Graves International Art
to
3
2
2
1
2
1
Overall Height
to
Overall Width
to
2
2
1
1
1
1
46
57
281
178
14
20
16
4
2
7
29
56
87
46
40
2
1
3
3
3
3
1
Period: Early 1800s
Rosa Tomentosa (Harsh Downy-rose) /// Botanical Botany James Sowerby Flower Art
By James Sowerby
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Rosa Tomentosa (Harsh Downy-rose)" (Plate 990)
Portfolio: English Botany
Year: 1802
Medium: Original Hand-Colored Engraving on wove paper
Limited edition: Unknown
Printer: J. Davis, Richard and Arthur Taylor, London, UK
Publisher: James Sowerby, London, UK
Reference: Henrey No. 1366-1368; Hunt No. 717; Nissen BBI No. 2225-2226; Pritzel No. 8789-8791; Stafleu and Cowan No. 12221
Framing: Recently framed in a gold gilded, fluted moulding with 100% cotton rag matting from Holland. All archival
Framed size: 14.75" x 12"
Image size: 7.13" x 4.25"
Condition: In excellent condition
Notes:
Comes from Sowerby's monumental thirty-seven volume, bound in thirty-six, portfolio "English Botany" or "Coloured Figures of British Plants" (1790-1814), which consists of 2,592 hand-colored engravings.
Rosa tomentosa, otherwise known as the harsh downy-rose, is a species of plant in the family Rosaceae. It is native to the British Isles, where it is commonest in Wales and west and south-east England. It typically flowers between June and July and can be found in hedgerows and woodland margins.
Biography:
James Sowerby (21 March 1757-25 October 1822) was an English naturalist, illustrator and mineralogist. Contributions to published works, such as A Specimen of the Botany of New Holland...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Intaglio, Watercolor, Engraving
Ranunculus Lingua (Greater Spearwort) /// Botanical Botany James Sowerby Flower
By James Sowerby
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Ranunculus Lingua (Greater Spearwort)" (Plate 100)
Portfolio: English Botany
Year: 1793
Medium: Original Hand-Colored Engraving on ...
Category
Early 1800s Naturalistic Still-life Prints
Materials
Intaglio, Engraving, Watercolor
Tropic Bird /// Ornithology John James Audubon Shorebird Ocean Beach Seascape
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Not framed, but matted in a handmade custom French matting
Matted size: 30" x 38.75"
Sheet size: 25.5" x 36"
Platemark size: 20.75" x 30.25"
Image size: 18.5" x 27.75"
Condition: A few tiny foxmarks. In excellent condition with clean paper and strong colors
Rare
Notes:
Provenance: private collection - New York, NY. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". "J. Whatman 1835" watermark upper right.
Based on a composition painted between 1832 and 1835. Audubon sailed the entire length of Florida, around the Keys and as far as the Dry Tortugas, from which, on another occasion, "The specimens - in the plate were taken - by my kind friend Robert Day, Esq. of the United States Revenue Cutter...
Category
Early 1800s Victorian Animal Prints
Materials
Intaglio, Watercolor, Engraving, Aquatint
Related Items
CANGREJO MANO LARGA
By Francisco Toledo
Located in New York, NY
paper: 22 x 15 in.
printed image: 4 3/4 x 6 in.
english translation: Long Hand Crab
Latin
Category
Late 20th Century Post-Modern Animal Prints
Materials
Drypoint, Archival Paper, Etching, Aquatint
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
By Francisco Goya
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
Category
1790s Old Masters Figurative Prints
Materials
Engraving, Paper, Etching, Aquatint
H 22.5 in W 20.5 in D 1.5 in
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
By Pablo Picasso
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Primula Cortusoides - Siberian Primrose. Henry Andrews botanical engraving print
By Henry C Andrews
Located in Melbourne, Victoria
'Primula Cortusoides - Siberian Primrose'
Native of Siberia.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Le Singe
By Pablo Picasso
Located in New York, NY
A very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle."
Catalogu...
Category
1930s Modern Abstract Prints
Materials
Drypoint, Aquatint, Etching
The Bull, 1942 (Histoire Naturelle - Textes de Buffon, B.331)
By Pablo Picasso
Located in Greenwich, CT
The Bull is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.15 x 8.5 inches...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
By Maria Sibylla Merian
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
Yellow Pontic Azalea. Henry Andrews antique botanical flower engraving print
By Henry C Andrews
Located in Melbourne, Victoria
'Azalea Pontica - Yellow Pontic Azalea'
Native of the coat of the Black Sea.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Reposi...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving
Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI
Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
Category
1970s Surrealist Figurative Prints
Materials
Drypoint, Aquatint
H 29.93 in W 22.84 in D 0.04 in
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
By Pablo Picasso
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
Iris Kaempferi: No.36 YEDO-JIMAN
Located in London, GB
Iris Kaempferi: No. 36 YEDO-JIMAN
Tokyo, Yoshinoen-Garden, circa 1910.
Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed ...
Category
1910s Naturalistic Still-life Prints
Materials
Wood, Watercolor, Rice Paper
Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
By Henry C Andrews
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews...
Category
Early 19th Century Naturalistic Still-life Prints
Materials
Engraving