Lions Gallery Art

Signed and Dated Modern Line Drawing Oil Painting of Nude Man. Louis Stettner (November 7, 1922 – October 13, 2016) was an American photographer of the 20th century whose work inclu...

Serpentine with Orchids, 2005 Four-color screenprint on Rives BFK. Edition: 50 + 7 artist’s proofs 28 x 22 (paper size) framed by Bark Frameworks. Michael Burton Mazur (1935-August ...

Large painting titled Edge on Center; signed verso and dated 2002 8 feet x 5 feet (approx.) Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and ...

Original Painting leopards surrounding a blue Venus nude sculpture. tropical jungle setting. Titled "Blue Venus". Hand signed recto and signed, t...

Arman, French American (1928-2005) Gambit (Chess pieces) Cast Bronze Sculpture with patina Incised signature near lower edge, 48/70 with impressed "Bronze Romain & Fils" foundry ma...

Color photograph, 2007, signed, dated and numbered 3 of 25 on the reverse. 14 x 11 in. (sheet), 20 1/7 x 16 1/2 in. (frame). It appears to be signed Laura Cohen or Laura Cohn Taped t...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), ...

Original Painting Elephant, lion, leopard zebras and rhinoceros flowers in a lush tropical jungle setting. Titled "Elephant's Memory". Hand signed recto and signed, titled and dated ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Ritual Judaica spice box ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Breastplate and European Cathedral From a 2014 por...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Soldiers carrying temple Menorah From a 2014 portfolio of...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Hebrew Letter Aleph Alef From a 2014 portfolio of archiva...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Mount, Jerusalem, Israel From a 2014 portfolio of...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Menora and Hanukkah Chanukah Menorah From a 2014 ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Egyptian Orientalist image with Snake From a 2014 portfol...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Arbeit Macht Frei, Auschwitz Holocaust imagery with Torah ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Jerusalem, Temple mount, Dome of the Rock From a 2014 por...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches with Roman antique bronze or gold coins From a 2014 portf...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Purim theme, with Czech flag, Megillah and Hamentaschen ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches with a Torah pointer, feather quill and spice box crown or...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches With a Torah and Menorah From a 2014 portfolio of archi...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches From a 2014 portfolio of archival pigment prints of acryl...

Original Painting Op Art Zebras in a field of daisy flowers in a lush tropical jungle setting. Titled "Dreamland". Gustavo Novoa, Born 1941 in Santiago, Chile, He attended the Acade...

A Bientot, Flower, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak profession...

Just before Sundown, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professi...

Floating, Flowers, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak profession...

White Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

Pound (of Putty), Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professiona...

Rising, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper no...

Great Dahlias, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...

Pink Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pape...

Dragon Fly , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

Wild Roses , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

Floating Lily, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional p...

Deep Fog, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional paper ...

Snipes Vessel, Ceramic vase Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak p...

Sweet Williams, Flower Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof...

Mid summer memory, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professiona...

This is a Platinum Palladium print from one of her first ocean-based beach series, a body of platinum/palladium prints that focused on the water's surface. Later, she transferred her...

This is a Platinum Palladium print from one of her first ocean-based beach series, a body of platinum/palladium prints that focused on the water's surface. Later, she transferred her...

Mid summer memory, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professiona...

Dart machine oil can in garage. The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak pro...

Last light nasturtiums, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 2...

Grey Afternoon, rainy day at the beach house. Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professiona...

Woman in Robe, Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24) Moo...

Scepter'd Isle English Rose Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak pro...

Fresh Dill (Herb) Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroid 20X24) ...

Red Dahlia, Flower, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...

Conundrum, Flowers, Floral Photo The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak professional paper not Polaroi...

A Bientot, closeup of flower. The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 (these are on Kodak Moody photos of a summer vacatio...

Swiss Chard, Charlotte, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 Moody photos of a summer vacation house at the beach. Pe...

Checkered Alliums, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15 Moody photos of a summer vacation house at the beach. Peter C...

Sunset in the Red Room, The Tappen House, Little Compton, RI (Rhode Island) Moody photos of a summer vacation house at the beach. Peter C. Jones is a fine art photographer, docum...

Artist Unknown. From Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

Arman, French/American (1928-2005) 2003 mixed media paint on found metal in a cardboard cut out of a violin inscribed to interior signed lower right and signed to the interior 'Arman...

Anne Andersson Sisal fiber wall sculpture Monkey Head (# 1) Hand signed to verso Dated 2009. Measures approx. 11" height x 10" width x 6 1/4" depth. Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, panthers, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Anne Andersson Sisal fiber wall sculpture Black Panther Head (# 1) Hand signed to verso Dated 2008. Measures approx. 12 1/4" height x 8 1/2" width x 8 3/4" depth Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, panthers, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Anne Andersson Sisal fiber wall sculpture Lion's Head (# 13) Hand signed to verso Dated 2009. Measures approx. 22 1/2" height x 14 1/2" width x 10" depth Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Oded Halahmy (Iraqi-Israeli, b. 1938) Bronze and aluminium "Peace Shalom Salaam" Hanukkah/ Chanukah menorah, 1997 The base signed on one side with his stamped initials, "O.H. © 97." This simple pomegranate menorah by Iraqi art...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...