New Hampshire Antique Co-op Drawings and Watercolor Paintings
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S.O.S.
By Jamie Wyeth
Located in Milford, NH
A fine limited edition color etching of a rooster titled “S.O.S.” by American artist Jamie Wyeth (b. 1946). Wyeth was born in Wilmington, DE and grew up in Chadd’s Ford, PA, the son of Andrew Wyeth, one of America’s most well known artists, and a grandson of the illustrator Newell Convers Wyeth. Wyeth studied under his aunt, Carolyn Wyeth, and apprenticed three years with his father before going to New York City to launch his own art career. During the 1960s and 70s, his portrait work included a posthumous President John F. Kennedy, Andy Warhol, and President Elect Jimmy Carter. Wyeth was commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, and he even painted Christmas cards of the White House for President Ronald Reagan. He summered on Monhegan Island and became closely linked to the Monhegan art...
Category
1980s Realist Animal Prints
Materials
Paper, Etching
Mount Monadnock
By Gifford Beal
Located in Milford, NH
A fine monochromatic watercolor landscape painting of Mount Monadnock in New Hampshire by American artist Gifford Beal (1879-1956). Beal was born in New York City and studied for man...
Category
Mid-20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mount Monadnock
By Frank Weston Benson
Located in Milford, NH
An exceptional watercolor of Mount Monadnock snow capped in winter in New Hampshire by American artist Frank Weston Benson (1862-1951). Benson was born in Salem, Massachusetts and went on to study in Boston at the Museum School of Fine Arts and later with Julian Lefebvre and Gustave Boulanger at the Academie Julian in Paris. Benson was well known for his impressionist landscapes and seascapes, and etchings of hunting scenes.
Watercolor on paper, signed lower left F.W. Benson with inscription “To Mrs Bush,” titled on Vose Galleries...
Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
Materials
Paper, Watercolor
Tonal Study For Parrot Tulips, Saco River Valley
By James Aponovich
Located in Milford, NH
A wonderfully detailed tonal study by contemporary American artist James Aponovich (b. 1948). Born in Nashua, NH, Aponovich lives in New Hampshire and has become very well known nati...
Category
2010s Realist Still-life Drawings and Watercolors
Materials
Graphite, Paper
Oriental Woman
By Walasse Ting
Located in Milford, NH
A fine vibrant watercolor of an Oriental woman by Chinese/American artist Walasse Ting (1929-2010). Born in China in 1929, Walasse Ting is a self-taught...
Category
1980s Abstract Expressionist Portrait Drawings and Watercolors
Materials
Watercolor, Paper
Circus Clown and Guitarist
Located in Milford, NH
A fine graphite drawing of a circus clown with guitarist by British / Canadian artist Jack Leonard Shadbolt (1909-1998). Shadbolt was born in Sho...
Category
1940s Abstract Expressionist Figurative Drawings and Watercolors
Materials
Paper, Graphite
Manuscript, 1992
By Varujan Boghosian
Located in Milford, NH
A fine abstract paper collage by American artist Varujan Boghosian (b. 1926). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956-1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls.
This piece is a collage on paper with an antique manuscript...
Category
20th Century Abstract Mixed Media
Materials
Paper, Other Medium
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Little Boodge (1993) by David Hockney
By David Hockney
Located in London, GB
Offset lithograph
11.02 x 16.54 in (28.0 x 42.0 cm)
Unsigned.
This is an original, vintage artist-authorised David Hockney poster print, printed in 1993. This is not a later repro...
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1990s Contemporary Animal Prints
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News From a Faraway Land, Original Drawing, Interior Scene, Vase, flowers
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed.
Medium : Oil based color pencils on Hahnemühle Fine A...
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Oil Crayon, Archival Paper, Color Pencil
No Reserve
H 10.24 in W 7.88 in D 0.12 in
Untitled (Rabbi Scholar)
By Seymour Rosenthal
Located in New York, NY
Seymour Rosenthal (American 1921-2007) "Untitled: Rabbi Scholar", Figurative Pen/Watercolor on Paper signed in bottom right hand corner, 10.50 x 8 (24 x 20.50 In Frame), Late 20th Ce...
Category
Late 20th Century Abstract Figurative Drawings and Watercolors
Materials
Pen, Watercolor
Mercedes Matter, New York School Abstract Figures
By Mercedes Matter
Located in New York, NY
Mercedes Carles Matter (1913 - 2001)
Untitled, circa 1937
Pastel on paper
16 x 13 1/2 inches
Estate stamped on the reverse
Provenance:
Estate of the artist
Spanierman Gallery, New York
Private Collection, Pennsylvania circa 2013
Private Collection, New York, 2021
Mercedes Matter was born in New York in 1913. Her father, the American modernist Arthur B. Carles, had studied with Matisse. Her mother, Mercedes de Cordoba, was a model for Edward Steichen. Ms. Matter grew up in Philadelphia, New York and Europe.
She began painting under her father's supervision at age 6, and studied art at Bennett College in Millbrook, N.Y., and then in New York City with Maurice Sterne, Alexander Archipenko and Hans Hofmann.
In the late 1930's, she was an original member of the American Abstract Artists organization and worked for the federal Works Progress Administration, assisting Fernand Léger on his mural for the French Line passenger ship company. Léger introduced her to Herbert Matter, the Swiss graphic designer and photographer, whom she married in 1939.
The Matters were active in the emerging New York art scene and also traveled frequently to Europe. Their closest friends included Jackson Pollock, Lee Krasner, Franz Kline, Philip Guston, Alexander Calder and Willem de Kooning. They were also close to Alberto Giacometti, who was an important artistic role model for Mrs. Matter and a frequent photographic subject for her husband.
Beginning in 1953, Mrs. Matter taught at the Philadelphia College of Art (now University of the Arts), Pratt Institute and New York University. Based on her teaching experiences she wrote an article for Art News in 1963 titled ''What's Wrong with U.S. Art Schools?'' In it, she lamented the phasing out of the extended studio classes required to initiate ''that painfully slow education of the senses,'' which she considered an artist's life work.
The article prompted a group of Pratt students to ask her to form a school based on her ideas, which led, in 1964, to the founding of the New York Studio School. Originally in a loft on Broadway, the school gained almost immediate support from the Kaplan Fund, the Rockefeller Brothers Fund and the Ford Foundation. It granted no degrees, had only studio classes and emphasized drawing from life. Its teachers, chosen by the students, included the artists Guston, Bradley Walker Tomlin, Charles Cajori, Louis Finkelstein...
Category
1930s Abstract Expressionist Figurative Drawings and Watercolors
Materials
Paper, Pastel, Oil Pastel
Mid Century River Birches Landscape Watercolor
Located in Soquel, CA
Mid Century River Birches Landscape Watercolor
Gorgeous vibrant mid century watercolor on paper painting of river birch trees by artist Eva Collins Marks (American, 20th century),19...
Category
1950s American Impressionist Landscape Paintings
Materials
Watercolor, Paper
"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category
1910s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mountain Ranch, Modern Summer Colorado Mountain Landscape, Watercolor Painting
By Irene D. Fowler
Located in Denver, CO
Original signed watercolor painting of a ranch in the Colorado mountains in springtime or summer coloring of green, blue, yellow, white and brown by Denver artist, Irene Fowler. Presented in a custom frame with all archival materials, outer dimensions measure 17 ½ x 23 ½ x 1 ½ inches. Image size is 12 x 18 inches.
About the Artist:
An important figure in the development of Denver as an artistic city, Irene Fowler was a public school teacher and founding member of the Denver Artist’s Guild (now the Colorado Artist’s Guild) in addition to being a prolific artist.
She exhibited in Denver at the Schlier Gallery (where she had a solo exhibition), at the Chappell House, the University Club, and the Broadmoor Art Gallery in Colorado Springs. In 1950-1952 she served as president of the Denver Artist’s Guild.
Fowler painted in oil or watercolor and her paintings were almost exclusively done en plein air. Her landscapes of Colorado...
Category
Mid-20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
H 17.5 in W 23.5 in D 1.5 in
Bali Landscape
Located in Columbia, MO
Benjamin Cameron spent 48 years teaching students in Columbia across three different colleges. His own works still hang on the walls around the community and tell a greater story of ...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Watercolor, Archival Paper
Mid Century California Mission Landscape
Located in Soquel, CA
Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...
Category
Mid-20th Century American Impressionist Landscape Paintings
Materials
Gouache, Cardboard, Paper
Jardin Imprévu Pivoines, Original Drawing, Flowers, Peonies, Garden
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed.
Medium : Oil based color pencils on archival paper pu...
Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
Materials
Archival Paper, Color Pencil, Oil Crayon
H 11.7 in W 8.27 in D 0.12 in
Boats docked in the water
Located in VÉNISSIEUX, FR
I enjoy working on semi-abstract artworks with a touch of impressionism.
This is the one of the artworks which was inspired by the beauty of the south of France. I was inspired by ...
Category
2010s American Impressionist Landscape Paintings
Materials
Paper, Acrylic
Dog 38 and Dog 43 (set of 2) by David Hockney
By David Hockney
Located in London, GB
Set of 2 Offset lithographs
20.87 x 25.20 in
53.0 x 64.0 cm
Acquired directly from the publisher.
Category
1990s Modern Animal Prints
Materials
Lithograph