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Elegant Figures in Deckchairs with Boaters watercolour: Peter Collins ARCA
By Peter Collins ARCA
Located in London, GB
To see our other Modern British Art, and our other Peter Collins works, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message...
Category
Mid-20th Century Modern Landscape Drawings and Watercolors
Materials
Watercolor
St Andrew's Church, Mells, Somerset stained glass window by William Nicholson
By William Nicholson
Located in London, GB
To see more stained glass designs, scroll down to "More from this Seller" and below it click on "See all from this Seller."
William Nicholson (1872 - 1949)
Mells Window
Photographi...
Category
1930s Mixed Media
Materials
Mixed Media
For Fireside Comfort, High Beam Gas Fires brochure design by Brownbridge
Located in London, GB
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Brownbridge (flourished 1930s - 1940s)
For Fireside Comfort, High Beam Gas Fire...
Category
1930s Art Deco Interior Drawings and Watercolors
Materials
Mixed Media, Gouache
Wilhelmina Barns-Graham’s card for Sandra Blow’s 75th birthday (1995) collage
By Wilhelmina Barns-Graham
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want.
Wilhelmina Barns-Graham (1912 – 2004)
Card for Sandra Blow’s 75th birthday (1995)
Gouache and collage
34 x 21 cm
Inscribed to reverse “For Sandra, Happy Birthday, with love Willie, 13/9/95”.
Barns-Graham’s modern design features 70 vividly coloured circles; each one is different from the last, but all are geometrically aligned in neat rows and columns. Sandra Blow’s initials appear separately as “S” and “B” in the design. Blow and Barns-Graham became friends in the 1950s; both spent lengthy periods of time in St Ives, and made major contributions to Britain’s catalogue of post-war art.
Wilhelmina Barns-Graham, known as Willie, was born in St Andrews, Fife, on 8 June 1912. Her parents were second cousins, and their respective families were well established representatives of minor Scottish gentry from both the east and west of the country.
As a child, Barns-Graham showed very early signs of creative ability. It was at school that Wilhelmina decided that she wanted to be an artist, stating later in life that “painting chose me, not I it”. After school she set her sights on Edinburgh College of Art where, after some dispute with her father (who was an emotional man prone to uncontrolled anger), she enrolled in 1931. During her time at Edinburgh College, Barns-Graham was taught by tutors including portrait painter David Alison and painter William MacTaggart. Her friends there included the influential Scottish painters Robert MacBryde, Robert Colquhoun, and William Gear.
After her education, Barns-Graham made study trips to Paris, London, and St Tropez before moving to St Ives, Cornwall, in 1940 (at the suggestion of the Edinburgh College of Art’s Principal Hubert Wellington). Barns-Graham moved near to where a group of modernist artists had settled, at Carbis Bay – this was a pivotal moment in her life. On one of her first evenings there she met the sculptor Barbara Hepworth, who made an immediate and lasting impression on her. She then went on to meet Borlase Smart...
Category
1990s Modern Mixed Media
Materials
Gouache
Adrian Heath Modern British Art 'Abstract Study III'
By Adrian Heath
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want.
Adrian Heath (1920-1992)
Abstract Study III (1975)
Acrylic and pencil on paper
22x22cm
Heath was born in Burma in 1920 and arrived in England aged five. In 1938 he studied art under Stanhope Forbes at Newlyn and later at the Slade School of Art. While serving in WWII, he was captured and placed in a prisoner-of-war camp in Bavaria. Heath attempted to escape from the camp but was recaptured and placed in solitary confinement; this isolation proved crucial to the development of his artistic style, as he spent much of his time there experimenting with abstract forms.
When released from confinement, Heath befriended a fellow prisoner of war: Terry Frost. Together they explored the methods of painting which they had developed during their time in the camps, and following the war both became celebrated artists. We have several Terry Frost pieces available too.
In 1949 and 1951, Heath returned to Cornwall. He spent time with artists like Ben Nicholson, Victor Pasmore, and Anthony Hill...
Category
Mid-20th Century Abstract Mixed Media
Materials
Acrylic, Pencil
JDM Harvey architectural drawing of a Modernist London building design 1954
By John Dean Monroe Harvey
Located in London, GB
John Dean Monroe Harvey (1895-1978)
Design for Great Marlborough St, London W1 (1954) by Stone Toms & Partners
Gouache on paper
43 x 51 cm
Signed and dated ‘J D M Harvey...
Category
Mid-20th Century Realist Mixed Media
Materials
Mixed Media
JDM Harvey 1954 architectural drawing design for a modern factory
By John Dean Monroe Harvey
Located in London, GB
John Dean Monroe Harvey (1895 – 1978)
Design for a factory for VC Bond
for Barnes Challen & Cross, Architects and Engineers
Mixed media
38 x 68 cm
This design shows Harvey's skill a...
Category
Mid-20th Century Mixed Media
Materials
Mixed Media
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