Art

Susan Kiefer Planar Assembly Oil on Canvas Year: 2022 Size: 48x36x1.35in Signed by hand COA provided Ref.: 924802-1049 Though born and raised in Kansas City, artist Susan Kiefer li...

Peter van Poppel (1945-2023) is one of the most important new realists in the Netherlands. His paintings are often populated by lovely, sometimes fair...

"Nude in French interior", in a room lighted from one side. Part of my Nude in interior series. Inspired in contrast and colors by French artist Henri de Toulouse-Lautrec. Nude placed in a French palace, a sober classical interior in contrast with the modern relaxed attitude of the main character. Size is 150x150cm / 59x59in, oil on canvas. Painting was part of my solo show "Nude in Interior", March 2022. Can be shipped rolled in a tube for faster and less expensive shipping. Please inquire. "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Peter van Poppel (1945-2023) is one of the most important new realists in the Netherlands. His paintings are often populated by lovely, sometimes fair...

Still life with cherries is an original oil painting realized by Zhang Wei Guang (Mirror) in 2000s. Includes frame. Very Good conditions. ...

Artist/ School: French expressionist/ abstract contemporary artist, 21st century Title: Abstract composition Medium: oil/mixed media painting on canvas, unframed. canvas: 25.75...

This painting is a gently glowing Expressionist still life. The shades Francesca Owen has used are naturalistic and warm. Now more than ever there's a p...

There’s something restorative in being outside in the fresh air. It enables one to recharge and relax. Even if one has no outside space of ones own to dream in art makes it possible. Francesca Owen...

A charming depiction of an interior scene with a woman playing the piano passionately. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautif...

Ana Guzman is known for work that is fresh, colorful, vibrant, and often playful. Her drawing resonates with electric energy, and her subject matter has the ability to transport the ...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

“My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring...