Assemblage Ltd. Seating

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Absolutely stunning pair of Jean Royere style chairs in light pink faux fur. The chairs are extremely comfortable with a unique profile hiding 4 wood legs. These chairs were custo...

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

Pair of Club Chairs made out of a frame of solid Rosewood and upholstered in a Pearl White color silk velvet. These chairs were designed in France in the style of Jules Leleu. Jule...

Reupholstered in Crypton "Island" (B8671) fabric, circa 1965. Great lines and profile. Solid ash tapered legs, slightly contoured arms. Made for maximum comfort. Reminiscent of desig...

High style Art Moderne club, lounge chair in the style of the iconic Speed chair designed by Paul Frankl. This example is in very clean ready to use condit...

Beautiful and stylish chrome and red leather club chairs in the style of Le Corbusier.

We are delighted to offer this lovely original vintage hand dyed Mahogany brown leather Chesterfield tufted directors chair A very good looking well made and comfortable directors chair. Its Chesterfield buttoned both back and base, the seat platform is a traditional sprung base so very comfortable, this is the bosses chair...

Classic Art Deco club chairs in stained cherry. French, circa 1925. 29" wide x 30" deep x 37" high. Model documented in “Paul Follot” book. PAUL FOLLOT (1877 - 1958) Paris-born decorative artist and sculptor PAUL FOLLOT studied at Ecole Normale d'Enseignment du Dessin under Eugene Grasset. In his early graphic design work he was influenced by medieval and Pre-Raphaelite art. In 1901 he joined La Maison...

Wonderful pair of midcentury brown faux leather armchairs. These fantastic pieces were designed in Italy during the 1950s and inspired by the work of Andre Motte These pair of armch...

Pair of custom wing chairs in the style of Gio Ponti upholstered in Romo amethyst velvet.

Vintage Italian brown leather and chrome armchairs, 1980s, set of five.