International Fine Arts Consortium - IFAC Arts

Wildwood beach lockers captured on a glorious spring blue sky day. Taken in 2013 this picture was first executed in Richard's darkroom in April 2020. Colour is key in Richard's work ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

'Enchanted' (Dream Scene on Salt Lake), triptych, from the 29 Palms, CA Project Edition 4/10. Each 20x20cm, together 20x70cm (installed). 3 Archivall C-Prints, based on 3 SX-70 Po...

InThree gets its name from jazz improvisation and musical timing. This painting was created using three different mediums oil stick, acrylic paint, and collaged material. The actions...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Blue symmetry guides your eyes out to sea in this photograph by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print from negative, accompanied by a signed and numbered certificate of authenticity. We recommend the print is professionally framed. This artwork is available in other sizes and it pairs well with Richard Heeps artworks in our 1stdibs store. "Richard Heeps' seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter - be it cool descriptive interiors, still life or landscape. His distinctive style pushes the limits of photography." He is a film-based photographer, using a range of vintage analogue cameras. He considers himself to have three studios, the external studio of whichever location he may be shooting, his darkroom where I make my master prints and his home studio where he does the postproduction where the artworks are mounted framed and finished. He aims to make accessible artwork without compromising on quality and making everything in house he is in control of each step to achieve that. Although he was brought up in East Anglia (England), he was heavily influenced by America. he visited American bases, kept magazine cuttings and followed drag racing. The speed, lifestyle and technicolour is reflected in his imagery. 'American' colour is a major aspect in his work, it drives his equipment and material choices. At age ten he began participating in art shows and became comfortable with showing his work and the praise and criticism which is part of an artists development. In his early paintings Manhattan was reoccurring theme, fascinated with New York. Throughout his professional career he has been lucky enough to exhibit in Museums and Public Galleries since the 1980's. Since 2008 his gallery Bleach Box...

Jung LEE (*1972, South Korea) I Love You With All My Heart #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in...

Strawberry & Teal Nasturtiums by Catherine Ruth Church [2020] Please note that insitu images are purely an indication of how a piece may look Ho...

Oil, spraypaint, acrylic on canvas. Storybook bridge.

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water d...

Nichole McDaniel's artistry unfolds as a captivating fusion of contemporary landscapes and abstract compositions, drawing inspiration from both local surroundings and her exploration...

'The Empire', (Strange Love), 2018, 80x50cm, Edition 1/10, digital C-Print, based on a 35mm analog Negative, signature label and certificate, artist Inventory No. 30000.01, not m...

"My recent work now becomes more involved with cloud cover and its effect on light and colour through both its translucent and opaque properties. Clouds are visible masses of water droplets or frozen ice crystals suspended in the atmosphere. They have the ability to refract and reflect, creating an ever changing perception of light which inspires my use of colour. I am constantly referring to the paradox of a cloud’s perceived weight and its fragility and the relationship between the cool and warm colours created by it. I have become increasingly interested in catching the moment when heavy overcast clears to reveal clear blue sky, a cool colour that complements the warmth it brings. While the most obvious manifestation of light refraction at this time would occur in the form of a rainbow, I will be concerned with accentuating the infinite, more subtle effects. I find myself inspired increasingly by the works of Turner, who created ephemeral atmospheric effects using large washes of liquid paint. Other influences include Henry Matisse, Francis Cadell...