Galleri GKM Siwert Bergstrom Drawings and Watercolor Paintings
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Au bout, la lumière
By Philippe Huart
Located in Malmo, SE
Artwork size: 100x70 cm
Frame size 116x86 cm
Signed, titled and dated on the verso.
Acquired directly from the artist.
Free shipment worldwide.
Working on a variety of perceptual ...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pen, Graphite
Le jour se lève
By Philippe Huart
Located in Malmo, SE
Signed, titled and dated on the verso.
Acquired directly from the artist.
Free shipment worldwide.
Working on a variety of perceptual levels, Philippe Huart lets one visit his intim...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pen, Graphite
Hommage á Léger
By Erró
Located in Malmo, SE
Artwork size: 47×38 cm
Frame size: 62,5 x 51,5 cm
Free shipment worldwide.
Acquired directly from the artist.
Signed and dated on the verso.
“I paint because painting is a private ...
Category
Early 2000s Pop Art Figurative Drawings and Watercolors
Materials
Paper, Watercolor
Foot Musik
By Roberto Matta
Located in Malmo, SE
Frame size 76x78 cm.
Free shipment worldwide.
Acquired directly from the artist.
Archive number (P90/41)
“The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom.
Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others.
Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings.
Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...
Category
1990s Surrealist Drawings and Watercolor Paintings
Materials
Gouache, Mixed Media
SF 89-153.
By Sam Francis
Located in Malmo, SE
Artwork size: 67 x 51 cm.
Frame size: 112 x 97 cm.
Free shipment worldwide.
Archive number SF 89-153 in the Sam Francis Foundation.
Stamped with the Sam Francis Estate logo and stamped signature on verso.
Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire.
Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre.
The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings.
The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking.
Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work.
Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art.
He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia.
He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994.
Sam Francis’s first...
Category
1980s Contemporary Abstract Paintings
Materials
Paper, Acrylic
Femme au tropique rouge
By Corneille
Located in Malmo, SE
Artwork size: 34 x 47 cm.
Frame size: 53 x 65 cm.
Free shipment worldwide.
Signed and dated.
Acquired directly from the artist.
Corneille, one of the founders of the COBRA group, ha...
Category
1990s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Gouache
Foot Musik.
By Roberto Matta
Located in Malmo, SE
Pastel, gouache and coffee on paper.
Artwork size: 58 x 56 cm.
Frame size: 78 x 76 cm.
Free shipment worldwide.
Acquired directly from the artist.
Archive number (P90/37)
“The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom.
Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others.
Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings.
Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander.
In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...
Category
1990s Abstract Mixed Media
Materials
Mixed Media
Sawblade
By Fernandez Arman
Located in Malmo, SE
Imprint-ink on paper.
Unique artwork.
Artwork size: 120 x 80 cm.
Frame size: 140,5 x 98,5 cm.
Free shipment worldwide.
Acquired directly from the artist.
Framed with a silver frame ...
Category
1970s Contemporary Figurative Paintings
Materials
Paper, Ink
Trois bleus en diagonale.
By James Coignard
Located in Malmo, SE
Acquired directly from the artist.
Unique artwork.
Artwork size: 9,5 x 17 cm.
Frame size: 27 x 34 cm
Frame in silver.
Museum glass anti-reflective.
Free shipment worldwide.
“With ju...
Category
Early 2000s Abstract Mixed Media
Materials
Mixed Media
Foot Musik
By Roberto Matta
Located in Malmo, SE
Artwork size: 56 x 58 cm.
Frame size: 76 x 78 cm.
Free shipment worldwide.
Archive number (P90/36)
Acquired directly from the artist.
“The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...
Category
1990s Surrealist Abstract Drawings and Watercolors
Materials
Mixed Media
Non Violence
By Carl Fredrik Reuterswärd
Located in Malmo, SE
Artwork size: 73 x 98 cm.
Frame size: 93 x 117 cm.
Frame in wood silver
Acquired directly from the artist.
Free shipment worldwide.
Carl Fredrik Reuterswärd...
Category
1980s Contemporary Figurative Drawings and Watercolors
Materials
Mixed Media, Watercolor
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1957 Feminist Surrealist Israeli Colorful Watercolor Painting Myriam Bat Yosef
Located in Surfside, FL
Myriam Bat-Yosef
Surrealist abstract painting in colorful abstract shapes and shades in the style of Joan Miro
Hand signed and dated Tel Aviv, 1957.
frame measures 10 X 5.5 sheet measures 2.5 X 7 inches
The envelope of the Peter Buch poster is just for provenance and is not included in this sale.
Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31 , 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Myriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering.
Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother.
In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel.
In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening .
In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War.
In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth .
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In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc.
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Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
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Paysage linéaire by José Gerson - Gouache on paper 69x50 cm
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H 27.17 in W 19.69 in D 0.4 in
First Floor Biogram
By Kory Twaddle
Located in Kansas City, MO
Title : First Floor Biogram
Materials : Acrylic, gouache, oil pastel, marker, charcoal, graphite, and conté crayon on paper
Date : 2018
Dimensions : 24 x 18 x .1 in.
Description : ...
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2010s Abstract Expressionist Drawings and Watercolor Paintings
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Original Animation Cel from PIERRE, "I DONT CARE" (CBS 1970s)
By Maurice Sendak
Located in Surfside, FL
An original animation cel drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original vintage acetate drawing/painting from the 1970s. it is from the estate of the film producer Dan Hunn. I cannot say definitively that it is by Maurice Sendak's hand. He definitely worked on this project and the provenance is impeccable. They are quite rare and unusual.
Maurice Bernard Sendak, June 10, 1928-2012
Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...
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Look Jane Ink Watercolor on Paper
By Keith Carrington
Located in Delray Beach, FL
Look Jane, ink, watercolor on archival paper.
From the new series.
Jane and Dick conversation.
Keith Carrington’s experiences have led him to express his talents through the fluid &...
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Things Previously Unknown #4 - Contemporary Painting (Yellow+Pink+Black)
By Laurie Barmore
Located in Gilroy, CA
"Things Previously Unknown #4" is a contemporary abstract expressionist painting by Laurie Barmore. Her works are extremely dynamic, with impressionist-like strokes. This piece wil...
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2010s Contemporary Abstract Paintings
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Things Previously Unknown #2 - Contemporary Abstract Painting (Grey+Yellow+Pink)
By Laurie Barmore
Located in Gilroy, CA
"Things Previously Unknown #2" is a contemporary abstract expressionist painting by Laurie Barmore. Her works are extremely dynamic, with impressionist-like strokes. This piece wil...
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