New River Fine Art Sculptures

Hunt Slonem Delsin, 2022, (5/Edition of 20 ) Ceramic Sculpture 14 x 7.50 x 5.50 in (35.56 x 19.05 x 13.97 cm)

Campbells Soup Hand-Finished Spray Can, 2013

Sculpture of a woman in transparent and chalcedony glass by Dino Rosin, Murano, 2000s. Applied pad mark, signed. H. 13 x L. 7 x D. 5.25 in. Excellent Vintage Condition.

Miss Bugs The Harley Street Cabinet, 2023 Multiple PU pigmented resin, polished stainless steel lolly stick and plinth in sliding door medical cabinet18 x 24 x 6 in (45.72 x 60.96 x ...

Jedd Novatt (b. 1958) CXLXI, 2001 Bronze with brown/black patina18 x 18 x 16 in (45.72 x 45.72 x 40.64 cm)

Jedd Novatt (b. 1958) Chaos Cube, 2008 Stainless Steel93 x 10 x 10 in (236.22 x 25.40 x 25.40 cm)

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Santiago Medina (b. 1964) Taboo, 2023, (2/5) Italian Stainless Steel Sculpture26.50 x 6.50 x 4.75 in (67.31 x 16.51 x 12.06 cm)

Santiago Medina (b. 1964) Soul, 2023 Italian Stainless Steel Sculpture

Santiago Medina (b. 1964) Desire in Black, 2023, (/5) Italian Stainless Steel Sculpture72 x 8 x 6 in (182.88 x 20.32 x 15.24 cm)

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the ...

American modern master David Hayes created graceful sculptures abstracted from organic forms over an artistic career that spanned six decades. His monumental outdoor sculptures conte...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Vibrant Blue Freestanding Ring, 2023

Medium Champagne Classic Wave, 2023

Original Murano glass vase with inclusions of avventurina, (a mixture of glass and copper), colorful glass rods and other patches, Angelo Rinaldi, Murano 1975. Etched surface. It wea...

Thick, transparent glass with immersed stripes of red, yellow, blue and green, Fulvio Bianconi for Venini S.p.a., Murano 1991. Signed, dated, original label and original box. H. 12.7...

Tall Champagne Vase, 2023

Red Vase, 2023

Sunrise, 2023

Sunset, 2023

Aquamarine, 2020

Hunt Slonem Landric (9/55), 2023 Powder Coated Aluminum 14 x 12 x 3.50 in

Hunt Slonem Temis, 2022, (5/20) Ceramic Sculpture 14 x 7.50 x 5.50 in

Hunt Slonem Idris, 2022, (5/20) Ceramic Sculpture 14 x 7.50 x 5.50 in

Hunt Slonem Kyndal, 2022, (5/20) Ceamic Sculpure 14 x 7.50 x 5.50 in (35.56 x 19.05 x 13.97 cm)

Hunt Slonem Knowles, 2021 Handblown Glass, Velvet, Ornate Wood Frame 27 x 17 x 9 in

Hunt Slonem Lucky Charm Blue, 2021, (1/100) stainless steel, pigmented polyester/epoxy 14 x 14 x 3.50 in

Hunt Slonem Kenni, 2021 HandBlown Glass 11 x 5.50 x 6 in

Hunt Slonem Opaline Blue, 2020 HandBlown Glass 16 x 10 x 9 in

David Wight XXL Emerald Genesis glass 27 x 16 x 14 in

David Wight XL Turquoise Classic Wave Glass 15 x 14 x 13 in

David Wight Medium Champagne Classic Wave Glass 12.50 x 11 x 10.50 in

David Wight Epiphany Glass 25 x 13 x 13 in

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Polyurethane UV resin + encapsulated and discarded food wrapper Height-5.12 Width-1.77 Depth-1.77

Salviati Marina, c. 1970's Sommerso Glass - Murano 13 x 5 x 3.12 in