Amsterdam Modernism Serving Tables

Art Deco serving trolley by Thonet Completely restored. Surface was made by piano lacquers to the high gloss. Walnut veneer.

Large 19th C English scrubbed and bleached oak five drawer serving table. 1880. Dimensions 107 inches (272 cms) wide 25 inches (64 cms) deep 32 inches (81 cms) high.  

Cees Braakman designed Japanese series dining table for Pastoe with black enameled metal frame and inset teak top. In original condition with some wear, consistent with age and use. ...

Table Material: Wood Style: Art Deco France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your dispo...

A neat desk designed by Cees Braakman for the Pastoe label. An extremely rare model with two cabinets on metal legs. The desk is veneered, the internal drawers have been renovated. A...

Silver metal frame and white formica top. Table can be extended from 120 to 170cm

The front and sides of this center table are serpentine shape and have a double molded edge. The apron also has a serpentine shape with carved edges. The drawers extend only from one...

This is a striking antique Art Deco three-tier figured walnut hostess trolley dating from the 1920s. The trolley is of decorative circular form and is fitted with castors. This is...

Very nice design (Tea) trolley by Cees Braakman for Pastoe in the 1950s. It shows cosmetic wear but no structural issues, cracks or instability. Its tray can be removed. Signed piece!

A beautiful Dutch design desk from the highly wanted Japanese Series designed by Cees Braakman, manufactured by Pastoe in the Netherlands, circa 1960. This stunning desk is made of ...

Mid century serving cart. Model PT10 designed by Cees Brakeman for Pastoe in the 1950s. It has two trays made of shaped plywood. The frame is also made of plywood. Well designed piece with very nice details. It stands on the original castors. The cart can be disassembled. It was sold originally as flat packed furniture. For shipping it will be disassembled for safer and easier transport. Easy to put back together again with the original brass bolts. The wood gained a beautiful dark patina through the years. UMS Pastoe b.v. is a Dutch furniture manufacturer from Utrecht, which designs and produces furniture under the Pastoe brand name. This company was founded on April 13, 1913 in Utrecht as UMS, which stood for Utrechtse Machinale Stoel- en Meubelfabriek. The name Pastoe comes from "passe partout" and was added to the name after the Second World War Well-known designs are the wire steel chair SM05 by Cees Braakman and Adriaan Dekker, the cabinets by Aldo van den Nieuwelaar and Vision by Karel Boonzaaijer and Pierre Mazairac. Pastoe has worked with graphic designers such as Dick Bruna and Benno Premsela, photographers such as Ed van der Elsken and Cas Oorthuys and designers such as Shiro Kuramata, Shigeru Uchida, Maarten Van Severen and Vincent van Duysen. Frits Loeb founded the factory in 1913 under the name Utrechtse Machinale Stoel- en Meubelfabriek (UMS). This was located at Oosterkade 30 in Utrecht. The furniture that was produced was initially intended for his store at the Ganzenmarkt in Utrecht, but soon it was sold at various points of sale in the Netherlands. When the space on the Oosterkade had become too small, the factory moved around 1918 to the building of the former Tegelfabriek 'Holland' on the Rotsoord. Since 2016, the factory has been on the Tugboat in Houten. UMS focused on the general public with its furniture. Business manager and designer Dirk Lubertus Braakman varied on the designs of the Amsterdam school. Although the business design style did not suit the taste of the general public, UMS continued to engage in innovative design, with influences from Scandinavia and art deco. After World War II After the Second World War, Loeb found an empty factory. He decided to rebuild UMS, with his cousin Frits Ullman assisting him. In the first years after the war, UMS mainly worked on behalf of third parties and did not yet have a permanent collection. Around 1947, the factory set a different course, with contemporary design central. In 1948, the new brand name Pastoe was introduced, which was added to the abbreviation UMS. Business manager and designer Cees Braakman, after a study trip through the United States, introduced a new technique of curved plywood and persuaded Loeb and Ullman to use this production method. Due to the use of this new technique, no more reference was made to the craft. New materials such as plywood finished with oak and birch veneer characterized the designs. The new production technique provided the subdued and sober design that later became the company's trademark. UMS Pastoe joined the Good Living Foundation. The focus of the UMS Pastoe collection was mountain furniture, where the consumer could put together a cabinet himself. This new concept of flexible cabinet systems was developed in 1955 in the cabinet system Meubelen-naar-maat. In this series, the cabinet could not only be assembled by the consumer himself, but also expanded later. This series was a great success at home and abroad. This became clear when the teak version was awarded a silver medal in 1957 at the 11th Triennale in Milan and Le Signe d'Or in Belgium. In 1968, the company received the BKI Award for the innovation of PVC-coated chipboard that is milled transversely; the plates could then be folded into a cube. This technique was applied in the 1967 Pastoe Cube...

Cees Braakman for Pastoe, desk, teak, brushed metal, The Netherlands, 1950s. Modest designed desk by Dutch designer Cees Braakman for Pastoe. The table top and drawer compartment are executed in teak. Curved plywood is used to furnish the inner part of the three different drawers, each with a metal handle. A modern exterior...