Modern on the Hudson Paintings

Gracious ballerina, in a moment of silence and meditation. Part of my "Nude in Interior" series Original painting, one a kind. No need for frame. Shipping directly from the artist's studio, stretched, wide stretcher. 15.7x15.7x2in / 40x40x5cm "As a woman artist I’ve been preoccupied with the female form and imagery. My goal is to capture the nude’s relation to the surrounding space and the solitary moments. My interest turned from depicting the space to depicting the atmosphere, and the feeling a woman adds to the environment: warmth, joy, a feeling of power and control, or the opposite – sadness, despair. The human figure is more present than ever in my paintings." Paula Craioveanu

Dick Beer (b. London 1893 - d. Stockholm 1938) Portrait of Gabriele Varese (in Italian uniform), 1919 oil on canvas mounted on panel 116 x 90 cm stamp signature Exhibited: Solo exhibition, Stockholm, Nov-Dec 1917; The Royal Academy Stockholm 1973; Åmells Konsthandel – En internationell kubist, Stockholm & London 2008 Hälsinglands Museum 2011 Millesgården – Dick Beer – Impressionist & Kubist, 2012 Provenance: Within the family Beer until today Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and had left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick and continued to support him financially for the rest of his life. Dick Beer also exhibited in Sweden, albeit irregularly due to his failing health. In the 1920s and 1930s, Beer continued to pursue an expressionist painting with intense colours and unexpected perspectives, but eventually he veered towards more naturalistic forms, including a large number of nudes. He also painted several portraits of artists, politicians and writers. In 1938, Dick Beer sojourned in Arles. The budding photographer Christer Strömholm...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Anastasia Kurakina's artworks are at the Vatican Museums collection since 2017 She has exhibited at the National Portrait Gallery in London at BP portrait award exhibition in 2017 a...

At the center of "Await For Desire" stands a young woman, her expression laden with introspection. Her captivating gaze invites viewers to explore the depths of their own desires and longings. Mayowa's depiction of the woman symbolizes the human capacity for introspection and the journey of self-discovery. Her youth suggests a sense of innocence as if she is at the precipice of embarking on a profound exploration of her desires, dreams, and aspirations. The rose flower held gently in the young woman's hand adds a layer of intrigue to the artwork. Roses have long been associated with love, desire, and beauty. In this context, the rose becomes a metaphor for the desires that lie within each of us, waiting to be explored and embraced. The delicacy with which the young woman holds the rose signifies the fragility and vulnerability of these desires. The petals, beautifully rendered by Mayowa, exude a sense of purity and grace, mirroring the young woman's own essence. The title of the artwork, "Await For Desire," suggests a period of patient waiting and introspection. Mayowa invites viewers to contemplate the nature of desire and the role it plays in shaping our lives. The young woman's expression implies a moment of deep reflection as if she is on the cusp of a significant realization or decision. This evokes a sense of intrigue, urging viewers to reflect on their own desires, their significance, and the choices that emerge from such introspection. Akingbade Mayowa...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reaso...

The title of the painting, "African Radiant," captures the essence of the woman's beauty and spirit. She exudes a sense of joy and inner radiance that is infectious, and her confident gaze and proud stance suggest a deep sense of pride in her heritage and culture. Overall, "African Radiant: Celebration of Beauty and Joy" is a powerful celebration of the beauty and resilience of black African women. It invites viewers to revel in the richness and diversity of African culture and appreciate the strength and joy inherent in the African spirit. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

"It may appear here Or here Or here Before the eye has seen it It may be anywhere in the Universe On the quantum level It is all disappearing And appearing All over again Always...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Large Scale Mid-Century Earth-tone Horizontal Abstract by Joseph Vasica Very large scale (70"H x 160"W) (5.8'H x 13.3'L) mid-century abstract with soft edge, grey and burnt sienna...

"Your former reality Was nothing like this Nothing like this It's a good thing Don't be afraid Nothing like this Better than you ever imagined Better than your thoughts" 'like this' is a reminder that your life is about to change for the better, for good. Get ready to receive abundance of health, wealth, love and success in this lifetime, loving the way you live and surrendering to your glorious destiny. Emmi Granlund...

63 Drinks. figures. colors. cat original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production...