Garvey|Simon Abstract Prints
to
2
23
7
13
19
4
3
5
4
11
Overall Height
to
Overall Width
to
20
3
2
21
2
19
2
2
15
3
3
2
2
Ray I-III Triptych, abstract minimalist linocut
By Ann Aspinwall
Located in New York, NY
Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...
Category
2010s Abstract Abstract Prints
Materials
Linocut
Eklat VI, unique abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat V, unique abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat IV, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat III, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat II, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat I, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Arcadia, gestural abstract linocut with hand coloring, limited edition
By Ann Aspinwall
Located in New York, NY
Arcadia is a salmon-colored and emerald abstract print. The undulating terrain of free-flowing lines meet in the center of the composition, luminous white horizon line. Aspinwall wor...
Category
2010s Abstract Abstract Prints
Materials
Linocut
Brume II, contemporary blue and green jewel-toned abstract screenprint
By Ann Aspinwall
Located in New York, NY
Brume II is a dark blue and green jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in prin...
Category
2010s Abstract Abstract Prints
Materials
Screen
Crepe de Chine III, contemporary green linear patterned abstract screenprint
By Ann Aspinwall
Located in New York, NY
Crepe de Chine III is a jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a m...
Category
2010s Abstract Abstract Prints
Materials
Screen
Crepe de Chine IV, contemporary abstract red, linear patterned screenprint, 2020
By Ann Aspinwall
Located in New York, NY
Crepe de Chine IV is a jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a me...
Category
2010s Abstract Abstract Prints
Materials
Screen
Joel Shapiro, Untitled, abstract geometric limited edition etching, 1992
By Joel Shapiro
Located in New York, NY
Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a blue square is seated firmly atop a black rectangle, which has landed in a seeming haphazard manner within the view frame. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. In the upper right, a series of these sketchy markings seem situated somewhere between motion and form. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was produced by Pace Prints...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
Brume, contemporary pink and green pastel-colored abstract screenprint
By Ann Aspinwall
Located in New York, NY
Brume is a pink and green pastel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her ...
Category
2010s Abstract Abstract Prints
Materials
Screen
Spirit of Place VII, blue contemporary abstract screen print
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...
Category
2010s Abstract Abstract Prints
Materials
Screen
Spirit of Place III I, red contemporary abstract screen print with hand coloring
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...
Category
2010s Contemporary Abstract Prints
Materials
Screen
Tessuto Veneziano (c-5/10) contemporary bstract etching and chine colle print
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it.
Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934):
Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.”
Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...
Category
2010s Contemporary Abstract Prints
Materials
Archival Paper, ABS, Etching
Spirit of Place VII, red and black contemporary abstract screen print
By Ann Aspinwall
Located in New York, NY
Ann Aspinwall's Spirit of Place VII showcases the specificity and delicacy of her line work. The bold contrast of black and red is softened by the thin, wavering orange lines that tr...
Category
2010s Abstract Abstract Prints
Materials
Screen
Spumante, black and tan contemporary abstract linocut and collagraph print
By Ann Aspinwall
Located in New York, NY
Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...
Category
2010s Abstract Abstract Prints
Materials
Linocut
Crepe de Chine I, contemporary abstract screenprint, 2020
By Ann Aspinwall
Located in New York, NY
Crepe de Chine I is a pastel-colored screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a ...
Category
2010s Abstract Abstract Prints
Materials
Screen
Crepe de Chine II, contemporary blue abstract screenprint
By Ann Aspinwall
Located in New York, NY
Crepe de Chine II is a pastel-colored screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a...
Category
2010s Abstract Abstract Prints
Materials
Screen
Blue, Ukiyo-e landscape woodcut print, 2014
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
2010s Contemporary Landscape Prints
Materials
Woodcut
Keiji Shinohara, Accelerondo, Ukiyo-e woodcut print landscape, 2005
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Paper, Woodcut
Joel Shapiro, Untitled, abstract geometric limited edition etching, 1992
By Joel Shapiro
Located in New York, NY
Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
Related Items
"The Color of Mind and Muscle" by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
James Rosenquist
(1933-2017)
"Color of Mind and Muscle"
Screenprint in colors on wove paper, 1996
31-1/2 x 25-3/4 inches (80 x 65.4 cm) (sheet)
A.P. 7/10 edition of 30
Signed, numb...
Category
1990s Abstract Expressionist Abstract Prints
Materials
Screen
Homage to the Square: PII-F17
By Josef Albers
Located in New York, NY
This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...
Category
1970s Abstract Abstract Prints
Materials
Screen
Homage to the Square
By Josef Albers
Located in New York, NY
This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...
Category
1970s Abstract Abstract Prints
Materials
Screen
Untitled, from ‘The International Association of Art Portfolio’
By Max Bill
Located in Llanbrynmair, GB
Untitled, from ‘The International Association of Art Portfolio’
By Max Bill
Medium - Screen print
Edition - 3/25
Signed - Yes
Size - 640mm x 460mm
Date...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Screen
Two Variants - PI-F11
By Josef Albers
Located in New York, NY
This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...
Category
1970s Abstract Abstract Prints
Materials
Screen
Abstract Landscape India Edition 3/5 Linocut Print Nature Ecco of Passion Blue
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Free Shipping
H 31.11 in W 21.66 in
Abstract India Edition 3/5 Linocut Print Green Blue Turquoise Architectural
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration B, Lino-cut on Drawing paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Free Shipping
H 31.11 in W 21.66 in
Homage to the Square PI-F20
By Josef Albers
Located in New York, NY
This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...
Category
1970s Abstract Abstract Prints
Materials
Screen
Abstract Landscape India Rajasthan Light Natural Mustard Earth Blue Yellow
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
1990s Abstract Abstract Prints
Materials
Archival Paper, Linocut, Archival Ink
Free Shipping
H 31.11 in W 21.66 in
Concentration
By Harvey Daniels
Located in Llanbrynmair, GB
’Concentration’
By Harvey Daniels
Medium - Screen print
Signed - Yes
Edition - 16/30
Size - 890mm x 670mm
Condition - 10
Colour of print may not be accurate when viewed on a monitor...
Category
Late 20th Century Abstract Abstract Prints
Materials
Screen
Abstract Landscape India Edition 3/5 Linocut Print Nature Green Yellow Leaves
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 1999
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Free Shipping
H 31.11 in W 21.66 in
Formulation Articulation - P2-F15
By Josef Albers
Located in New York, NY
This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...
Category
1970s Abstract Abstract Prints
Materials
Screen