Furniture

The Mono Bowl takes part of the MONOMORFO collection. Its terrazzo composition is made of leftover glass crystals from a glass crystal factory in Minas Gerais, Brazil. This leftover ...

Bowl butterfly with crystal glass bowl and with solid brass leaves. Measures: Bowl: Diameter 20cm x height 11.5cm. Bowl and dragonflies height: 29cm.

Hand-cast bowl for indoor and outdoor use. Can be used for planting as well; drainage holes can be added. At the intersection of art, craft, and design, Concrete Poetics' debut co...

These floral vessels are hand-thrown, made with a stoneware clay and fired in a kiln fueled with wood. These vessels have monochrome and dappled glazes that create unique surface pat...

Vessel made from a original bioplastic recipe.

Large hand-cast vessel for indoor and outdoor use. Drainage holes can be added. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast ceme...

Large vessel for indoor and outdoor use. Can be made with drainage holes. At the intersection of art, craft, and design, Concrete Poetics' debut collecti...

Ctenophora literally means "comb carrier" in reference to some archaic marine organisms that display radial structures. Most of my work is based on simple shapes, recurrent in natur...

Cerotti Series are sculptural vessels constructed using patchwork of porcelain slabs. Each one is unique in it's texture and appearance. The exterior of the vessel is left unglazed t...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

A simple, contemporary style along with the matte, white finesse of the porcelain will add a unique French touch to your table and to your home décor. Design by Kaoline.

White hand-cast bowl for indoor and outdoor use. At the intersection of art, craft, and design, Concrete Poetics' debut collection of hand-cast cement sculptural furniture and acc...