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Café de la Paix, L’Opera, Paris
By Antoine Blanchard
Located in Sheffield, MA
Antoine Blanchard
French, 1910-1988
Café de la Paix, L’Opera, Paris
Oil on canvas
13 by 18 in. W/frame 19 by 24 in.
Signed lower right
Framed in a fi...
Category
Mid-20th Century Post-Impressionist Landscape Paintings
Materials
Oil
Flower Market, La Madeleine, Paris
By Antoine Blanchard
Located in Sheffield, MA
Antoine Blanchard
French, 1910-1988
Flower Market, La Madeleine, Paris
Oil on canvas
13 by 18 in. W/frame 19 by 24 in.
Signed lower right
Provenance:
Catalda Fine Arts, Inc., New York
Private Collection, New York
Trinity House Paintings, London
Private Collcetion, New York
Alexander Avenard Collection
Le Trianon...
Category
Mid-20th Century Post-Impressionist Landscape Paintings
Materials
Oil
Bathers
By John Edward Costigan
Located in Sheffield, MA
John Edward Costigan, N.A.
American, 1888-1972
Bathers
Oil on canvas
Signed ‘J.E. Costigan N.A.’ lower left
20 by 24 in. W/frame 26 by 30 in.
John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters.
At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions.
A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century.
John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934).
Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.)
During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution.
John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career.
This painting depicts one of the artist's favorite themes --the farm family bathing...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Oil
Woman and Child
By John Edward Costigan
Located in Sheffield, MA
John Edward Costigan, N.A.
American, 1888-1972
Woman and Child
Oil on canvas
Signed ‘J.E. Costigan N.A.’ lower left
24 by 30 in. W/frame 32 by 38 in.
John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters.
At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions.
A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century.
John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934).
Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.)
During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution.
John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career.
This painting depicts one of the artist's favorite themes --the farm family bathing...
Category
1940s Post-Impressionist Landscape Paintings
Materials
Oil
Mother & Child in a Landscape, framed in an important Carrig Rohane frame
By André Gisson
Located in Sheffield, MA
Andre Gisson
American, 1921-2003
Mother & Child in a Landscape
Oil on canvas
24 by 36 in. W/frame 32 by 44 in.
Signed lower left
Framed in an important Carrig Rohane frame...
Category
1960s Post-Impressionist Landscape Paintings
Materials
Oil
Moonlight Over the Promenade
Located in Sheffield, MA
Wilhelm von Gegerfelt
Swedish, 1844-1920
Moonlight Over the Promenade
Oil on canvas
27 by 45 in. W/frame 39 by 57 in.
Signed lower right
Wilh...
Category
Early 1900s Post-Impressionist Landscape Paintings
Materials
Oil
VUE DU SACRE COEUR - MONTMARTRE, PARIS
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, 20th Century
Vue du Sacre Coeur, Paris
Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes.
His work is comparable to those of ...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
Place de L'Opera, Paris 1952
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, 20th Century
La Place de L'Opera, Paris
Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes.
His work is comparable to those of...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
Marche de Fleurs, a La Madeleine Paris 1954
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, 20th Century
Marche de Fleurs, La Madeleine Paris
Jean Salabet was a School of Paris painter know for his colorful Parisia...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
Le Grand Hotel, Paris, 1954
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, B. 1900
Le Grand Hotel, Paris ,1954
Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes.
His work i...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
Moulin Rouge, Paris
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, B. 1900
Moulin Rouge
Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes.
His work is comparable to those of Jules Herve, Antoi...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
Montmartre -La Place Dutertre, Paris 1952
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, 20th Century
Montmartre
Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes.
His work is comparable to those of Jules Herve, An...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
Father & Child
By Renato Guttuso
Located in Sheffield, MA
Renato Guttuso
Italian 1911-1987
Father & Child
Oil on canvas
30 ½ by 19 in. W/frame 31 ½ in. by 20 in.
Signed verso "Guttuso"
Signed lower center "Guttuso"
Dated 1966
Titled vers...
Category
1960s Modern Figurative Paintings
Materials
Oil
At The Seaside
By Gaston Sebire
Located in Sheffield, MA
Gaston Sebire
French, 1920-2002
At The Seaside
Oil on canvas
25 by 31 in. W/frame 33 ½ by 39 ½ in.
Signed lower right
Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris.
The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.”
The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris.
Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage. As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.”
Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...
Category
1960s Post-Impressionist Landscape Paintings
Materials
Oil
View of Alexander Nevsky Cathedral, Nizhny Novgorod
Located in Sheffield, MA
George Frost
America, 1843–1907
View of Alexander Nevsky Cathedral, Nizhny Novgorod
Oil on Canvas
20 by 30 in. W/frame 28 by 38 in.
Signed lower l...
Category
1880s Impressionist Landscape Paintings
Materials
Oil
A Day at the Beach
Located in Sheffield, MA
Leonce De Joncieres
French, 1871-1947
A Day at the Beach
Oil on canvas
Signed and dated 'L. de Joncieres/ 1903' (lower right)
46 1/2 by 65¼ in. W/f...
Category
Early 1900s Impressionist Landscape Paintings
Materials
Oil
Scene de Chasse
Located in Sheffield, MA
Alexandre Marie Guillemin
French, 1817-1880
Scene de Chasse
Oil on Panel
9 by 12in. w/frame 17 ½ by 20 ½in.
Signed lower right
He studied with Baron Gros. He exhibited at the Salo...
Category
1860s Barbizon School Figurative Paintings
Materials
Oil
Sunny Hedge
By Frank Vincent Dumond
Located in Sheffield, MA
Frank Vincent Dumond
American, 1865-1931
Sunny Hedge
Oil on canvas
Signed "F.V. DuMond," lower right
24.5 in. by 29 in. W/frame 32.5 by 37 in.
Born in Rochester, New York in 1865, Frank DuMond left his work as an illustrator at age 23 to study in the rigorous classical atelier tradition of the Academie Julian Paris in 1888. Upon his return to New York in 1892, DuMond embarked on a painting and teaching term at the Art Students League spanning nearly six decades until his death.
A painter of diverse talents, he was an accomplished landscape, portrait and still life painter, muralist, and leader of the Tonalist then Impressionist art colonies of Lyme, Connecticut. In particular, DuMond was noted for his use of landscape green. American Impressionist expert William H. Gerdts wrote of DuMond, "As one might speak of Velazquez's blacks, one must speak of DuMond's greens." Scholars have described him as a deft painter of the American Impressionist landscape and the figure, but he will perhaps be remembered as among the most outstanding educators in American art history. Though an accomplished painter, he is said to have considered himself more of an educator than an artist.
By all accounts, DuMond is described by his students as a man whose art and teaching methods were based on deeply held religious and philosophical beliefs. One student recalls, "There were occasions when DuMond revealed a clear intent to educate us on a deeper level than might casually be associated with painting." His students remember him fondly as "a genial, generous, and perceptive instructor…whose warmth and kindness pervaded everything he did." Under his tutelage, many prominent American artists were brought to recognition, including Georgia O'Keeffe, Norman Rockwell, and John Marin. Still other protégés of DuMond renown became influential teachers, such as Baroque-style painter Frank Mason, whose influence emerged in New York at the Art Students League; and Arthur Maynard...
Category
1920s Post-Impressionist Landscape Paintings
Materials
Oil
Brittany
Located in Sheffield, MA
Edward Francis Rook
American, 1870-1960
Brittany
Oil on Canvas
30 by 30 in. W/frame 38 by 38 in.
Signed lower left
Circa, 1898-1900
Rook, born in New York City on September 21, 1870, became one of the most original impressionists at Old Lyme. First he was a student of Benjamin Constant and Jean-Paul Laurens at the Académie Julian. Life started out to be rather promising for Rook, around the turn of the century. He exhibited at the Cincinnati Art Museum and at the Pennsylvania Academy of the Fine Arts, both in 1898, when his harbor scene, entitled Pearl Clouds — Moonlight was reproduced in International Studio, in April. In addition, the PAFA presented him with the Temple Gold Medal for Deserted Street, Moonlight, which the Academy purchased. Three years later, Rook was awarded a bronze medal at the Pan-American Exposition in Buffalo, where he exhibited three landscapes. Caffin (1902, p. xxxvi) praised the artist's "translucent quality of color," which suggests a study of color theory. Also in 1901, Rook married Edith Sone. For most of 1902, the Rooks were in Mexico.
Rook came to Old Lyme in October of 1903. The date is significant because Childe Hassam was also there that month. Hassam would more or less re-orient the artists' colony from Tonalism to impressionism. Rook would move there permanently two years later.
He took two medals at the St. Louis Universal Exposition (1904) where his landscapes from the Mexican trip were displayed. More awards followed: a silver medal at the International Fine Arts Exposition in Buenos Aires, 1910, a gold medal at San Francisco's Panama-Pacific International Exposition in 1915, a Corcoran Bronze Medal, and a William A. Clark Award in 1919 for Peonies. By 1924, the artist was made a National Academician. Despite all these awards and recognition, Rook did little in the way of selling his art and reportedly, his prices were too high. His paintings were handled by Macbeth and Grand Central Art Galleries.
Rook was active in Old Lyme's art community. As stated above, he would have met Hassam that October in 1903 but Willard Metcalf had departed at the end of the summer. As several writers have explained (Connecticut and American Impressionism, 1980, p. 123), Hassam "was the catalyst around whom [impressionism] coalesced." Rook's niece, Virginia Rook Garver, who happened to be the grand-niece of Hassam, confirmed that Rook and Hassam knew each other in Europe — before they went to Old Lyme (Fischer, 1987, p. 19).
Rook was one of the relatively young painters to come to Old Lyme, along with Gifford Beal, William Chadwick, and Robert Nisbet, on the wave of impressionism, initiated there by Hassam and Metcalf. Old Lyme became a center of American impressionism, and as Donelson F. Hoopes remarked, "under Hassam, the shoreline of Connecticut became a kind of Giverny of America." Among Ranger's group, palettes started to become lighter, except those of the most determined tonalists. Ranger himself, perhaps admitting defeat, moved to Noank in 1904.
Rook is best known for his views of Bradbury's Mill, which was soon called Rook's Mill, owing to the painter's many versions of the scene. One, called Swirling Waters, dated ca. 1917, is in the Lyme Historical Society. Even more famous is Rook's Laurel, dated between 1905 and 1910 (Florence Griswold Museum), in which a profuse laurel bush (the state flower), is set off by a spectacular Constable-like background. But Swirling Waters could never be confused with Constable, with its violent brushwork, impasto-layered water, and bright, almost chalky, plein-air palette. Gerdts (1984, p. 226) compares the paintings of Walter...
Category
1890s Post-Impressionist Landscape Paintings
Materials
Oil
East River, New York Winter (From Brooklyn Bridge)
Located in Sheffield, MA
Frank Usher De Voll
American, 1873-1941
East River, New York Winter (From Brooklyn Bridge)
Oil on canvas
32 by 36 in. w/frame 41 by 45 in.
Signe...
Category
1910s Post-Impressionist Landscape Paintings
Materials
Oil
Djeuner Champtre
By Marcel Dyf
Located in Sheffield, MA
Marcel Dyf
French, 1899-1985
Djeuner Champtre
Oil on canvas
23 ½ by 28 ¾ in. W/frame 31 ½ by 36 ¾ in.
Signed lower left
Marcel Dyf (Marcel Dreyfus) was born in Paris on October 7,...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Oil
Septembre, La Meuse a Dordrecht
By Marie Joseph Léon Clavel
Located in Sheffield, MA
“I Will”, Marie-Joseph-Leon-Clavel
French, 1850-1923
Septembre, La Meuse a Dordrecht
Oil on canvas, Signed
13 ¼ by 19 ½ in. W/frame 23 ¼ by 29 ½ in.
Marie-Joseph-Leon-Clavel took ...
Category
1890s Post-Impressionist Landscape Paintings
Materials
Oil
Woman in Kimono
By Everett Lloyd Bryant
Located in Sheffield, MA
Everett Lloyd Bryant
American, 1864-1945
Woman in Kimono
Oil on canvas
Signed lower right
30 by 25 in. W/frame 35 by 30 in.
Everett studied wit...
Category
1920s Post-Impressionist Figurative Paintings
Materials
Oil
Blue Ridge Mountains, Virginia
By Andrew Thomas Schwartz
Located in Sheffield, MA
Andrew Thomas Schwartz
American, 1867-1942
Blue Ridge Mountains, Virginia
Oil on canvas
24 by 30 in. W/frame 28 ½ by 34 ½ in.
Signed lower right...
Category
1920s Post-Impressionist Landscape Paintings
Materials
Oil
Flower Seller, Paris
Located in Sheffield, MA
Cesar Villacres
Ecuador, 1880–1941
Flower Seller, Paris
Cesar Villacres was an Ecuadorean artsit that worked in South America & Paris.
He exhibited i...
Category
1930s Post-Impressionist Landscape Paintings
Materials
Oil
VUE de PARIS , La TOUR ST. JACQUES et LE THEATRE du CHATELET
By Jules René Hervé
Located in Sheffield, MA
Jules Herve
French, 1887-1881
Vue du Paris
Oil on canvas
18 by 21 ½ in. Wframe 28 by 31 in.
Signed lower left
An impressionist French artist whose subjects ranged from rural genr...
Category
1960s Contemporary Landscape Paintings
Materials
Oil
Scene de PARIS apres La Liberation
By Lucien Adrion
Located in Sheffield, MA
Lucien Adrion
French, 1889-1953
Scene De PARIS apres la Liberation
Oil on canvas
21 ¼ in. by 25 ½ in. W/frame 31 ¼ in. by 35 ½ in.
Signed & dated 1949 lower right
Lucien Adrion w...
Category
1940s Post-Impressionist Landscape Paintings
Materials
Oil
Les Bouquinistes, Paris
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, 20th Century
Les Bouquinistes, Paris
Oil on canvas
18 by 22 in. W/frame 24 by 28 in.
Signed lower left
Jean Salabet was a School of Paris painter know for his...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
A Coastal View
By Yolande Ardissone
Located in Sheffield, MA
Yolande Ardissone
French, b. 1927
A Coastal View
Oil on canvas
38 by 51 in. W/frame 47 ½ by 60 in.
Signed lower left
Gallery label (Findlay Galleries) ...
Category
1980s Contemporary Landscape Paintings
Materials
Oil
Notre Dame, Autonne
By Merio Ameglio, 1897-1970
Located in Sheffield, MA
Merio Ameglio
Italian, 1897-1970
Notre Dame, Autonne
Oil on Canvas
18 by 21 ½ in. W/frame 26 by 29 ½ in.
Signed lower left & titled on reverse
Merio noted impressionist painter p...
Category
1940s Post-Impressionist Landscape Paintings
Materials
Oil
Parisian Street Scene
Located in Sheffield, MA
Merio Ameglio
Italian, 1897-1970
Parisian Street Scene
Oil on Canvas
18 by 21 ½ in. W/frame 26 by 29 ½ in.
Signed lower left
Merio noted impr...
Category
1940s Post-Impressionist Landscape Paintings
Materials
Oil
Montmatre, Paris
By Jean Salabet
Located in Sheffield, MA
Jean Salabet
French, 20th Century
Montmatre, Paris
Oil on canvas
15 by 18 in. W/frame 22 ½ by 25 ½ in.
Signed & dated 53 lower right
Jean Salabet was a School of Paris painter kn...
Category
1950s Post-Impressionist Landscape Paintings
Materials
Oil
L'Opera, Paris
Located in Sheffield, MA
Antonio DeVity
Italian, 1901-1993
L'Opera, Paris
Oil on canvas
16 by 20 in. W/frame 20 by 24 in.
Signed lower right
Antonio De Vity was born in Reggio-Calbria in southern Italy. ...
Category
1960s Contemporary Landscape Paintings
Materials
Oil
Outside a Deli
By Jack Levine
Located in Sheffield, MA
Jack Levine
American, 1915-2010
The Deli
Oil on board
28 ¼ by 34 in. W/frame 36 ¼ by 42 in.
Signed Lower Right
Born and raised in the south end of Boston, Jack Levine created soc...
Category
1940s Ashcan School Figurative Paintings
Materials
Oil
Mountain Landscape, Springtime, New Mexico
By Russell Cowles
Located in Sheffield, MA
Russell Cowles
American, 1887-1979
Mountain Landscape, Springtime, New Mexico
Oil on board
24 by 30 in. W/frame 30 ¼ by 36 ¼ in.
Signed lower right
Russell Cowles was born in Algona, Iowa in 1887. His father was a well-known newspaperman, who became publisher of the Des Moines Register and Tribune. His mother studied art at the Art Institute of Chicago and encouraged his interest. He graduated from Dartmouth in 1909 and studied in Paris as well as New York at the National Academy of Design and the Art Students' League with Douglas Volk...
Category
1930s American Modern Landscape Paintings
Materials
Oil
A Travers Bois
Located in Sheffield, MA
Jean Richard Goubie
French, 1842-1899
A Travers Bois
Oil on canvas
25 ½ by 39 ¾ in. W/frame 30 ½ by 45 in.
Circa 1892
Jean Richard Goubie was bo...
Category
1890s Barbizon School Landscape Paintings
Materials
Oil
Young Girl Resting in a Bed of Flowers
Located in Sheffield, MA
James George Weiland
American, 1872-1968
Young Girl Resting in a Bed of Flowers
Oil on canvas
24 by 30 in. W/frame 30 by 36 in.
Signed lower left...
Category
1910s American Impressionist Figurative Paintings
Materials
Oil
Lighthouse At Fecamp
By Jean Salabet
Located in Sheffield, MA
JEAN SALABET
French B.1900
Lighthouse At Fecamp
Oil on canvas
Signed lower right
13 by 16 in. W/frame 19 by 22 in.
Jean Salabet was a School of Paris painter know for his colorfu...
Category
1950s Post-War Landscape Paintings
Materials
Oil
Figures in the Forest
Located in Sheffield, MA
Carl Carlsen
Danish, 1855-1917
Figures in the Forest
Oil on canvas
Signed and dated ‘Carl Carlsen 1900’ lower right
24 ½ by 30 ½ in. w/frame 31 by 36 i...
Category
Early 1900s Impressionist Landscape Paintings
Materials
Oil
The Valley, York Maine
Located in Sheffield, MA
Alice R. Comins
American, 1861-1943
The Valley, York Maine
Oil on canvas
20 by 26 in. W/frame 27 by 33 in.
Signed lower right and dated 1913 & titled on r...
Category
1910s American Impressionist Landscape Paintings
Materials
Oil
A Venice Canal
By Charles Cousin
Located in Sheffield, MA
Charles Cousin
French, 1904-1972
A Venice Canal
Oil on canvas
20 by 26 in. W/frame 28 by 34 in.
Signed lower right
Charles made his debut at the Sal...
Category
1930s Post-Impressionist Landscape Paintings
Materials
Oil
The Three Kings
Located in Sheffield, MA
Henry Dele Coeuillerie
American, 1864-1932
The Three Kings
Oil on canvas
Signed & dated lower right
30 by 36 in. W/frame 35 ½ by 41 ½ in.
Provenance...
Category
Early 20th Century American Impressionist Figurative Paintings
Materials
Oil
Aux Cafe
Located in Sheffield, MA
Émile Valentin Cardinal
French, 1883–1958
Aux Cafe
Oil on canvas
25 by 21 in. W/frame 34 by 30 in.
Emile exhibited at the Salons in Paris b...
Category
1920s Post-Impressionist Landscape Paintings
Materials
Oil
Little River
By Francis Chapin
Located in Sheffield, MA
Francis Chapin
American 1899-1965
Little River
Oil on canvas
28 by 40 in. W/frame 38 by 50 in.
Dubbed the Dean of Chicago Painters in the 1930s, 40s and 50s, Francis Chapin painte...
Category
1920s Post-Impressionist Landscape Paintings
Materials
Oil
Biskra Algeria
By Arthur George Collins
Located in Sheffield, MA
Arthur George Collins
American, b.1866
Biskra Algeria
Oil on canvas
Signed and dated Biskra, 1893
26 ½ by 32 ½ in. W/frame 32 ½ by 38 ½ in.
Arthur studied at the Julien Academy, P...
Category
1890s Impressionist Landscape Paintings
Materials
Oil
French Countryside
Located in Sheffield, MA
Charles Charlay-Pompon
French, 1854-1914
French Countryside
Oil on canvas
Signed lower right
11 by 21 in. w/frame 16 ½ by 26 ½ in.
Charles Charl...
Category
1880s Impressionist Landscape Paintings
Materials
Oil
Family in a Park
By Italo George Botti
Located in Sheffield, MA
George Botti
Italian, 1923-2003
Family in a Park
Oil on canvas
36 by 36 in. W/frame 42 by 42 in.
Signed lower right Barrel
George Botti was born on 2...
Category
1960s Contemporary Figurative Paintings
Materials
Oil
Ballon Man
By Italo George Botti
Located in Sheffield, MA
George Botti
Italian, 1923-2003
Ballon Man
Oil on canvas
36 by 36 in. W/frame 42 by 42 in.
Signed lower right Barrel
George Botti was born on 24 Mar...
Category
1960s Contemporary Figurative Paintings
Materials
Oil
Hotel de Ville, Paris
By Jacques Bouyssou
Located in Sheffield, MA
Jacques Bouyssou
French, 1926-1997
Hotel de Ville, Paris
Oil on canvas
24 by 29 in. W/frame 33 by 38 in.
Signed lower right
Born near Honfleur in...
Category
1980s Contemporary Landscape Paintings
Materials
Oil
Lake Of Nemi, Near Rome
By George Loring Brown
Located in Sheffield, MA
George Loring Brown
American, 1814-1889
Lake Of Nemi, Near Rome
Oil on canvas
28 by 48 in. W/frame 36 by 56 in.
Circa 1876/7
signed & dated lower left , inscribed verso:
"Lake of ...
Category
1870s American Impressionist Landscape Paintings
Materials
Oil
Summer Seas
By Anton Otto Fischer
Located in Sheffield, MA
Anton Otto Fischer
American 1882 - 1962)
Summer Seas
Oil on canvas
1945, signed 'Anton Otto Fischer' and dated lower right,
Inscribed 'Summer Seas by Anton Otto Fischer' on the reverse.
26 x 32 in. W/frame 32 1/2 x 38 1/2 in.
Best known for his Gloucester, Massachusetts fishing scenes, war...
Category
1940s Post-War Landscape Paintings
Materials
Oil
Aux Cafe
By Charles Blondin
Located in Sheffield, MA
Charles Blondin
French, 1913-1991
Aux Cafe
Oil on canvas
Signed lower right
11 by 14 in. W/frame 16 by 19 in.
A "School of Paris" artist during the mid-20th century, Charles Blond...
Category
1950s Post-War Landscape Paintings
Materials
Oil
Marche des Fleurs Devant La Madeline
By Charles Blondin
Located in Sheffield, MA
Charles Blondin
French, 1913-1991
Marche des Fleurs Devant La Madeline
Oil on canvas
Signed lower right
11 by 14 in. W/frame 16 by 19 in.
A "School of Paris" artist during the mid...
Category
1950s Post-War Landscape Paintings
Materials
Oil
A Coastal View
By George Loring Brown
Located in Sheffield, MA
George Loring Brown
American, 1814-1889
A Coastal View
Signed and dated 1878
Oil on canvas
22 by 36 in W/frame 30 by 44 in.
Often referred to as “Claude...
Category
1870s American Impressionist Landscape Paintings
Materials
Oil
Lyons-La Foret, Normandie
By Yolande Ardissone
Located in Sheffield, MA
Yolande Ardissone
French, b. 1927
Lyons-La Foret, Normandie
Oil on Canvas
Signed lower left
32 by 39 ½ in. W/frame 39 ½ by 47 in.
Yolande Ardissone was bo...
Category
1960s Impressionist Landscape Paintings
Materials
Oil
Winter Landscape With Deer
By Clemens Freitag
Located in Sheffield, MA
Clemens Freitag
German, 1882/83-1969
Winter Landscape With Deer
Oil on canvas
35 by 50 in. W/frame 45 by 60 in.
Signed lower right
Landscape and...
Category
1920s Naturalistic Landscape Paintings
Materials
Oil
Antibes
By Jacqueline Caroline Marie Cerrano
Located in Sheffield, MA
Jacqueline Caroline Marie Cerrano
French, 1920-2007
Antibes
Oil on canvas
Signed & dated “1967” on reverse
32 by 39 ½ in. W/frame 40 by 47 ½ in.
Jacqueline made her debut at the S...
Category
1960s Post-Impressionist Landscape Paintings
Materials
Oil
Twilight along the River Bend
By Louis Aston Knight
Located in Sheffield, MA
Louis Aston Knight
New York/California/France, 1873-1948
Twilight along the River Bend
Oil on canvas
signed lower left"Aston Knight/Paris"
26 by 32 in. ...
Category
1920s Post-Impressionist Landscape Paintings
Materials
Oil
St. Tropez
By Jean-Baptiste Duffaud
Located in Sheffield, MA
Jean Baptiste Duffaud
French, 1853-1927
St. Tropez
Oil on canvas
13 by 21 ¾ in. W/frame 24 by 32 ¾ in.
Signed lower left
Jean-Baptiste Duffaud studied at the Ecole des Beaux-Arts in Marseilles under the direction of Dominique Antoine Magaud (1817-1899). Wishing to complete his artistic training, he went to Paris and received the teaching of Jean-Léon Gérôme. He exhibited at the Salon from 1875 to 1892, obtaining several honorable mentions. He was awarded the prestigious Marie Bashkirtseff...
Category
1890s Impressionist Landscape Paintings
Materials
Oil
Le Piège à Oiseaux
By Georges d'Espagnat
Located in Sheffield, MA
Georges D'espagnat
French, 1870 - 1950
Le Piège à Oiseaux
Signed gdE (lower right)
Oil on canvas
66 3/4 by 48 1/2 in. W/frame 70 ¾ by 52 ½ in.
Born at Melun on 14th August 1870, G...
Category
1910s Post-Impressionist Figurative Paintings
Materials
Oil