Galerie Alberio Fine Arts Nude Paintings
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Nymphs Dancing
By Henri-Pierre Picou
Located in Saint-Ouen, FR
PICOU Henri Pierre (1824-1895)
Nymphs Dancing
Oil on canvas signed and dated 1881 low left
Old frame regilded with leaves
Dim canvas : 62 X 82 cm
Dim frame : 80 X 100 cm
PICOU Henri Pierre (1824-1895)
French Painter 19th century
Born on February 27th, 1824 in Nantes - Died on July 17th, 1895 in Nantes
Painter of History, allegorical subjects, genre paintings, Symbolist.
Pupil of Paul Delaroche...
Category
1880s Academic Nude Paintings
Materials
Oil
Cherubs Musicians in pair
Located in Saint-Ouen, FR
Mathilde LEHAUT (1816- nc)
Cherubs Musicians in oval pair
Two Oils on wood signed low
Framed by Gault (Paris) - Gold leaves
Dim wood panel (each) : 27 ...
Category
Mid-19th Century Academic Portrait Paintings
Materials
Oil
Young Lady and Cupid in The Park
Located in Saint-Ouen, FR
C.BRIAND
Young Lady With Cupid in The Park
Oil on canvas circa 1880 signed low right
Old Frame gilded with leaves
Size canvas : 65 X 55 cm
Size frame : 93 X 82 cm
Category
1880s Academic Portrait Paintings
Materials
Oil
Female Nude
Located in Saint-Ouen, FR
Paul-Élie Gernez (1888-1948)
Paul-Élie Gernez (born 27 January 1888 in Onnaing, France, and died 6 September 1948 in Honfleur) was a French painter, watercolor...
Category
1930s Modern Nude Paintings
Materials
Oil
The Naiad and the Swan - Painting 19th Century
Located in Saint-Ouen, FR
Albert Auguste FOURIE (1854-1937)
The Naiad And The Swan
Oil on Wood signed low left
New golden and invory stick frame
Dim wood panel : 35 X 27 ...
Category
Late 19th Century Symbolist Nude Paintings
Materials
Oil
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
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But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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H 39.38 in W 39.38 in D 1.97 in