Leighton Fine Art Ltd Nude Paintings

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

Signed oil on canvas nude in interior circa 1910 by French post impressionist painter Henri Lebasque. The work depicts the woman posing in the artist's studio. There are clothes drap...

Signed impressionist figure in landscape oil on canvas circa 1895 by French painter, illustrator and cartoonist Abel Faivre. The work depicts a water nymph with flowing red hair throwing flowers into a river. There are butterflies by her side. The sun set is lighting the sky red. Signature: Signed lower left Dimensions: Framed: 22"x19" Unframed: 16"x13" Provenance: Private French collection Born 30 March 1867, in Lyons; died August 1945. Painter, watercolourist, pastellist, draughtsman, illustrator. Genre scenes, portraits, figures, nudes, interiors, still-lifes (fruit). Humorous cartoons...

Signed and dated nude figure in interior oil on canvas by French post impressionist painter Pierre De Belay. This work depicts a painting of Pierre De Belay's wife - Helene. Here she...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Wonderful oil on canvas circa 1960 by French modernist painter Maurice Brianchon. The work depicts a blonde-haired nude seated on a wooden chair turned away from the artist with her chin resting in her hand. Signature: Signed lower left Dimensions: Framed: 38"x33" Unframed: 29"x24" Provenance: Fondation de L'Hermitage (Lausanne) - Exhibition Maurice Brianchon 13th October 1989 - 28th January 1990 As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

A wonderful oil on canvas circa 1930 by Tunisian post impressionist painter Albert Braitou-Sala. The work depicts a beautiful, blonde nude laid back on a white sheet surrounded by cl...

A beautiful oil on original canvas circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicats a nude woman in a yellow shawl standing by a blue vase filled with pink, red and white flowers. Signature: Signed lower right Dimensions: Framed: 28"x20" Unframed: 21"x13" Provenance: Doyle New York - May 2003 From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...

Signed fauvist figurative oil on panel by French painter Louis Valtat. This stunning piece depicts a nude orchestra with the conductor in the foreground. The musicians are playing ce...

Signed nude in interior oil on canvas circa 1900 by French academic painter Delphin Enjolras. The piece depicts a red-haired nude resting on a bed in a lush boudoir with a sheer scar...

Signed and dated nude oil on panel by French post impressionist painter Paul Elie Gernez. The work depicts a brunette nude relaxing on a fur rug, her ...

Signed oil on canvas circa 1920 by French post impressionist painter Henri Lebasque. The work depicts a nude brunette woman lying on a beach, her arm draped over her head covering her face. A beautifully brushed piece. Signature: Signed lower left Dimensions: Framed: 22"x27" Unframed: 13"x18" Provenance: With thanks to Denise Bazetoux for confirming the authenticity of this work This painting is included in the Catalogue Raisonne of Henri Lebasque - Volume I No. 1409 Maitre Blache, Versailles, 21st November 1967 Lot 117 Maitre Lombrail, Enghien-les-Bains, 23rd September 1984 Sotheby's, London, 1st July 1987 Lot 317 Miromesnil Fine Art, Paris - 1988 Henri Lebasque studied at the École des Beaux-Arts in Angers, then, after moving to Paris in 1886, studied briefly under Bonnat, then under Humbert, whom he assisted in the decoration of the Panthéon. More importantly, he met and learned from Pissarro. In 1893 he met Luce and Signac at the Salon des Indépendants, and as a result he adopted Pointillism for a few years. In the 1900s he lived in Lagny with his family and painted landscapes of the neighbouring Marne forest. His painting underwent drastic changes when he discovered the south of the country. He would thereafter live in other French regions: Vendée, Brittany and Normandy, where he stayed at Les Andelys for some time, but his home from home was between Sanary and Nice. He painted members of his family in the settings in which he lived, mostly in Provence. His work shares some themes of his friend Bonnard. But although he exhibited with the Fauves, and admired Matisse, Rouault, Dufy, Valtat and Manguin (who introduced him to the Midi), he remained distinct from them in style. Lebasque was well known in his lifetime. He collaborated on the decorations of the Théâtre des Champs-Élysées and of the Atlantic liner Paris. He is remembered for: Nymphs at their Bath; The Sunshade; Girl with Hydrangeas; Great Nude on a Pink Sofa. He took part in the following collective exhibitions: Salon des Indépendants, 1886; Salon des Artistes Français; and later the Salon d'Automne, of which he was a founding member in 1903 and on whose committee he sat until his death. A set of his works was shown in 1937 at Masters of Independent Art ( Maîtres de l'Art Indépendant) at the Petit Palais. In 1957, 20 years after his death, a retrospective exhibition was held at the Musée des Ponchettes in Nice, and in 1981 his works were exhibited at St-Paul-de-Vence. Museum and Gallery Holdings Angers: The Artist's Mother Geneva (Petit Palais): The Child's Toilette (1900) Lille (MBA): Notre-Dame under Snow Nantes: Vallée de la Garde Paris (MAM): The Cigarette; Nude; Woman with Necklace

Signed nude oil on original canvas circa 1910 by French post impressionist painter Georges D'espagnat. The work depict a nude woman seated on a stall turned away from the artist. Paintings hang on the wall and there's a vase filled with pink and red flowers on the wooden mantlepiece beside her. Signature: Signed upper left Dimensions: Framed: 30"x26" Unframed: 22"x18" Provenance: Private French collection. Exhibition stamp verso From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...

Signed oil on canvas of figures in a landscape by French cubist painter Camile Hilaire. The piece beautifully depicts three nude bathers - two blonde and one brunette - resting on th...

A wonderful oil on canvas circa 1930 by Tunisian post impressionist painter Albert Braitou-Sala. The work depicts a beautiful, blonde nude laid back on a white sheet surrounded by clouds in a blue-grey sky. A stunning piece. Signature: Signed lower left Dimensions: Framed: 16"x24" Unframed: 10.5"x18.5" Provenance: Private French collection Albert Braïtou-Sala studied under Adolphe Déchenaud, Henri Royer...

A wonderful expressionist oil on original canvas circa 1930 by Greek artist Giorgios Gounaropoulos. The piece depicts a nude woman beside trunk of a cut tree in a sparse landscape. T...

A wonderful oil on canvas circa 1920 by French post impressionist painter Paul Elie Gernez depicting nude figures in the garden of eden. Signature: S...