Century Design Ltd. Contemporary Art

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Metallic silver and gold background with vibrant red bunny outline, framed beautifully. SIGNED and dated 2014 - early work for Slonem. Hunt Slonem is a renowned painter known for p...

Op Art serigraph from Hungarian/French artist Victor Vasarely, signed in lower corner and numbered 32/250. The original work is professionally framed in a matte brushed aluminum frame.

The Mastaba (Project for United Arab Emirates) by Christo Yavachev (1935 - 2020) Pencil and wax crayon Measures: 80 cm x 59 cm (31 x 23 1/4 inches) Signed and dated Christo 1979 E...

A beautiful lithographic print by Argentinian-born Italian surrealist painter, designer, illustrator, and author Leonor Fini titled "Femme Avec Cheveux Rouge". Leonor Fini was arguably the most ferociously and heroically independent woman artist of the 20th century. Fini herself never accepted the label of "woman artist," and likewise, never considered herself a Surrealist despite her works having been included in nearly every major Surrealism exhibition from 1936 to the present. In the 1930s she lived in Paris, France where she collaborated with, or who were influenced by such prominent 20th-century artists as Jean Cocteau, Man Ray, Leonora Carrington, Salvador Dalí, Joseph Cornell, Dora Maar, Anna Magnani, Albert Camus, Jean Genet...

This delightful round framed print of a Peacock from a series of exquisitely detailed British natural history illustrations from the early 19th century. Prints of this style were or...

An engaging modern abstract lithographic print that appears to be featuring a human torso/ body - somewhat reminiscent of the abstract works of Henry Moor...

This is a colorfully and exuberant serigraph, printed on embossed paper. Gold decorative frame. Numbered at left 13/25 and signed in pencil at bottom right. Unframed art...

A 1970s framed Victor Vasarely limited edition Op art serigraph titled “Torony III”, signed and numbered 35/250. Three-dimensional ovoid shape comprised of warped fluorescent red, green, and blue stepped blocks of varied brightness that call to mind the Classic early-‘80s arcade & home video game...

A wonderful and alluring, dark, rich black and white lithograph by Chicago-born American painter and artist Richard Florsheim. The work, titled "Blast Furnaces...

A beautiful lithographic print by Argentinian-born Italian surrealist painter, designer, illustrator, and author Leonor Fini titled "Deux Femmes". Leonor Fini was arguably the most ferociously and heroically independent woman artist of the 20th century. Fini herself never accepted the label of "woman artist," and likewise, never considered herself a Surrealist despite her works having been included in nearly every major Surrealism exhibition from 1936 to the present. In the 1930s she lived in Paris, France where she collaborated with, or who were influenced by such prominent 20th-century artists as Jean Cocteau, Man Ray, Leonora Carrington, Salvador Dalí, Joseph Cornell, Dora Maar, Anna Magnani, Albert Camus, Jean Genet...

Mario Schifano "Acerbi" Year: 1990s Medium: Materic serigraph Edition: 99/199 Frame size: 110 x 80 x 5 cm Signed and numbered.