AtKris Studio Bookcases

The sideboard designed by IB KOFOD-LARSEN, Model FA66. His work is represented by the Elizabeth chair, and he also left a great product for storage, and this is a typical piece of st...

Amazing mid-century bamboo and Rattan triangular corner bookshelf. Franco Albini inspired the design of this piece, produced in Italy during the 1970s. This piece is fantastic thank...

Ib Kofod-Larsen FA-66 Rosewood Sideboard for Faarup Møbelfabrik, Denmark, 1960s This elegant long sideboard has four drawers to the frieze above four cupboards. The left cupboard c...

Amazing midcentury triangular bamboo and rattan corner shelves. This fantastic piece was designed in Italy during the 1970s after Franco Albini. The triangular structure is in bam...

Wall unit designed by Ico Parisi 1958 for MiM, Rome. All shelves are adjustable in height and also has moveable stands for books which are adjustable. The unit is designed to lean on...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

A fine Italian bookcase cabinet with brass finishes in excellent vintage condition. attributed to Paolo Buffa, 1950s.   

Italian vintage cabinet in the manner of Ico Parisi featuring ceramic handles, brass pulls and cartouche decorations by Richard Ginori. Constru...

A Cees Braakman CB05 Birch chest of drawers for UMS Pastoe, designed 1952, Netherlands. A Cees Braakman designed CB05 birch chest of drawers, part of the Combex range. Consisting ...

Memphis-inspired 'Magic' cabinet by Gerard Van Den Berg for Pastoe, a rare gem that exudes Dutch flair. This original piece, featured prominently in the Eddie Murphy...

A wonderful piece from the Birch - series with distinctive laced legs. Designed by Cees Braakman for Pastoe in the early 1950s. Bookcase with 2 shelves an...

Bring home the cream of the midcentury crop with this genuinely spellbinding rosewood sideboard by legendary Danish designer Ib Kofod-Larsen for the world-class furniture makers of F...