Morateur Gallery

This beautiful work features on the front a lithograph from a 1958 drawing by Henry Moore from the series 'Heads, figures and ideas'. on the verso an origi...

The Kingfisher is bird often first noticed by its wild rattling call as it flies over rivers or lakes. It may be seen perched on a high snag, or hovering on rapidly beating wings, then plunging headfirst into the water to grab a fish. Artist Sylvia Beckman captures the Kingfisher with all its glorious plumage and brilliant colorings This drawing is matted and framed. Sylvia Beckman Kingfisher colored pencil on paper Measures: 13 H x 8 W in 33.02 H x 20.32 W cm FRAMED DIMENSIONS 18h x 14w in 45.72h x 35.56w cm SUB029 Sylvia Beckman, b. 1938, Detroit, MI Education University of Michigan, School of Arch. & Design University of Wisconsin, Botany Private apprenticeship in stone sculpture, bronze, gilding and painting Exhibitions 2017 “Coming Attractions”, Gallery Victor Armendariz, Chicago, IL 1997 S.O.F.A. exhibition, Ann Nathan Gallery, Navy Pier, Chicago, IL 1997 Monumental Bronze Sculpture Commisson, Olbrich Park, Madison, WI 1994 Sculpture, Olbrich Botanic Gardens, Spring Display, Madison,WI 1994 Paintings & Drawings, North Seas Gallery, Charlevoix, MI 1994 Paintings & drawings, Olbrich Botanic Center, Madison, WI 1988 Monumental Stone Sculpture...

Important drawing by Gio Ponti of the Diamante line for Touring Carrozzeria Milan, documented in "Gio Ponti" "L'Arte si innamora dell'industria" by Ugo La Pietra, page 254-255. Ponti...

Painted by Paul Colin, one of the artists who helped define the elegance of 1920s Paris, and in particular the rising prominence of jazz clubs which featured Josephine Baker and other Black performers, this piece features a couple dancing to a modern tune with high energy, their arms and legs at acute angles which echoed the geometries of high style Art Deco form. The Black male figure is the height of fashion in his tuxedo, and the female figure is wearing a thin, diaphanous, pale green dress...

John F. Kennedy Portrait - original drawing in pencil and charcoal on paper, realized by Detlef Henze, hand-signed, dated December 25, 1963. Provenance. Private collection Charcoal...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

The endangered Florida Sandhill Crane can be found in the freshwater wetlands in peninsular Florida from the Everglades to the Okefenokee Swamp. Sylvia Beckman Three Florida Sand Hill...

John F. Kennedy Portrait - original drawing in pencil and charcoal on paper, realized by Detlef Henze, hand-signed, dated December 25, 1963. Provenance. Private collection Charcoal...

A set of three framed gestural drawings by Paul Chidlaw (1900-1989) depicting flocks of birds rendered in black ink on paper. Paul Chidlaw was an earl...

Grand Tour charcoal and watercolor drawing executed by an English tourist in Italy, circa 1800, depicting a gentleman peering over a staircase balustrade in a Baroque interior...

An original Jansen pencil drawing depicting an architectural detail "Rosace de Plafond" page 137. Stamped: Jansen, 9 Rue Royale Paris 8e.

Pencil drawing representing a two-seat biplane for reconnaissance Brandenburg C I produced in Austria by Phonix in 1917, equipped with a Hiero 200 hp engine and armed with twin machi...