this work. Please be in touch directly with the seller about shipping options for this piece** Beverly Penn Radices Systemata, 2021 c...

Painted Cast Bronze, Edition of 24 - Collaboration w/ Jennifer Box Kevin Box is an internationally-renowned sculptor working in cast bronze, steel, and other metals. His work pushe...

This sculpture by Wang Dapeng is signed and numbered. Edition 30 / 99. Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual anima...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted ca...

This sculpture by Wang Dapeng is signed and numbered. Edition 30 / 99. Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual anima...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted ca...

"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...

One of the first sculptures Caroline made after her second child was born. Her children and her often used to sit in this position when they were small. They both used to want to sit on her lap at the same time, so sat on one knee each. Caroline Russell...

This sculpture by Wang Dapeng is signed and numbered. Edition 1/8 Wang Dapeng is a contemporary Realist sculptor. He makes images of spiritual animals – m...

Jonathan Seliger makes meticulous reproductions/ interpretations of mass produced objects and containers for everyday consumables. Here, having departed from his signature painted canvas constructions to explore aluminum, bronze and stainless steel fabrications which are sprayed with automotive enamels, he takes the once popular slogan “Super Size It” to the extreme presenting larger-than-life versions of a milk carton and a Hermes bag...