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Period: 1910s
Chalk Butte (Montana), 1916 Oil Landscape Painting, American Impressionist
Located in Denver, CO
Oil on canvas painting by Anna Elizabeth Keener (1895-1982) titled 'Chalk Butte (Montana)' painted circa 1916. Signed lower left, titled verso by the artist. Presented in a custom fr...
Category

1910s American Impressionist Landscape Paintings

Materials

Canvas, Oil

Grand Canyon of Arizona from Hermit Rim, Vintage 1912 Chromolithograph
By Thomas Moran
Located in Denver, CO
The Grand Canyon in Arizona from Hermit Rim by Thomas Moran. Early 20th century vintage color lithograph printed in 1912, signed and dated within plate lower left, titled lower cent...
Category

1910s American Impressionist Landscape Prints

Materials

Paper, Color, Lithograph

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Windmill And Well At Dusk - Original Vintage Lithograph
By Peter Hurd
Located in Soquel, CA
Windmill And Well At Dusk - Original Vintage Lithograph Original vintage black and white lithograph of a windmill and well at dusk by Peter Hurd (American, 1904-1984). The viewer looks out into the New Mexico desert, as a windmill stands in back of a full water tank. The setting dusky sun lights the horizon as the crescent moon comes into view. Simple, beautiful New Mexico desert scene. Signed in print575 "Peter Hurd" lower right. Presented in a silver frame with an inner white mat. Frame: 15.25"H x 19.25"W Mat: 14.5"H x 18.5"W Image: 8.75"H x 10.25"W Peter Hurd (American, 1904-1984) was an American painter whose work is strongly associated with the people and landscapes of San Patricio, New Mexico, where he lived in the 1930s. He is equally acclaimed for his portraits and his western landscapes. Early in his life, Hurd studied in Chadds Ford, Pennsylvania under the noted illustrator N. C. Wyeth, along with two of his grown children. Hurd later married the painter's eldest daughter, Henriette Wyeth, who also is known as an accomplished painter. During World War II, Hurd worked for Life magazine as a war correspondent attached to the US Air Force. He created hundreds of "War Sketches". Hurd came to national attention in the 1930's for both painting and book illustration. Among the books are Last of the Mohicans (1926), Great Stories of the Sea and Ships (1933), and Habit of Empire (1938). Nevertheless, he was most associated with the New Mexico subjects which occupied most of his career. He worked primarily in egg tempera on gesso, a medium he introduced to his younger brother-in-law, Andrew Wyeth. Hurd's realist palette and brush technique of fine, linear marks and hatches beautifully conveyed the scrubby high-desert landscape. He loved to explore the visual effect of constantly changing weather and sunlight on the land. Hurd also was known for his honest yet sympathetic portrayals of local ranch and farm families going about the work and pleasures of their daily lives. Sponsored by New Deal art programs, Heard painted murals for the Big Springs, Texas Post Office in 1938 and the Terminal Annex Building in Dallas in 1940. In that latter year he also completed three fresco murals at the Alamogordo, New Mexico Post Office. From 1942 to 1945 Hurd worked as a war correspondent for Life magazine and then resumed full-time painting. During 1953 and 1954 Peter, Henriette, and two students, Manuel Acosta...
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1930s American Impressionist Landscape Prints

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Canyon and River - Desert Landscape
Located in Soquel, CA
A beautiful vintage oil painting of a canyon and river. Signed "C. Leo" in the lower left. Oil paint on canvas. Unframed. Image, 16"H x 20"W.
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1970s American Impressionist Landscape Paintings

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A Winter Scene - Snowy 1930's Landscape
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Located in Soquel, CA
Serene winter landscape of a snow covered hills with a frozen creek and far off house in the distance by Frederick Wagner (American, 1864-1940), c.1930's. Signed "F. W." lower right....
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1930s American Impressionist Landscape Paintings

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Four Walking Figures
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Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches ...
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Rustic Cabin in the Trees Landscape
Located in Soquel, CA
Vibrant landscape of a country cabin surrounded by beautiful trees by an unknown artist (American, 20th Century). Signed and dated "LMD '95" lower right. Presented in rustic frame. I...
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1990s American Impressionist Landscape Paintings

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Mid Century California Stream and Redwoods Forest Landscape
By Elizabeth Hubbell
Located in Soquel, CA
Simultaneously vivid and peaceful, this landscape oil painting of California Redwoods and mountain stream is by Elizabeth Hubbell (American, 1905-1999), c.1960. Signed lower left. Presented in rustic giltwood frame. Image size: 20"H x 24"W. Framed size: 26"H x 29.50"W x 2"D. Elizabeth Hubbell was a California artist with a 60 year career who was noted for her landscapes. Elizabeth and her daughter Patricia were excellent artists and Elizabeth was noted for her Redwood tree paintings.
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Leaves, Monceau
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed Artist Proof in pencil Paper: Arches Im...
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Leaves, Monceau
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H 18.25 in W 14.85 in D 1.25 in
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Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Afternoon Year: c.1980 Medium: Original color lithograph Edition: Numbered 62/225 in pencil Paper: Arches Image size: 10.75 x...
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Late 20th Century American Impressionist Landscape Prints

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H 18.25 in W 14.85 in D 1.25 in
"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
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Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting. Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W. Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America. In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives. A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
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Skier Allan Mardon, Canadian (1931) Date: Circa 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 29 in. x 21 in. (73.66 cm x 53.34 cm)
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