Vintage Looks

Patinated bronze stags standing over rocky outcrop, signed after Jules Moigniez with marble base.

This important and unusual pair of life size French 19th century Blue Herons are realistically depicted with the two birds foraging in their natural environment. One large Heron is h...

A pair of vintage bronze ducks from the mid-20th century, standing on their feet. Created during the second quarter of the 20th century, e...

Superb antique patinated bronze model of a pointer by Jules Moingiez. Outstanding cast and in pristine condition this shows a pointer at work in a most skillful way. The pointer aler...

This pen holder is truly refined, made of biscuit porcelain. Elaborate decoration with a loving couple on the front. Two compartments for pens. Perfect for a refined desk.

A set of 6 fine French reticulated porcelain plates. By Bloch & Bourdois. Decorated throughout with floral sprays, raised gold, gilt highlights, and a reticulated rim. Simpl...

Large Statue in patinated spelter. Hunting dog holding a pheasant, signed Jules MOIGNIEZ (1835-1894). 31 cm high x 37 cm width. Jules Moigniez was a 19th-century French animal scul...

Antique lot includes creamer, demitasse cup, and two bone dishes by Dresden, one demitasse cup by Meissen, and one candlestick by Klemm. “The Sächsische Porzellan-Manufaktur Dresden GmbH (Saxon Porcelain Manufactory in Dresden Ltd), generally known in English as Dresden Porcelain, is a German company for the production of decorative and luxury porcelain. Founded in1872, it is located in Potschappel, a suburb of the town of Freital in the Sächsische Schweiz-Osterzgebirge district about 8 km (5 mi) southwest of Dresden, the capital of Saxony. Dresden Porcelain introduced its blue "SP Dresden" trademark in 1902.” "Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and Elector of Saxony. The production of porcelain in the royal factory at Meissen, near Dresden, started in 1710 and attracted artists and artisans to establish, arguably, the most famous porcelain manufacturer known throughout the world. Its signature logo, the crossed swords, was introduced in 1720 to protect its production; the mark of the swords is reportedly one of the oldest trademarks in existence. Meissen remained the dominant European porcelain factory, and the leader of stylistic innovation, until somewhat overtaken by the new styles introduced by the French Sèvres factory in the 1760s, but has remained a leading factory to the present day. Since 1991, the manufactory has been operating as the Staatliche Porzellan-Manufaktur Meissen GmbH,[2] whose owner is the Free State of Saxony. The company is one of the world's leading porcelain manufacturers and one of the oldest and most internationally known German luxury brands." "Karl Richard Klemm founded a porcelain decorating studio in Striesen bei Dresden in 1869. The porcelain was obtained primarily from the Meissen factory itself, much of it being seconds. The decorating style of Richard Klemm closely matched that of the Meissen factories at that time. He often used a heavily applied style that focused on florals. In many instances, the porcelain pieces of Richard Klemm are emblazoned with a gold leaf at the base. This gold leaf was used to hide the marks made by the original manufacturer of the blanks that he used for decorating. Richard Klemm, along with Helena Wolfsohn, Karl Thiem, Ambrosius Lamm and Donath & Co., were among the most sought after porcelain decorating studios at this time. In the early 1880's Richard Klemm registered his mark, the "Klemm Dresden...

Hunting Dog Bronze Sculpture.English Spaniel Pointer Hunting Dog.This beautifully executed cast bronze figure of the hunt canine sculpture depicts a...

20th Century bronze depicting a saddled race horse. After Jules Moigniez (French, 1835-1894). Signed along the top by the hind legs. The bronze is...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

This set of 12 dinner plates are made by the iconic Ambrosius Lamm Dresden in a rare Arts & Crafts style decoration featuring a clear white cent...