Arthur T. Kalaher Fine Art Still-life Drawings and Watercolors
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“Geraniums”
Located in Southampton, NY
Very well painted original watercolor on archival paper of potted geraniums with metal watering can and garden gloves. Signed in pencil by the artist Peggy Dressel lower right. The S...
Category
1980s Contemporary Still-life Drawings and Watercolors
Materials
Watercolor, Archival Paper
“Still Life with White Roses”
Located in Southampton, NY
Beautiful original watercolor by Jessie Harris Bone Charman. Signed lower right. Circa 1940. Condition is very good. Under glass. Beautifully matted and framed. Overall framed mea...
Category
1940s Modern Still-life Drawings and Watercolors
Materials
Archival Paper, Watercolor
“Roses and Pansies”
Located in Southampton, NY
Very well executed watercolor and gouache on heavy card stock of a spring bouquet composed of mainly roses and pansies. Unsigned. Circa 1915. Original gold painted wood frame. Under...
Category
1910s Post-Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Cardboard
“Roses in a Porcelain Vase”
By Marcel Vertès
Located in Southampton, NY
Here for your consideration is a very well executed oil pastel on archival paper by the well known French artist, Marcel Vertes. Signed lower right. Condition is excellent. Circa 1930. The artwork was done early in the artist’s career; most likely in Paris during his time studying at the Academie Julian. The artwork is housed in its original frame under glass. The ornate gold frame has been recently restored and is in good condition. Overall framed measurements are 31.5 by 26.5 inches. Provenance: A Pennsylvania estate.
Marcel Vertès (born Marcell Vértes), was born on August 10, 1895 in Budapest, Hungary. His first commercially successful works of art were sketches of corpses, criminals and prostitutes he did for a sensationalist magazine in Budapest. He then did illustrations for many of the clandestinely printed publications opposing the Hapsburg monarchy at the end of WWI.
After the war he moved from his native Hungary to Vienna, Austria and then to Paris, where he was a student at the Academy Julian, living and working in the famous Latin Quarter. Vertes quickly established himself as a regular in the Paris art scene and his work became lighter and more lyrical. In Paris he concentrated on illustration, painting and printmaking, especially lithography. In 1935 he made his first trip to New York to make contacts. Two years later he had his first one-man show in New York.
At the end of WWII he returned to New York with his wife, escaping the Nazi invasion of Paris by two days. He then began to divide his time between New York and Paris. Ten years later, he returned to his beloved Paris and spent the remaining years of his life there.
While in the United States he became a consultant to the Producers and Set Designers of the 1952 Award Winning film Moulin Rouge, about the life and times of artist Henri De Toulouse-Lautrec (1864-1901). He won two Academy Awards for ‘Best Art Direction’ and ‘Best Costume Design’. Interestingly, Marcel Vertès originally earned his tuition money for his European education by making forgeries of Lautrec's works. As such, his expertise was exhibited in the film when his hand is used as the hand of Toulouse Lautrec as he drew, and his images were accordingly used in the film and given appropriate credit in the trailer to the film. Vertes also appeared in the British production credits as Color Production Designer, and Costume Designer for the film, with Schiaparalli (the same of Paris, and Italy). They both jointly won the British Academy Film award in 1952 for Best Costume Design for Moulin Rouge.
Vertès is also responsible for the original murals in the Café Carlyle in the Carlyle Hotel in New York City and for those in the Peacock Alley...
Category
1930s Post-Impressionist Still-life Drawings and Watercolors
Materials
Oil Pastel, Archival Paper
“Spring Bouquet 2”
By Rosalind Oesterle
Located in Southampton, NY
Original watercolor on archival paper by Rosalind Oesterle. Circa 1970. Signed lower left by the artist. Oval format. Condition is excellent. Profe...
Category
1970s Contemporary Still-life Drawings and Watercolors
Materials
Watercolor, Archival Paper
“Spring Bouquet”
By Rosalind Oesterle
Located in Southampton, NY
Original watercolor on archival paper by Rosalind Oesterle. Circa 1970. Signed lower left by the artist. Oval format. Condition is excellent. Profe...
Category
1970s Contemporary Still-life Drawings and Watercolors
Materials
Watercolor, Archival Paper
“John in Wonderland”
Located in Southampton, NY
Original finely executed and detailed colored pencil on archival paper drawing of a colored sphere by the American contemporary artist, John D. Herz. Signed lower right. Done in 2022...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Color Pencil, Archival Paper
“In the Beginning”
Located in Southampton, NY
Original finely executed and detailed colored pencil on archival paper drawing of a colored sphere by the American contemporary artist, John D. Herz. Signed lower right. Done in 2022...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Archival Paper, Color Pencil
“”Out of my Mind”
Located in Southampton, NY
Original finely executed and detailed colored pencil on archival paper drawing of a colored sphere by the American contemporary artist, John D. Herz. Signed lower right. Done in 2022...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Color Pencil, Archival Paper
“Purple Haze”
Located in Southampton, NY
Original finely executed and detailed colored pencil on matte board drawing of a purple iris flower by the American contemporary artist, John D. Herz. Signed lower right. Done in 202...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Color Pencil, Board
“Passion for Life”
Located in Southampton, NY
Original finely executed and detailed colored pencil on matte board drawing of a passion flower by the American contemporary artist, John D. Herz. Signed lower right. Done in 2022. ...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Color Pencil, Board
“Floral Bouquet with Mandolin”
Located in Southampton, NY
Beautiful floral watercolor and gouache on paper with musical instruments by the German artist, Friedrich (Frederick) Jungling. Signed lower right and dated 1908. Excellent condition...
Category
Early 1900s Academic Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Archival Paper
"Daffodils in Ceramic Pitcher"
Located in Southampton, NY
Here for your consideration is a beautiful watercolor still life on heavy paper by the German artist, E. Riehle. Signed and dated lower right, 1903. In good condition with it's orig...
Category
Early 1900s Academic Still-life Drawings and Watercolors
Materials
Paper, Watercolor
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Tiny Sanctuaries
There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences.
At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...
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In 2003 and 2005, the American Academy in Rome invited Bukovnik to
attend the academy as a Visiting Artist and provided him with a room and studio for six weeks. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan.
Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St.
Helena, CA; Trajan Gallery in Carmel, CA; Campton Gallery in New York City; Concept Gallery in Pittsburgh, PA; Elins Eagles-Smith Gallery and A.C.T. Gallery in San Francisco, the Bonfoey Gallery in Cleveland and the Erickson Fine Art Gallery in Healdsburg. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies.
Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. Among the artwork displayed at the Brevard Museum of Art was a tapestry based on a Bukovnik watercolor and hand-woven in Aubusson, France by Atelier Raymond Picaud, weavers since the eventeenth century. Atelier Raymond Picaud has been at the forefront of progressive tapestry firms since the 1930s, focusing on images of modern artists such as Alexander Calder, Georges Braque, and Helen Frankenthaler.
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Christina Haglid
Artist's Statement
I used to write a lot of poetry, and it has shaped the narrative process in my artwork. Now painting has replaced writing. Objects in the painting are considered like words placed on a page. I use flowers, manipulated objects, and architecture together in compositions to symbolize the subtle conversations and interactions between them. They are placed in imaginary landscapes that are inspired by actual places and travels.
All the paintings are watercolor and gouache on stonehendge paper, and they are made up almost entirely of individual brushstrokes.
EDUCATION
1993 M.F.A., Cranbrook Academy of Art
1991 B.F.A., Maryland Institute, College of Art
1990 Skowhegan School of Painting and Sculpture
EXHIBITIONS
2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL
2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL
2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL
2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL
2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL
"Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL
2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL
2009 “Botanica” Ann Nathan Gallery, Chicago, IL
2006 “Botanicus” Ann Nathan Gallery, Chicago, IL
2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL
2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL
2004-05 “Think Small” Illinois State Museum, IL [traveled]
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"APPLE BLOSSOM AND YEW", watercolor, flowers, tree, berries fruit, flora pattern
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