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Allinson Gallery, Inc. Drawings and Watercolor Paintings

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Rio della Misericordia, Venice.
By James McBey
Located in Storrs, CT
Rio della Misericordia. October 1924. Watercolor. 14 x 8 3/4. McBey did a striking nocturnal view of the bridge in his 1926 drypoint, The Bridge by Night Carter 232. Signed and dated, lower right; titled verso. Housed in a French mat and a 22 x 16 1/2-inch gold leaf frame. The Rio Della Misericordia ( from the Venetian to the Misericordia Canal ) is a canal from Venice in the sestiere of Cannaregio, Contrada San Marzillan in Italy. The river runs along the old Servite convent. The canal is crossed by two bridges, from east to west: the San Marziale spawning linking the campo of the same name with the Fondamenta de la Misericordia and the dei dei Servi or Betania linking the Mensa di Betania to the Fondamenta de la Misericordia . Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr...
Category

Mid-20th Century Modern Landscape Drawings and Watercolors

Materials

India Ink, Watercolor

Tree Peonies
By Chao Chung
Located in Storrs, CT
Tree Peonies. Watercolor and sumi ink on paper mounted on silk. Image: 29 x 11 1/2. Signed with the artist's red seal. Text: "You can smell the fragrances with the spring breeze touc...
Category

Late 20th Century Showa Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Gravesend
By James McBey
Located in Storrs, CT
Gravesend. August 1928. Ink and watercolor on paper. 13 1/2 x 21. Signed and dated in ink, lower left; and titled in ink, verso. Housed in a 24 1/2 x 31-inch Whistler-style gold frame. Gravesend is a town in northwest Kent, England, on the south bank of the Thames, opposite Tilbury in Essex, about 15 miles southeast of London. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category

20th Century Modern Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Skyscrapers.
By Howard Norton Cook
Located in Storrs, CT
Skyscrapers. c. 1950. Pastel. 29 3/4 x 19 7/8 (framed 37 x 27). Provenance: The New Britain Museum of American Art, New Britain, Connecticut. Signed, lower right. Housed in a stunn...
Category

1940s American Modern Landscape Drawings and Watercolors

Materials

Pastel

View of the Kagermeer
By Hendrick V. Tavernier
Located in Storrs, CT
Ink and watercolor on paper. 3 1/2 x 5 1/4. Unsigned. Excellent condition on cream laid paper, tipped onto a backing sheet at the top corners. Annotated "Tavernier" verso, and "Hendr...
Category

Late 19th Century Old Masters Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Spring: Iris and Tradescantia
By Pang Tseng-Ying
Located in Storrs, CT
Spring: Iris and Tradescantia. c. 1973. Watercolor on Japanese mulberry paper. 17 7/8 x 12 1/2. Signed 'Ying' and sealed. Housed in a green 20 x 16-inch green French mat and a 25 1/2...
Category

1970s Modern Still-life Drawings and Watercolors

Materials

Watercolor

Moses Breaking the Tablet of the Law (after Parmigianino. 1503-1540)
By Daniel Ramée
Located in Storrs, CT
Moses Breaking the Tablet of the Law. (after Parmigianino. 1503-1540.) Pencil drawing mounted onto paper. 12 1/4 x 3 3/4 inches. Collector's seal verso: Gustav Grunwald, (Lugt 1155b)...
Category

19th Century Old Masters Portrait Drawings and Watercolors

Materials

Pencil

Gathering Vraic on a Jersey Shore.
By Edmund Blampied
Located in Storrs, CT
Gathering Vraic on a Jersey Shore. c. 1937. Ink and watercolor on 'Castle Linen Tolli & Harvey LD London' countermarked paper. 7 1/8 x 13 1/2 (sheet 12 1/2 x 16 1/4). Good condition, apart from small professionally repaired paper losses at the corners, from previous hinges. Dedicated 'To my friend Harold James Bailey E.B.' and annotated 'To wish you a glad glow of happiness for Christmas and the New Year'. From the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). Housed in a 15 1/2 x 21 1/2-inch Whistler style gold wood frame. In the left rear section is a Martello or Conway tower, built as a fortiffiction. A Jersey Round Tower Coastal towers stand all along the coast of the island. The British built 22 round towers, one similar square tower, and eight Martello towers towards the end of the 18th Century and in the early to mid-19th Century, but now only 24 remain, including seven of the Martellos. Vraic is a seaweed found in the Channel Islands. The main use of vraic is for spreading over potato fields during the winter. It is then ploughed into the soil before the potatoes are planted in late winter and spring. Vraic was traditionally gathered by horse and cart in Grouville Bay and St Ouen's Bay, and in smaller quantities at Le Hocq and Havre des Pas. The practice continues using...
Category

1930s Modern Landscape Drawings and Watercolors

Materials

Ink, Watercolor

Loading the Catch [Katwyck Aan Zee]
By Charles Paul Gruppe
Located in Storrs, CT
Charles Paul Gruppé. Loading the Catch [Katwyck Aan Zee] c. 1892. Watercolor. 14 1/2 x 17 1/2 (framed 19 1/2 x 23 1/2). Signed, lower left. Housed in an archival French mat and champ...
Category

Late 19th Century Modern Figurative Drawings and Watercolors

Materials

Watercolor

Along the Avenue
Located in Storrs, CT
Ruben Gelardi's depiction of a yellow tram in Copenhagen. Pastel on paper measures 15 7/8 x 20; frame dimensions measure 22 1/4 x 26 3/4 x 1 1/4. Artist'...
Category

1950s Abstract Impressionist Landscape Drawings and Watercolors

Materials

Pastel

A Self Portrait
By Gerald Leslie Brockhurst
Located in Storrs, CT
A Self Portrait. c. 1932. Ink drawing on wove paper. 3 1/2 x 2 1/4 (sheet 10 x 7). Provenance: the artist's daughter. Unsigned. A unique silhouette housed in an archival French doubl...
Category

Early 20th Century Renaissance Portrait Drawings and Watercolors

Materials

Ink

The Archibald Russell.
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Archibald Russell. 1935. Pencil and watercolour on watercolour board. 20 7/8 x 28 5/8. Mat line from a previous mount; otherwise excellent condition. Signed and dated in ink, low...
Category

1930s Modern Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

The Endeavour.
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Endeavour. c.1935. Pencil and watercolor on watercolor board. 14 3/8 x 20 7/8. Signed in pencil, lower right; titled in pencil, verso. Housed in a subtle 23 1/2 x 36-inch light ...
Category

1930s Modern Landscape Drawings and Watercolors

Materials

Pencil, Watercolor

September Morning: The First Ferry.
By Joseph Pennell
Located in Storrs, CT
September Morning: The First Ferry. 1929. Watercolor. 10 1/8 x 13 (image and sheet). Provenance: The Fine Art Society, London. A misty, impressionist watercolor on French papier ved...
Category

1920s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Two Dueñas.
By Donn Russell
Located in Storrs, CT
Two Dueñas. c. 1960. Watercolor and gouache. 13 x 17. Signed and annotated 'SPAIN' lower right. Housed in a 21 x 25-inch black wood frame. Donn Russell is one of Nantucket Island's...
Category

1950s American Modern Portrait Drawings and Watercolors

Materials

Watercolor, Gouache

Cityscape Reflections - Study No. 1
By Gerald Geerlings
Located in Storrs, CT
Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...
Category

Late 20th Century American Modern Landscape Drawings and Watercolors

Materials

Pastel

Mejdel Yaba
By James McBey
Located in Storrs, CT
Mejdel Yaba. 20 September, 1918 Pencil, ink and watercolour on paper. 8 1/8 x 22. Provenance: The Fine Art Society. Annotated, upper left, "due N at ???' Dated on the ink drawing on ...
Category

Early 20th Century Modern Landscape Drawings and Watercolors

Materials

Watercolor, Ink

Glen Orchy.
By David Young Cameron
Located in Storrs, CT
Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; ot...
Category

20th Century Modern Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Thunderstorm Over Boston
By James McBey
Located in Storrs, CT
Thunderstorm over Boston. July 14, 1930. Ink and watercolor on paper. 10 5/8 x 17 5/8 (sheet 12 x 19 1/4). Signed and dated and titled in ink, lower right; titled verso and annotated...
Category

Mid-20th Century Modern Landscape Drawings and Watercolors

Materials

India Ink, Watercolor

Jerusalem
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
1931. Pencil, ink and watercolor. 9 1/4 x 15 (framed 18 1/2 x 24 1/2). Signed and dated in pencil. Housed in a silk mat and an elegant carved gold leaf frame. Twelve of the artist'...
Category

1930s Modern Landscape Prints

Materials

Ink, India Ink, Watercolor, Pencil

Homewards, Evening.
By Edmund Blampied
Located in Storrs, CT
Pencil drawing. Study for the drypoint of the same title, Appleby 20. 7 1/2 x 5 3/ (available on 1st dibs). Signed Blampied lower left. Housed in a 20 x 16-inch archival mat, suitable for framing. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court School of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

Early 20th Century Modern Landscape Drawings and Watercolors

Materials

Carbon Pencil

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Llangorse Lake, Brecon Beacons, Wales, circa 1964. Welsh Landscape. Abstract.
By Roger Cecil
Located in Sutton Poyntz, Dorset
Roger Cecil. Welsh ( b.1942 - d.2015 ). Llangorse, Brecon Beacons Watercolor and pastel on paper. Signed. Image size 19.5 inches x 29.5 inches ( 49.5cm x 75cm ). Frame size 24.6 inches x 34.6 inches ( 62.5cm x 88cm ). Available for sale; this original painting is by the Welsh artist Roger Cecil and dates from around 1964. The watercolor and pastel work is presented and supplied in a sympathetic contemporary frame (our stock frame, which is shown in these photographs), mounted using conservation materials and behind glass. The original backboard has been reused but the artwork has been isolated from it using conservation barrier materials. This vintage artwork is in good condition, commensurate with its age. Previous cockling (rippling) of the paper has been eliminated by stretching and the use of a new mounting. Previous foxing and age marks have been mechanically removed and the coarse fiber of the paper has been made good in these areas. The painting is now ready to hang and display. The watercolor is signed lower left. Provenance: Previously with the Howard Roberts Gallery, Imperial Buildings, 69/74 St Mary Street, Cardiff. Roger Cecil was a reclusive painter, draughtsman and teacher who was born in Abertillery, Monmouthshire in 1942. He lived and worked in Wales for the last four decades of his life, much of it in the house where he was born and brought up. Cecil produced abstract work rich in imagery, poetry and color, which were drawn from his environment, the industrial valley towns and mountains. Prolific and obsessive, he was always a solitary artist, with no affiliations to any group or artistic movement. He worked for more than forty years, with an ever evolving and prolific creative output. His pictures capture the geology and the history of the places he knew so intimately, and the impact of man of that environment. Cecil studied Fine Art at Newport College of Art from 1959 to 1963, where his teachers included John Wright and Thomas Rathmell; in 1963 he gained the College’s highest award in the national diploma in design and a place at the Royal College London. In 1964 he won the David Murray Landscape Award from the RA. He took up his place at the Royal College of Art, but after just a few weeks he was unsatisfied and instead took up manual work in opencast mines and building sites. Cecil later spent some time teaching at Ebbw Vale. From 1995 to 1998 he did his MA, which he gained with distinction in communication design at St. Martin’s College of Art. The BBC made a television documentary on Cecil's work called The Gentle Rebel. For a long time Cecil did not exhibit, through choice, and it was friends who helped to promote him. He then had a series of exhibitions at Business Art Galleries from 1987, and in 1995 the Hill Court Gallery, Abergavenny, held a retrospective of his work. In 1998 Gordon Hepworth and Y Tabernacl both showed Cecil's pictures. Cecil’s works were also shown at the Oriel Myrddin Gallery in 2006 and 20011. The small book which takes the name of the earlier exhibition ”Cariad”; has an introduction by gallery manager Meg Anthony which states; “The magic of Roger Cecil’s work is in part down to the man, for he is enigmatic and surprising, diffident and proud. He has deliberately avoided the art establishment, remaining shy of its protocol and systems of exposure and recognition. He has consciously created the space to pursue his art, away from the pressures of publicity and celebrity...... paint is Roger’s passion.” Cecil’s methods were complex; he worked with a mixture of materials, including oil pastels, sandpaper, primer and plaster. He built up layers and then he rubbed and scratched them away. His work is textured and nuanced, and the color reverberates as if it has a life of its own. The paintings are abstract, but there are echoes of monumental shapes and undulations of the female form, the Valleys - the dark hills embracing the bowls of space and the rich, gritty textures of the industrial and post-industrial landscape, highlighted by intricate, personal marks. Sarah Bradford states: “Scale is an important feature of Roger Cecil’s work; he constantly shifts from near and the far off. He also moves his viewpoint from looking at, to looking down on to. This looking down, as though a bird, onto the world of the painting, comes from exploration of his surroundings and from the ordinance survey maps he takes with him when he walks. He has often said how he is inspired by the language of symbols and lines that are used in maps to delineate the landscape. It is easy to see the connection when looking at the networks of invented footpaths, waterways, and other pinpoint features that can be found in his work.” … Mary Lloyd...
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