Marlborough New York Animal Prints
to
5
2
4
1
1
3
1
Overall Height
to
Overall Width
to
1
3
2
1
1
1
1
1
1
1
1
1
1
3
2
1
2
1
1
1
1
1
4
2
1
1
1
Pluto Aged Twelve
By Lucian Freud
Located in New York, NY
plate: 17 1/8 x 23 1/2 in. (43.5 x 59.7 cm)
sheet: 22 1/2 x 28 1/2 in. (57.2 x 72.4 cm)
framed: 27 3/4 x 33 3/8 in. (70.5 x 84.8 cm)
etching on white Somerset textured paper
edition ...
Category
Early 2000s Animal Prints
Materials
Etching
Sunny
By Alex Katz
Located in New York, NY
Alex Katz
Sunny, 1974
aquatint and drypoint, edition of 52
15 x 22 3/8 in. (38.1 x 56.8 cm)
Category
1970s Contemporary Animal Prints
Materials
Drypoint, Aquatint
Loon
By Neil Welliver
Located in New York, NY
Neil Welliver
Loon, 1998
color etching, ed. of 175
29 3/4 x 29 5/8 in. (75.6 x 75.2 cm)
Category
1990s American Realist Animal Prints
Materials
Etching
Champfleurette, the white cat
By Louise Bourgeois
Located in New York, NY
Louise Bourgeois
Champfleurette, the white cat, 1994
Drypoint, etching and aquatint, edition of 22
18 1/2 x 25 in.
Category
1990s Feminist Animal Prints
Materials
Etching, Aquatint
Burro Delgado (Thin Donkey)
By Claudio Bravo
Located in New York, NY
Edition 25 of 51
Category
Early 2000s Animal Prints
Materials
Lithograph
Related Items
Woman Circus Rider on Red Horse - superb Chagall poster
By Marc Chagall
Located in London, GB
Original lithographic poster printed by L.R.B Permild and Rosengreen.
Category
Late 20th Century Abstract Abstract Prints
Materials
Lithograph
Green Cat, etching and aquatint, pencil signed & numbered, famed Chinese artist
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉
Green Cat, 1984
Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper
Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Category
1980s Pop Art Animal Prints
Materials
Ink, Pencil, Graphite, Etching, Aquatint
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
By Pablo Picasso
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Snow Bunting /// Ornithology John James Audubon Bird Animal Landscape Havell Art
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Snow Bunting" (Plate CLXXXIX - 189; part No. 38)
Portfolio: The Birds of America, Havell Edition
...
Category
1830s Victorian Animal Prints
Materials
Engraving, Aquatint, Watercolor, Intaglio, Rosewood
Little Boodge
By David Hockney
Located in London, GB
Offset lithograph on wove paper. Published in 1993. Copyright © David Hockney, verso.
Category
1990s Contemporary Animal Prints
Materials
Lithograph, Offset
Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54)
Portfolio: The Birds of America, Havell Edition
Year: 1835
Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper
Limited edition: approx. 180
Printer: Robert Havell Jr., London, England
Publisher: John James Audubon, London, England
Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet
Framed size: 26.25" x 31.75"
Sheet size: 21.75" x 27.25"
Platemark size: 15" x 20.63"
Image size: 12" x 18"
Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors
Rare
Notes:
Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming.
The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
Category
1830s Victorian Animal Prints
Materials
Watercolor, Engraving, Aquatint, Intaglio
Judy Chicago poster (Hand signed and inscribed)
By Judy Chicago
Located in New York, NY
Accidents, Injuries and other Calamities poster
Judy Chicago (Hand signed and inscribed), 1988
Offset lithograph on thin board (signed and inscribed by Judy Chicago)
26 × 20 1/4 inch...
Category
1980s Feminist Abstract Prints
Materials
Lithograph, Offset, Pencil
Pegasus
By Salvador Dalí
Located in New York, NY
A very good impression of this etching and engraving with color aquatint. Signed, dated and numbered 132/150 in pencil by Dali. Published by Argillet, Paris. From "Mythologie."
Cat...
Category
1960s Surrealist Abstract Prints
Materials
Color, Engraving, Etching, Aquatint
Le Singe
By Pablo Picasso
Located in New York, NY
A very good impression of this aquatint, grattoir and drypoint. Edition of 225. Printed by Lacourière, Paris. Published by Martin Fabiani, Paris. From "Histoire Naturelle."
Catalogu...
Category
1930s Modern Abstract Prints
Materials
Drypoint, Aquatint, Etching
Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749)
Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62)
Portfolio: Natural History of Carolina, Florida & the Bahama Islands
*Monogram signed by Catesby in the plate (printed signature) lower right
Year: 1771-1810 (third edition)
Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper
Limited edition: Unknown
Printer: Unknown
Publisher: Benjamin White, London, UK
Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing
Matted size: 18.88" x 22.38"
Sheet size: 13.75" x 21.13"
Platemark size: 10.25" x 13.75"
Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition
Very rare
Notes:
Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right.
Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals.
Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent.
Biography:
Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
Category
1770s Baroque Animal Prints
Materials
Watercolor, Handmade Paper, Etching, Intaglio
The Frog, 1942 (Histoire Naturelle - Textes de Buffon, B.357)
By Pablo Picasso
Located in Greenwich, CT
The Frog is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches,...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
H 24.125 in W 20.5 in
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
By Pablo Picasso
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint