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Creator: Gustav Klimt
"Sleeping Couple" by Gustav Klimt - Original Print from Courtesans Folio
By Gustav Klimt
Located in Chicago, IL
Plate #15 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kl...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

"Masturbating Woman" by Gustav Klimt - Original Print from Courtesans Folio
By Gustav Klimt
Located in Chicago, IL
Plate #9 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

"Sleeping Woman" by Gustav Klimt - Original Print from Courtesans Folio
By Gustav Klimt
Located in Chicago, IL
Plate #1 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

"Two Sleeping Women" by Gustav Klimt - Original Print from Courtesans Folio
By Gustav Klimt
Located in Chicago, IL
Plate #10 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kl...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

"Reclined Woman w/Necklace" by Gustav Klimt - Original Print - Courtesans Folio
By Gustav Klimt
Located in Chicago, IL
Plate #7 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

"Fish Blood" Art Nouveau Lithograph by Gustav Klimt for VerSacrum
By Gustav Klimt
Located in Chicago, IL
Ver Sacrum (meaning "Sacred Spring" in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifi...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

"Die Hexe" Art Nouveau Lithograph by Gustav Klimt for Ver Sacrum
By Gustav Klimt
Located in Chicago, IL
Ver Sacrum (meaning "Sacred Spring" in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifi...
Category

1890s Art Nouveau Figurative Prints

Materials

Lithograph

Ottokar Mascha Folio, plate 8: "Poster for the 1st Vienna Secession Exhibition"
By Gustav Klimt
Located in Chicago, IL
After GUSTAV KLIMT (1862-1918) THESEUS UND MINOTAURUS, 1898, final design submission for poster advertising the first exhibition of the Vienna Secession, (In Mascha, no. 8) As a cele...
Category

1910s Vienna Secession Figurative Prints

Materials

Lithograph

Gerlach's Allegorien Folio, plate #58: "Sculpture" Lithograph, Gustav Klimt.
By Gustav Klimt
Located in Chicago, IL
As an artist trained in the applied arts, Gustav Klimt valued all forms of art, including the graphic arts. This final design from 1896 for inclusion in Allegorien published by Gerlach & Schenk demonstrates respect for artistic precedent and for a wide range of media and technique. The publication was printed in an unknown number of copies. Klimt’s rendering in latin of the title, “SCVLPTVR.,” with three-dimensional effect on the wall, is a figurative allusion to this medium as well as a literal reference to Ancient Rome. By doing the same with his signature and date in roman numerals on the right hand side of the image, Klimt places himself, The Artist, firmly in this linear and legitimizing context of art history and as its modern standard-bearer. Playing on Classical mythology and the story of Pygmalion, in which a statue comes to life, Klimt presents his modern Venus holding an apple. Klimt’s Venus exhibits a curvilinear softness; there are no angles. Klimt deftly shows the possibilities in a graphic image to give life to dark, wavy hair and tenderness to swelling breasts and belly. To further emphasize the allegory of thriving modern art, he contrasts his Venus with the cold, hard ancient classical head whose eyes are vacuous and whose hair is but a stylized mass of curls. Klimt’s living Venus stands in front of the large bust and large classical pillar upon which is a sculpture of a Sphinx and a Greek Attic bust. As if a gallery to represent sculpture’s “best of” through the ages, the upper horizontal panel includes bust depictions in marble, cast metal and wood...
Category

1890s Vienna Secession Figurative Prints

Materials

Lithograph

Gerlach's Allegorien, plate #46: "Love" Lithograph, Gustav Klimt.
By Gustav Klimt
Located in Chicago, IL
Klimt’s association with Martin Gerlach dates back to the early 1880s when Gerlach and Schenk published their first edition of Allegorien und Embleme. By the mid-1890s, they were pla...
Category

1890s Vienna Secession Figurative Prints

Materials

Lithograph

Gerlach's Allegorien Folio, plate #53: "Junius" Lithograph, Gustav Klimt.
By Gustav Klimt
Located in Chicago, IL
Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...
Category

1890s Vienna Secession Figurative Prints

Materials

Lithograph

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The Drunkard in Spring —after Gustav Mahler's 'The Song of the Earth'
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