Sioux Indian Art Antiquities

Moleskin top hat, with leather hatbox (late 19th - early 20th century). The hat was made by Berteil Paris (France), an established house existing since 1840. Dimensions: The hat ...

Very collectible, beautifully handmade Northern Paiute or Piute Native American Indian beaded moccasins feature striking contrasting colors of orange, ye...

American Indian moccasins, expertly beaded by a member of the Sioux (Plains Indian) tribe. The dark blue elements on the vamps symbolize Buff...

Pair of antique Native American moccasins dating to the late Classic Period (1650-1875). Hand crafted by a Sioux, Plains Indian, arti...

Circa 1890 Navajo weaving with a very elegant and modern design. Nice mottling of the natural colors, especially in the reds. This is a very bold weaving. This weaving is in good as ...

Sioux child's dress with matching leggings. Created by hand with native tanned hide and beaded with glass trade beads in blue, white, red, pink and green. Pictorial design elements i...

Antique Apache Large Earthenware Pot, Second Half 19th Century, a very large hand molded clay spheroid vessel, a classic "Olla," with it's original rawhide netting. Since the Apache ...

Antique 19th century Native American (Plains Indian) roach headdress made with dyed deer hair and porcupine guard hair on a u-shaped braided cloth with...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

TRADITIONAL OJIBWAY TRIBAL SHOES WITH FLORAL BEAD DETAILING Originating from the Ojibwe (Ojibwa) people from what is currently Southern Canada and the North Mid-Western United States. Handmade from smoked moose leather with fur trim. Hand-beaded by an Ojibway artist in the floral style typical of the classic Eastern Woodlands style...

The Raven collection 16th century Venetian doll We are proud to offer an amazing museum quality 16th century Venetian doll still in its original linen and silk clothing. A wonderful...

This fantastic rarity is in all original painted surface with the original handmade drum stick attached. The top of the drum has a painted eagle and the base has a coat of worn origi...