Highland Park Modern Furniture
225
33
7
to
265
265
212
234
203
20
1
33
232
137
54
42
42
40
244
243
20
8
6
106
21
21
20
15
Richard Hirsch Ceramic Scholar Rock Cup Sculpture, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture was assembled in 2018. It's wheel thrown and hand built clay with red and black glaze, raku rust patinas and polychrome enamel paint. Hirsch creates ceramic sculptures that explore the spirituality and ritual embedded in familiar vessel forms. He imbues his work with the look of age and antiquity by applying certain ceramic surfaces and incorporating other materials such as iron, glass, bronze, and wood. As Hirsch states in his artist statement, "Ultimately, this work is an attempt to metamorphosize the seemingly mundane vessel-object into a sacred entity." This three piece sculpture...
Category
21st Century and Contemporary American Modern Ceramics
Materials
Ceramic
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture #1, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #1 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #51, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar rock cup sculpture was assembled in 2018. It's wheel thrown and hand built clay with red and green glaze, raku rust pati...
Category
21st Century and Contemporary American Modern Ceramics
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture #25, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #25 was made in 2011. It's wheel thrown and hand built clay, soda fire...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Glazed Ceramic Crucible Sculpture #24, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #24 was made in 2011. It's wheel thrown and hand built clay, soda fired with bronze glaze, raku rust an...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch White Marble Mortar and Glass Pestle Sculpture, 2006 - 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch’s white marble mortar and glass pestle was made during 2006-2010. Its wheel thrown and hand built clay, black glaze, sculpted whit...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Marble
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture #4, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #4 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Altar Bowl with Blown Glass Ladle Sculpture #3, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar Bowl with Blown Glass Ladle Sculpture #3 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and white glazes with hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #46, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar rock cup sculpture #46 was assembled in 2018. It's wheel thrown and hand built clay, woodfired black slip, low-fired bla...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Mortar and Glass Pestle Sculpture #2, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #2 was assembled in 2020. It's wheel thrown and hand built clay, gold enamel paint, black and ...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture was made in 2018. It's wheel thrown and hand built clay, wood fired wi...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Altar Bowl with Ladle #3, 2007
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar bowl with Ladle #3 was made in 2007. It's wheel thrown and hand built clay with low fire white glaze and raku patinas. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Altar Bowl with Blown Glass Ladle #5, 2007
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar bowl with blown glass ladle #5 was assembled in 2007. It's wheel thrown and hand built clay with low fire slips and glazes, black glaze, enamel polychrome paint, raku green patina and hot blown glass. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" Scott Meyer said; "As Hirsch's work progressed over the years, it would be a mistake to portray these advances as chronological. In fact, items found provocative would be added to the roster of possibility. The vessel might change in character with the deep interior space of a mortar becoming the shallow concavity of a Japanese, stone Tsubi basin or natural geode form. The corresponding implement might change from bulbous pestle to delicate ladle, alluding to the ceremonial cleansing for participants in the Tea Ceremony. In this sense, the proximity of these objects to their implied ceremonial use was similar to that which traditional Raku bowls...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Altar Bowl with Weapon Sculpture, 2000
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar Bowl with Weapon Sculpture was assembled in 2000. It's wheel thrown and hand built clay, red and yellow low fired glazes w...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #43, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #43 was assembled in 2017. It's wheel thrown and hand built clay with red terra sigillata, green glaz...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Stoneware
Richard Hirsch Ceramic Mortar and Pestle Sculpture, 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Pestle Sculpture was assembled in 2010. It's wheel thrown and hand built clay, lowfired slips, black glaze, raku pati...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture #32 with Blown Glass, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch ceramic crucible sculpture #32 was assembled in 2016. It's wheel thrown and hand built clay, anagama wood fired with raku rust pat...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch Ceramic Mortar and Pestle Sculpture #30, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Pestle Sculpture #30 was assembled in 2009. It's wheel thrown and hand built clay, slips and glazes with raku patinas. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer; "The glass "masher" is lightly sand-blasted, suggesting opacity but yielding subtle light penetration, the perfect foil for Hirsch’s heavy clay concavities. Conceptually, Hirsch enjoys the compatibility of the two heat-driven materials, and the alchemical issues with shared chemistry seems right for themes involving vessels and raw geologic age." This four piece sculpture is signed and dated by the artist. It will ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Mortars and Pestles" pgs. 57 - 60. The Ceramic Mortar and Pestle...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #19, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #19 was assembled in 2016. It's wheel thrown and hand built clay, wood fired stoneware with shino gla...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #16, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #16 was assembled in 2016. It's wheel thrown and hand built clay, wood fired stoneware with shino gla...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Stoneware
Richard Hirsch Ceramic Mortar and Hot Blown Glass Pestle Sculpture, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture was assembled in 2009. It's wheel thrown and hand built clay with red and black glazes, raku patinas and a hot blown glass pestle. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #20, 2014
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture #20 was assembled in 2014. It's wheel thrown and hand built clay, low fire slips and shino glaze, rak...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Iron
Richard Hirsch Ceramic Scholar Rock Cup Sculpture #32, 2017 - 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Scholar Rock Cup Sculpture with stand #32 was made in 2017 - 2018. It's wheel thrown and hand built clay with white glaze, black...
Category
21st Century and Contemporary American Modern Ceramics
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture #17, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #17 was made in 2011. It's wheel thrown and hand built clay, wood fire...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Scholar Rock Cup Sculpture, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's scholar rock cup sculpture was assembled in 2011. It's wheel thrown and hand built clay with black glaze, raku rust patina, gree...
Category
21st Century and Contemporary American Modern Ceramics
Materials
Ceramic
Richard Hirsch Ceramic Mortar and Blown Glass Pestle Sculpture #10, 2004
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle Sculpture #10 was assembled in 2004. It's wheel thrown and hand built clay with black glaze, raku patinas and hot blown glass. The following is an excerpt from the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass
Richard Hirsch Ceramic Altar Bowl with Weapon Sculpture #28, 2001
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Altar Bowl with Weapon Sculpture #28 was assembled in 2001. It's wheel thrown and hand built clay, low fired slips and glazes wi...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture #51, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #51 was made in 2018. It's wheel thrown and hand built clay with bronze glaze, red glaze, enamel paint,...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture with Cast Bronze Pestle, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch ceramic Crucible sculpture was made in 2018. It's wheel thrown and hand built clay, fired with bronze...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Bronze
Richard Hirsch Glazed Ceramic Crucible Sculpture #14, 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #14 was assembled in 2010. It's wheel thrown and hand built clay, lowf...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Ceremonial Vessel #10, Tripod Vessels Collection, 1994
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Tripod Ceremonial Vessel #10 is raku-fired, hand built and hand sculptured. The tripod is uniquely with bronze acrylic, iron-rust interactive acrylic, airbrushed enamels (red, green and yellow) all layered on top of each other. Signed by the artist, each piece is comprised of a marriage of four elements -- a vessel held aloft by three legs. The process of fluid transition between the elements so that the product reads as one form was vital as he built the foundation for his signature collection. The Tripod Vessels...
Category
20th Century American Modern Ceramics
Materials
Ceramic
Richard Hirsch Glazed Ceramic Crucible Sculpture with Blown Glass Pestle, 2018
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible sculpture was made in 2018. It's wheel thrown and hand built clay, wood fired with bronze glaze, raku rust patina...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Stoneware, Ceramic, Blown Glass
Richard Hirsch Glazed Ceramic Crucible Sculpture Group #3, 2016
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Crucible Sculpture Group #3 was assembled in 2016. It's wheel thrown and hand built clay, wood and soda fired with Baskin crusty...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Ceramic Ceremonial Cup #34, Tripod Vessels Collection, 1985
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Ceremonial Cup #34 is part of his Tripod Vessels collection. It’s hand sculptured clay, multi-fire...
Category
20th Century American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Ceremonial Vessel, Tripod Vessels Collection, 1984
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Ceramic Ceremonial Tripod Vessel is raku-fired, hand built and hand sculptured. Each piece is uniqu...
Category
20th Century American Modern Ceramics
Materials
Ceramic
Richard Hirsch and Michael Rogers Time Sculpture, 2007
By Richard A. Hirsch , Michael Rogers
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch and glass artist Michael Rogers' Time Sculpture was created in 2007. This piece is comprised of a tiny antique oil can...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Metal
Richard Hirsch Black Glazed Ceramic Crucible Sculpture #7, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Black Ceramic Crucible Sculpture #7 was created in 2009. It's wheel thrown, hand built with black glaze and raku patinas. In the b...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Black Glazed Ceramic Crucible Sculpture #4, 2009
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #4 was created in 2009. It's wheel thrown, hand built with black glaze and raku patinas. In the book "W...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Stoneware
Richard Hirsch Black Marble Mortar and Glass Pestle Sculpture, 2006 - 2010
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch’s Black Marble Mortar and Glass Pestle Sculpture was made during 2006 – 2010. It's wheel thrown and hand built clay, black glaze, ...
Category
21st Century and Contemporary American Mid-Century Modern Abstract Sculp...
Materials
Marble
Richard Hirsch Ceramic Vessel and Stand, Tripod Vessels Collection, 1987 - 1994
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Tripod Vessels Collection, Coper-Metti Series Vessel and Stand #39 and #40 are raku-fired, hand built and hand sculptured. Each ...
Category
20th Century American Modern Ceramics
Materials
Ceramic
Richard Hirsch Pedestal Bowl with Weapon #16 Ceramic Sculpture, 1997
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Pedestal Bowl with Weapon #16 Sculpture is raku-fired, hand built with black glaze, raku patinas and enamel paint. Three separat...
Category
20th Century American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Bronze Tripod Vessel and Ceramic Stand #3B, Line Series, 1992
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's "Bronze Tripod Vessel and Ceramic Stand #3B" is part of his Line series. The tripod is cast bronze ...
Category
20th Century American Modern Abstract Sculptures
Materials
Bronze
Richard Hirsch Glazed Ceramic Crucible Sculpture #1, 2011
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #1 was assembled in 2011. It's wheel thrown and hand built clay, black glaze, low fired slips and raku ...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch Ceramic Mortar and Pestle, 2007
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's Mortar and Glass Pestle #27 is raku-fired, hand built and hand sculptured. This piece is made of three separate pieces of green ...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic
Richard Hirsch and Michael Rogers Figure Sculpture, 2007
By Richard A. Hirsch , Michael Rogers
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch and glass artist Michael Rogers' Figure Sculpture was created in 2007. This sculpture is comprised of a cast glass head...
Category
21st Century and Contemporary American Modern Abstract Sculptures
Materials
Ceramic, Blown Glass, Glass
Richard Hirsch Encaustic Painting of Nothing #50, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #78, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #73, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #73 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #62, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #40, 2014
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #55, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #75, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #52, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #53, 2017
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #76, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #76 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #77, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #79, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #79 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #28, 2012
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #63, 2020
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #72, 2021
By Richard A. Hirsch
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #72 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Contemporary Art
Materials
Clay, Organic Material
