Decoratum Tables

Arch table - L by Kristina Dam Studio Materials: Brown powder-coated steel. Also available in different colors. Dimensions: 40 x 40 x H 46 cm The Mo...

Drum side table by Dare Studio Dimensions: ø 40 x H 45 cm Materials: Solid American black walnut Also available in European white oak in waxed oil timber finish The Drum side and coffee tables are sleek and practical occasional tables table designed by Sean Dare for Dare Studio. The design of the tables resemble giant spools which conveys a sense of solidity and lightness at the same time. These occasional tables are versatile companions to sofas and armchairs and also work well as bedside tables or as pedestals for displaying...

Bast side table by Swell Studio Dimensions: D46 x W46 x H59 cm. Material: bleached maple, white alabaster, blackened steel. Bleached maple top floating above a fragmented piece ...

Chunk side table by Swell Studio Dimensions: D31 x W26 x H46 cm Material: White alabaster, Breccia Stazzema. Hand shaped from a solid block of...

"Harry" console, geometrical design, in oxidized steel and black patina, by Stephane Ducatteau. This line is an exclusive creation for our gallery. Each piece is signed and numbered.

Metamorphic nightstand by Studio Christinekalia Dimensions: W 45 x D 50 x H 36 cm. Materials: Lacquered MDF. This design piece is a versatile companion to various functions. Se...

Reidi Modular Tables by Studio Lel Dimensions: D59 x W59 x H41 cm each module Materials: Serpentine, Resin, Marble, Metal The Reidi Collection takes...

19th century French Charles X paved and inlaid centre table with round top Elegant central table made in France in the Charles X period, paved with different woods. The circular pla...

Ornately carved mahogany octofoil centre table with rouge marble top. Turned feet on splayed legs with beaded apron. Upwardly bowed four part stretcher wi...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

Antique 19th century French boulle centre table. The serpentine shaped top features all-over tortoiseshell and profuse inlaid brass decoration, qua...

A fine Regency period tilt-top brass inlaid mahogany and calamander library center table. Raised on a concave-sided triform base, with well-modelled cast-brass scrolling feet. Also referred to as a monopodium (table). All in excellent condition, well figured, and of very good rich color. Typical of designs by Thomas Hope (1769 - 1831). This form of antique table is also associated with work by George Bullock (1777 - 1818) and George Oakley (circa 1765 - 1841). Refs: A similar table with a leather insert, in the manner of Thomas Hope, circa 1800 - 1805, was sold in London for £39,650 - December 2010. This early 19th century table is reminiscent of the ‘Grecian’ style that the pioneering collector and designer Thomas Hope (1769-1831) popularized in Britain with the publication of ‘Household Furniture and Interior Decoration’ in 1807. Thos. Hope (banker, born 1769, d. 1831) The furniture manufacturer George Oakley (circa 1765-1841) was greatly influenced by Hope’s designs, and produced fashionable furniture in this style, using brass and star inlays similar to our table on offer. The firm’s designs and craftsmanship earned them royal patronage, and Oakley worked for the Prince Regent at Carlton House, as well as supplying furniture and upholstery for The Mansion House and The Bank of England. His work for the Cheere family - of Papworth Hall, Cambridgeshire, UK - is well documented. The reference to Geo. Oakley relates to a known table of this pattern in calamander wood and brass marquetry of starred-ribbon guilloche, which corresponds to the brass marquetry in a table supplied by Oakley in 1810 to Papworth Hall. Lit: Parker, R. 'History of Papworth Everard...