Art Mûr Drawings and Watercolor Paintings
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La multitude déchue (tableau)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Canvas, Mixed Media
The Fallen Multitude (Drawing n° 31)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Charcoal
The Fallen Multitude (Drawing n° 23)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Charcoal
The Fallen Multitude (Drawing n° 10)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Charcoal
The Fallen Multitude (Drawing n° 12)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Charcoal
The Fallen Multitude (Drawing n° 13)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Charcoal
The Fallen Multitude (Drawing n° 9)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Charcoal
Cloud (Surtsey 1963)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pastel, Pencil, Archival Paper
Cloud (Entrance, Bikini Islands 1946)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Pastel, Pencil
Cloud (Angel)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Pastel, Pencil
Cloud (Planet)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Graphite, Archival Paper
Cloud (Atlantic tropical cyclons 1954-2021)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Archival Paper, Graphite
Cloud (red)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Graphite, Pencil
Places (2)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Graphite, Pencil
Places (1)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Graphite, Archival Paper
Places (Underworld)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Archival Paper, Graphite
Places (Horreum)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest.
In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come?
Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing.
The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Archival Paper, Graphite
Terra Nova (Space Ship)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Graphite, Archival Paper
Terra Nova (The Island)
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Archival Paper, Graphite
The Space of Absence
By Robbie Cornelissen
Located in Montreal, Quebec
3 sheets of A-4 sized paper.
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working ...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Graphite, Archival Paper
Four Clouds
By Robbie Cornelissen
Located in Montreal, Quebec
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always working with graphite and charcoal, Ro...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Pencil, Graphite, Archival Paper
The Space of Absence
By Robbie Cornelissen
Located in Montreal, Quebec
100 sheets of A-4 sized paper.
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein.
Always workin...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Graphite, Archival Paper, Pencil
Rooms, P.S.1.
By Melvin Charney
Located in Montreal, Quebec
Melvin Charney is known for a series of large-scale installations such as Les maisons de la rue Sherbrooke, Montréal (1976), and A Chicago Construction, (1982), for the creation of ...
Category
21st Century and Contemporary Contemporary Interior Drawings and Waterco...
Materials
Color Pencil, Vellum
Landline #14
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #15
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childhood summers were spent on a his grandfather’s commercial fishing boat, navigating the waters along the coast of Vancouver Island. Assu would trace their boat’s movement on the navigational charts - comparing the landscape in front of him with its abstract representations in a spiral bound book. His grandfather had no need for these abstracted images of the land and water around him, he could read these places like the back of his hand.
As Assu remembers his childhood on the water, the charts’ demarcations become markers of a deeper loss: of land, resources, trade, communication, and kinship between the Liǥwildaʼx̱w, the Kwakwaka’wakw, and the other Pacific coastal...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #9
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #2
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Ink
Landline #10
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #11
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #12
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Ink
Landline #7
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Ink
Landline #6
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #5
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Landline #3
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Ink
Landline #2
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Ink
Landline #1
By Sonny Assu
Located in Montreal, Quebec
They make magic lines on the land that only they can see. - A Hupacasath man’s response to early colonial surveyors demarcating the boundaries of his reserve.
Sonny Assu’s childho...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
The Treasury Edition: Spidey Spectacular #3
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Acrylic, Archival Paper, Paper
The Treasury Edition: Spidey Spectacular #2
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Acrylic, Paper, Archival Paper
The Treasury Edition: Spidey Spectacular #1
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Archival Paper, Acrylic
The Treasury Edition: Spidey Spectacular #7
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Ink
The Treasury Edition: Spidey Spectacular #5
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
The Treasury Edition: Spidey Spectacular #6
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
The Treasury Edition: Spidey Spectacular #4
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Cutting Edge
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Cutting Edge
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Cutting Edge
By Sonny Assu
Located in Montreal, Quebec
As a kid, comic books were a form of entertainment and escape. The ideal of future monetary value in these objects was far from my kid mind. I'd crease the pages, handle the covers w...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Untitled #8
By Jinny Yu
Located in Montreal, Quebec
In the series of works called Me(n)tal Perspectives, the visual play of perspective on and behind the surface is emphasized. My works consider such notions as individuality, mass, an...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Graphite, Archival Paper
Untitled #9
By Jinny Yu
Located in Montreal, Quebec
In the series of works called Me(n)tal Perspectives, the visual play of perspective on and behind the surface is emphasized. My works consider such notions as individuality, mass, an...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Archival Paper, Graphite
Armored Slogan
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Conflictive Ideal
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Elegantly Enslaving Legendary Ideal
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Elegantly Enslaving Ideal
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Dangerous Motto
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Muddy Ideal
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Swollen short motto
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Scorched Motto
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Exhausted Motto
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Peelable Ideals
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
Fallen Ideals
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
100% Eco-Friendly Disposable Ideals
By Renato Garza Cervera
Located in Montreal, Quebec
Through processes like transgression, confrontation and hybridization Renato Garza Cervera’s work questions and generates a series of reflections upon contemporary culture and relate...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink, Archival Paper
