Andrew Weiss Gallery Sculptures
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Salvador Dalí, "Triomphale", Daum glass plate, 1970
By Salvador Dalí
Located in Chatsworth, CA
Salvador Dalí
"Triomphale"
Original pâte de verre Salvador Dalí plate
Daum Editeur, Nancy, France
Inscribed Dalí on lower right, and numbered 1199...
Category
1970s Surrealist Abstract Sculptures
Materials
Plate Glass
Riho Kuld, "Night Bird, " bronze sculpture
Located in Chatsworth, CA
This piece is a bronze sculpture created by Riho Kuld in 1990. Kuld was born in Estonia in 1936, his work is exhibited in the museums all over the world in c...
Category
1990s Modern Figurative Sculptures
Materials
Bronze
Karel Appel, Floating Family
By Karel Appel
Located in Chatsworth, CA
This piece is an original hand-painted multiple stone sculpture created by Karel Appel in 1976. It was published by Editions Press of San Francisco. This piece is hand signed by th...
Category
1970s Modern Abstract Sculptures
Materials
Stone
Karel Appel, Close Together, original hand painted wood sculpture
By Karel Appel
Located in Chatsworth, CA
This piece is an original rotating hand-painted multiple wood sculpture created by Karel Appel in 1977. It was published by Editions Press of San Francisco. This piece is hand sign...
Category
1970s Modern Figurative Sculptures
Materials
Wood, Paint
Pablo Picasso, "Four Enlaced Profiles, " ceramic plate
By Pablo Picasso
Located in Chatsworth, CA
This piece is a unique variation round plate by Pablo Picasso, created in 1949. It is made with white earthenware clay plate, decoration in engobes and enamel under glaze in white an...
Category
1940s Other Art Style Figurative Sculptures
Materials
Clay
Pablo Picasso, "Face Plate .130"
By Pablo Picasso
Located in Chatsworth, CA
This piece is an A.R. round plate by Pablo Picasso, created in 1963. It is made with white earthenware clay plate, decoration in engobes and enamel under glaze in black, red, green, ...
Category
1960s Post-Modern Abstract Sculptures
Materials
Clay
Pablo Picasso, Unique variant of "Tête peinte" (Painted Face), pitcher, ceramic
By Pablo Picasso
Located in Chatsworth, CA
This piece is an A.R. turned pitcher created by Pablo Picasso in 1953. It is made with white earthenware clay, decoration in engobes and oxides under partial brushed glaze with white...
Category
1950s Modern Figurative Sculptures
Materials
Ceramic, Clay
Pablo Picasso, "Lozenge with Mask", ceramic, clay
By Pablo Picasso
Located in Chatsworth, CA
This hexagonal tile, created by Pablo Picasso in 1956, is made of chamotted red earthenware clay and has decoration in engobes in black and white. It is from the edition of 350, num...
Category
1950s Modern Figurative Sculptures
Materials
Ceramic, Clay
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I love the fact that it depicts pipes, among the most iconic images of the surrealist movement, rooted in Magritte’s famous 1929 painting which depicts a pipe accompanied by the caption “Ceci n'est pas une pipe” (This is not a pipe). Marcel Duchamp loved using pipes...
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Ceramic Plate by Master Art Forger David Stein after Pablo Picasso Vallauris
Located in Surfside, FL
Apres Pablo Picasso (bears a pseudo signature recto)
Hand signed David Stein, dated 1979 verso.
Figural painted porcelain or ceramic serving dish, oval form.
Dimensions: 18" X 14
David Stein (born Henri Haddad, 1935, Alexandria, Egypt – died 1999, Bordeaux, France) was an artist (notorious art forger) who, until 1966, had been frequently sentenced for theft by the French courts before becoming an art forger and art dealer with 15 aliases.
Stein often copied paintings in the style of the masters. For example, he studied Marc Chagall, Matisse, Braque, Paul Klee, Joan Miró, Pablo Picasso, Jean Cocteau and Rouault, in order to copy their color scheme and inspirations.
In 1967 Marc Chagall notified authorities of forgeries of his work hanging in a New York gallery, and Stein was arrested. Art dealers refused to cooperate with the prosecution because it would have incriminated them and made their expertise in the art field questionable. Some art collectors refused to give up their paintings as evidence. Stein was convicted of six counts of art forgery and grand larceny. During his prison term, Joseph Stone, the judge who arrested him, brought him to his office to paint. He remained a good friend of the Stein family long after Stein completed his jail sentence. In 1989 he discovered that Stein never stopped making forgeries.
After Stein had served his prison term in the United States, he was deported to France where he served another term. Prison authorities allowed him to make further paintings, although now using his own name. In 1969 a London gallery sold some of these paintings. After Stein was released, he returned to painting, this time selling his paintings under his own name to put a mask on his real activities.
The book Three Picasso's Before Breakfast (Mémoirs of an Art Forger's Wife) by Anne Marie Stein as told to Georges Carpozi Jr (Hawthorn Book Inc) was written by David's life partner Anne-Marie about their experiences in the art world. In the mid 1980s director Gil Cates gave his agent Arthur Axelman at William Morris a copy of the book which had been written without Stein's involvement. Axelman set out to find Stein and after several years he located him in Manhattan. Stein became an Axelman client and friend. While deals at HBO and ABC did not lead to production of a film, Axelman introduced Stein to Keith Carradine and Alan Rudolph, director of the movie "The Moderns" with ultimately starred John Lone, Géraldine Chaplin, Keith Carradine and Linda Fiorentino. The film was set in the Paris of the '20s although filmed in Montreal. Stein appeared in the film as an art critic and provided all of the art. A minor concern was a scene where a painting in the style of Matisse and Modigliani was to be burned on camera and a Modigliani destroyed by knife. No one cared to destroy any of Stein's copies, "Just good for the camera" say Stein. but a William Morris assistant for agent Axelman suggested making large format copies of the works to be destroyed. Stein refused and during the scene actor John Lone destroyed the Paintings.
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These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension.
ATLETA 2 - LA FORMA...
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H 78.75 in W 25.99 in D 24.81 in
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Bronze Abstract Space Age Book Sculpture LA California Modernist Charna Rickey
By Charna Rickey
Located in Surfside, FL
Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist.
Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina.
Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs.
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Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981.
As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone.
Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery, Woods Davy, Rod Kagan, Pol Bury, Niki de Saint Phalle, Magdalena Abakanowicz, Larry Bell, John Okulick...
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Melanie Sherman
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