Le Trianon Figurative Paintings

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

John Edward Costigan, N.A. American, 1888-1972 Bathing Group Oil on canvas board Signed ‘J.E. Costigan N.A.’ lower left 12 by 16 in. W/frame 20 by 24 i...

Renato Guttuso Italian 1911-1987 Father & Child Oil on canvas 30 ½ by 19 in. W/frame 31 ½ in. by 20 in. Signed verso "Guttuso" Signed lower center "Guttuso" Dated 1966 Titled vers...

Leonce De Joncieres French, 1871-1947 A Day at the Beach Oil on canvas Signed and dated 'L. de Joncieres/ 1903' (lower right) 46 1/2 by 65¼ in. W/f...

Alexandre Marie Guillemin French, 1817-1880 Scene de Chasse Oil on Panel 9 by 12in. w/frame 17 ½ by 20 ½in. Signed lower right He studied with Baron Gros. He exhibited at the Salo...

Marie Antoinette Boullard-Deve French, 1890-1970 Segovie Oil on canvas 29 by 21 ½ in. W/frame 39 by 31 ½ in. Signed lower left and titled and dated 1951 on the back Marie was born...

Marcel Dyf French, 1899-1985 Djeuner Champtre Oil on canvas 23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in. Signed lower left Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...

Everett Lloyd Bryant American, 1864-1945 Woman in Kimono Oil on canvas Signed lower right 30 by 25 in. W/frame 35 by 30 in. Everett studied wit...

Lucien Pissarro French, 1863-1944 Girl Reading a Book Oil on canvas 18 ¼ by 15 in. W/frame 24 ¼ by 21 in. Signed lower right and dated 1907 Born in Pa...

Suzanne Eisendieck French, 1908-1998 Ballet D'enfants Oil on canvas 36 by 29 ½ in. W/frame 44 by 37 ½ in. Signed lower right She was born in Danzig (now Gdansk, Poland) in 1908 ...

Jack Levine American, 1915-2010 The Deli Oil on board 28 ¼ by 34 in. W/frame 36 ¼ by 42 in. Signed Lower Right Born and raised in the south end of Boston, Jack Levine created soc...

Morris Solotaroff Russian, 1891-1970 Homage to Picasso Oil on canvas 34 ¾ by 28 ½ in. W/frame 41¾ by 35 ½ in. Born in Russia on Oct. 1, 1891.  Sol...

Jean Richard Goubie French, 1842-1899 A Travers Bois Oil on canvas 25 ½ by 39 ¾ in. W/frame 30 ½ by 45 in. Circa 1892 Jean Richard Goubie was bo...

Gabriel Godard French, Born 1933 Le Gouter Oil on canvas 36 by 29 in. W/frame 38 by 31 in. Signed lower right & dated 62 Gabriel Godard was born on April 28, 1933 in Delouze in Lo...

Denes Holesch Hungarian, 1910-1983 The Violinist Oil on board 26 ½ by 22 in. W/frame 33 by 28 ½ in. Denes Holesch (Denes de Holesch) was born in 1910...

Pal Fried, Hungarian/American, 1893-1976 Mona Lisa Oil on canvas 30 by 24 in.W/frame 38 by 32 in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academie ...

James George Weiland American, 1872-1968 Young Girl Resting in a Bed of Flowers Oil on canvas 24 by 30 in. W/frame 30 by 36 in. Signed lower left...

Pierre Cornu French, 1895-1996 Jeune Femme Alonge Oil / Canvas 14 by 18 in. W/frame 20 by 24 in. Signed lower right Pierre Cornu was born November 16, 1895 in Salon de Provence. Born into a prosperous family of merchants oils and soaps, Cornu knows a pampered childhood and happy during which his attraction to drawing and color manifests itself fairly quickly. He will have the opportunity, throughout his life to be able to concentrate on his passion of painting. His paintings are often honored in all the great Parisian salons. He exhibits regularly with René Auguste Chabaud and Seyssaud in Marseille. Financial troubles forced him to emigrate several years in Morocco where he begins a new life, never abandoning painting, perfecting his art (abundance of beautiful colors, resembling oriental tapestries...

Henry Dele Coeuillerie American, 1864-1932 The Three Kings Oil on canvas Signed & dated lower right 30 by 36 in. W/frame 35 ½ by 41 ½ in. Provenance...

Arthur George Collins American, b.1866 Biskra Algeria Oil on canvas Signed and dated Biskra, 1893 26 ½ by 32 ½ in. W/frame 32 ½ by 38 ½ in. Arthur studied at the Julien Academy, P...

George Botti Italian, 1923-2003 Family in a Park Oil on canvas 36 by 36 in. W/frame 42 by 42 in. Signed lower right Barrel George Botti was born on  2...

George Botti Italian, 1923-2003 Ballon Man Oil on canvas 36 by 36 in. W/frame 42 by 42 in. Signed lower right Barrel George Botti was born on  24 Mar...

George Elmer Browne American, 1871-1946 Before the Rehearsal Oil on panel 14 by 14 in. W/frame 19 by 19 in. Signed lower right George Elmer Browne was a ...

Myron Barlow American, 1873-1937 Woman with Strawberries Oil on canvas 29 by 29 in. W/frame 35 by 35 in. Unsigned Studied: Art Institution of Chicago; Ecole des Beaux-Arts, Gerome...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in. W/frame 32 by 28 in. Studied under Gerome, Paris Exhibited: Society of America...

Bencion (Benn) Rabinowitch Poland 1905 - Paris 1989 Dancing Girls Oil on Board 14 ½ in. by 21 in. W/frame 21 ½ in. by 28 in. He came from a rabbinic family, his father was an ar...

LOUIS GRANER Y ARRUFI (Spanish, 1863-1929) The Glow 1923 oil on canvas Signed & dated 23 lower left In a Fine Giltwood Carved Frame 33 by 25 ½ in. W/frame ...

Dietz Edzard German, 1893-1963 Au Circus Oil on canvas 22 by 31 in. W/frame 32 by 41 in. Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He traveled extensive...

Georges D'espagnat French, 1870 - 1950 Le Piège à Oiseaux Signed gdE (lower right) Oil on canvas 66 3/4 by 48 1/2 in. W/frame 70 ¾ by 52 ½ in. Born at Melun on 14th August 1870, G...

Georges d'Espagnat French, 1870 - 1950 Les Vendanges Signed gdE (lower left)  Oil on canvas 67 by 43 in. W/frame 71 by 47 in. Born at Melun on 14th August 1870, Georges d’Espagnat...