Guy Lyman Fine Art Abstract Paintings

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Charles Collins is a true Renaissance man. From a family of New Orleans artists, he chose to pursue a career as a pathologist, attending medical school in New Orleans and becoming pa...

Comes framed and ready to hang. Artist’s Statement: “This is part of a series of paintings I am working on now involved with the slight off-balancing of forms and dissonance between...

Artist's Statement: "An elegiac tribute to Antoni Tapies, a profound influence on my work to this day. The darker grey paint over the lighter is actually iron metallic paint, in hon...

“Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture ...

Comes framed and ready to hang. Artist’s Statement: “I did some paintings years ago incorporating simple, meditative iconic forms, and they had a quiet, brooding formality about the...

Please note that this is an original, one-of-a-kind painting, and not a reproduction or giclee as is the case with most of Kerri McCabe's work you see around. It's a painting I took ...

An original marker-and-ink painting by one of New Orleans' most iconic artists, Robert Gordy. His works are at the Met, the Whitney and other major museums around the world. He was ...

An abstract composition in primarily red and black, with small flashes of accenting color here and there and pentimento in the negative space. Restrained and edgy at the same time. J...

There is a bit of Cy Twombly going on here, but with a bit less gravitas and more whimsy. Wonderful use of color, a sort of playground of line, color and form. John is a New Orleans ...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist's Statement: "A tribute to Donald Sultan, who influenced me long ago (along with Sam Gummelt, Michael Whitehead and others) to incorporate industrial and 'homely' materials i...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Artist's Statement: "Part of a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years ...

Artist's Statement: "The first in a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the y...

Artist's Statement: "Having a good time with metaphor and all kinds of odd media. To me, harkens back a bit to late 50's/early 60's Rauschenberg, Johns and Dine, some of my all-time...

From the dealer: Marianna Canu grew up in Italy and became a very successful artist and jewelry designer both there and later, in the U.S. (see bio below...

If you've clicked on this painting, you probably already know about Hunt Slonem, and his iconic "bunnies" in particular. So I will not belabor the descrip...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...

From the dealer: Marianna Canu grew up in Italy and became a very successful artist and jewelry designer both there and later, in the U.S. (see bio below). Her paintings completely sell out to those familiar with her work, so they have not had a chance for broader (national and international) exposure. We suggested she begin showing them here to provide an opportunity for international collectors to see and collect her extraordinary work. Artist's Statement - about this series: "Imagine taking a walk through a garden, but instead of couples dancing under the trees or people playing with their kids, it is your whole life. The moment you came into this world, the moment you gained consciousness, and the further you go, you go deeper into your life. This is Rebus." Artist's Statement - about this painting: Rebus: The Garden, Day 6 "This is how I envision one of the many days in the garden of Rebus. Bright and colorful and happy. Nature and music together almost as if it is a grand symphony." From the artist: about my work “I communicate with my canvas. I consider the canvas as a whole and I don’t stop painting until I have nothing else to say. I take a few steps back and I immediately know if I have fully expressed myself or not. I’m an Impressionist; everything I paint is a feeling or a product of my imagination. All my work is created with the brush and oils, and I like to incorporate texture and create my own color palette. I can’t imagine my life without a canvas. Art makes me conscious of the things that I cannot see. Art is my oxygen.” Biography Marianna Canu is an Italian painter, jewelry designer and writer. She was born in 1971 on the island of Sardinia, Italy into a family of painters, metal smiths and architects. She grew up living and breathing art. At the age of five, she began handcrafting jewelry and experimenting with colors and paintings. Roman architecture and geometric forms inspired her, resulting in stunning and unique jewelry designs and patterns. In 1990 she began her career as a jewelry designer, but never abandoned her true passion: painting. Her designs provoked the attention and enthusiasm of a very involved audience and soon she found herself designing and producing jewelry for upscale boutiques and jewelry stores in the elite tourist resorts of Sardinia. “Designing jewelry is an art form, it is a perfect marriage of emotional expression and craftsmanship,” she says. Marianna’s experience extends beyond the canvas and jewelry. She has worked on TV as a show host for a Sardinian channel, and she has also been in TV commercials and held a role in the American movie “Baretta’s Island.” In 1999, after spending three years in New York, Marianna made the decision to move to New Orleans to establish her jewelry company and galleries. It was shortly after introducing her designs to the American market that she was noted for her collections such as Galaxy, Aphrodite, Connectivity and Libellula, the latter inspired by her son Riccardo. Her work was carried in more than 200 stores across America, and has been purchased by TV stars, politicians and Hollywood celebrities including Catherine Zeta-Jones, Jane Seymour, Nicolas Cage, Blake Lively, Claire Danes, Sarah Jessica Parker and Sharon Stone. She designed the jewelry for the Krewe of Excalibur for two years and for local clothing designers. In 2005 Marianna received an award nomination for best jewelry design at the Alpha Awards in Las Vegas. Her work was considered “unique, dramatic and edgy.” Between 2002 and 2010, Marianna opened four jewelry stores. Her paintings were incorporated in the décor of each gallery. Her creative streak kept leading her attention to her paintings. In 2011 she began dedicating her time to painting and writing. She has worked with mixed media and acrylic, but her focus is oil on canvas. She is a modern Impressionist painter with an edgy twist. Her paintings are colorful and dynamic. She is best known for her skylines and trees. Her work has been represented in several New Orleans galleries and has been commissioned by art collectors in Europe and United States to bring their vision to life. In 2018 she was commissioned by Louis Vuitton to paint unique custom artwork for the special Mother’s Day Event. Her colors have a unique intensity and warmth; every color used in her paintings is altered several times to achieve this end, and her painting process involves six or seven layers of paint. “I like to add a certain amount of texture to my paintings,” she says. “I see harmony in it. Colors give me comfort. Everything I transfer into my paintings is what I am and what I see. I leave a part of myself in each of my paintings. I have used everything from paint brush, to pallet knife, to my hands, and even at times have dipped the ends of my hair for a wispy personal touch. I feel one with the canvas.” Marianna believes art is the way to express her inner emotions. “I communicate with my canvas; I consider the canvas as a whole and I don’t stop painting until I have nothing else to say. I take a few steps back and I immediately know if I have fully expressed myself or not. I don’t like to copy from nature because I feel that it interferes with my imaginative process. Everything I paint is a feeling or a product of my imagination. I am very passionate. I believe passion is the key to everything. I don’t believe in imperfections: when I’m painting, I see only beauty. I can’t imagine my life without a canvas. Art is my oxygen.” Exhibitions include: Creason’s Fine Art Dee Dee Martin Gallery Steve Martin Fine...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's statement: "Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...

(Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

A complex and stunning mixed-media work by notable Illinois artist Christine Ilewski-Huelsmann, not only a fixture in the arts establishment widely rep...

A complex and stunning mixed-media work by notable Illinois artist Christine Ilewski-Huelsmann, not only a fixture in the arts establishment widely rep...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

(Comes framed and ready to hang in a high-profile maple frame.) Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by ...

(Comes framed in a deep-profile maple floater frame, ready to hang.) Artist's Statement: "I was working on my loose, almost graffiti-like "Rosetta" series when this painting took a turn towards formality, and instead of trying to wrench it back into the Rosetta mold I just let it go where it wanted to. Has my usual insane assortment of mediums . . . " “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

The list of what goes into the making of these large and complex paintings includes everything from precious small-batch oil paints to common house paint, along with tar, acrylic pai...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

(NOTE: if you enter "Gridish" into the 1stDibs search field you will see others in this series come up) ALSO: the camera insists on adding a bluish tint to these paintings, which isn...

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDibs and other online platforms I am now (thankfully) able to reach a worldwide audience and am selling paintings...

Comes framed and ready to hang. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by revisiting a series I did a few ...

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “A complete departure from what I have been working on this year - obviously influenced ...

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

Comes framed and ready to hang in professional wood black floater frame. Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loos...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old...

Comes framed and ready to hang in professional wood black floater frame. This painting was a Finalist in the Grey Cube Gallery's City Art International Art Exhibition: "Out of all ...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my f...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with ...

Artist's Statement: "This painting originally looked different, and though it had 22 saves on it and looked sure to sell there was just something that bothered me about it. So I rep...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...

"I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...