Goldwood Interiors Table Lamps

These exquisite lamps crafted from rattan and linen in 1970s France emanate a warm, inviting glow. They are perfect for creating a cosy ambiance in any room, whether adorning a conso...

Brutalist solid wood table lamp from the 1970s, embodying the essence of brutalist design with its raw, unapologetic aesthetic. Hand-carved from a single block of wood, this lamp is ...

1970s table lamp crafted by the Belgian designer Roger Vanhevel. Featuring a stunning brass etched artwork base personally signed by the artist himself, this lamp radiates sophistica...

Gianni Pinna's sculpted table lamp from 1970s Italy, crafted from Legno Padouk wood. It showcases a rugged and brutalist aesthetic that captivates the senses. Embodying an era of bol...

Pair of Philippe Barbier's exquisite table lamps in green lacquer and chrome. Each lamp features a luxurious green lacquered sphere paired with sleek chrome accents. Inspired by neo-...

Stainless steel table lamp by François Monnet, an iconic piece first introduced in 1969 and edited by Kappa. It embodies the essence of French space age design, characterised by its ...

Cotta table lamp by Decio Studio Decio (IT) shows ‘Cotta’, his unseen and undiscovered body of work. Decio studio’s ideal is to create a corner of a f...

Space Age Postmodern conch shell lamp with light fixture inside. Giant conch shell mounted on a chromed metal base. Europe, the 1970s. Measur...

Rustic iron table lamp with a charming white lampshade. Crafted with care, the sturdy iron base boasts a rustic finish that adds character to any space, be it a cozy living room or a...

Italian Design; 1970s; Mid-Century Modern; Italy; Sormani; E. Gentile; Simplicity; Minimalism; Modernist; Isotta table lamp by E. Gentile for Sormani, a timeless piece of Italian de...

Space age; red & black; Italian design; floor lamp; table lamp; light; Space Age red & black lamp. Could serve as a floor lamp or table lamp. Has a remarkable detail of brass dip...

Design Miami; Art design; Art Basel; Atelier Lionel Jadot; Everyday Gallery; Contemporary; Belgian design; Belgian Art; Table Lamp; Functional Sculpture; Artwork; Collectible Design;...

Design Miami; Art design; Art Basel; Atelier Lionel Jadot; Everyday Gallery; Contemporary; Belgian design; Belgian Art; Table Lamp; Functional Sculpture; Artwork; Collectible Design;...

Bronze table lamp, Amsterdam School, Art Deco era, Netherlands 1920s From an important Dutch private collection. The exact designer is unknown. ...

Open eyes floor lamp by Lionel Jadot. Functional art; Lionel Jadot; Belgian art Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips, the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner, but as you walk this walk please be seated on any of the thrones and experience the work for a moment, the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Brass “Rabarbaro” table lamp by Carlo Giorgi for Bottega Gadda, Italy, the 1970s. The Rhubarb shaped leaf is completely hammered by hand, showing the great skill of craftsmanship ...

Ceramic decorative figure of a squash mounted on a brass base. Further decorated with gilt metal leafs at the same level or higher as Maison Jansen / Charles lighting. France,...

Maison Jansen, travertine, brass and chrome, France, 1970s These tall lamps in travertine brass and chrome can be used as floor lamps or as table lamps due to their size. Both la...

Contemporary collectible design lamp by Carlo Lorenzetti, 2019. Bronze on patinated bronze. The title of this piece references the ‘anglerfish’ (t...

Hollywood regency; Table lamp; Black resin base; Brass etched artwork; Mid-Century Modern 1970s; Belgium; This Hollywood regency table lamp is by Belgian craftsman Roger Vanhevel. ...

Lucite post-modern table lamp, Italy, 1970s A Custom designed shade of faux leaves and ostrich feathers make this lamp very fitting to the ugly cool design trend. Post-Modern circa 1970s Measures: H 60 Ø 36 cm. Would fit well in a contemporary functional art...

Maison Jansen decorative table lamp. An ostrich egg with brass leaves gives this a palm tree lamp effect. France, 1970. Would fit well in an eclectic Hollywood Regency inspired in...

Hollywood Regency 1970s huge and impressive table lamp signed by the artist, Roger Vanhevel. Stainless steel chromed frame; brass etched artwork in the centre and a new white linen ...

Glam table lamp in Hollywood Regency style. Luxury piece with a 24-Karat gold plated brass frame and a brass etched artwork by maho in centre. Beaut...