ODETTA Mixed Media

Description: Liu Gang(b.1965) 440201202 water-based and oil-based pigments on rice paper 138.6 by 290 cm Dated 2020 mounted and framed The artwork comes wi...

Description: Liu Gang(b.1965) 480309102 water-based and oil-based pigments on rice paper 146.5 by 145.2 cm Dated 2019 mounted and framed The artwork comes ...

Frank Stella The Whale Watch Shawl (signed in indelible black marker), held in red silk presentation box; also with embossed COA hand signed by both Frank Stella and Kenneth Tyler, 1994 LARGE: (54 Sq inches) Silkscreen on 100% Italian Silk Shawl, hand signed by Frank Stella in indelible black marker, folded in Red Silk Box with Embossed Certificate of Authenticity (Brand New in Original Red Silk Box) - embossed COA is Hand Signed by Frank Stella and Kenneth Tyler Hand Signed and dated by Frank Stella on recto; signed by BOTH Stella & publisher Kenneth Tyler, and numbered on accompanying embossed COA 54 × 54 inches Unframed and held in original red Italian silk gift box Makes a terrific gift! Stunningly large -- 54 Square Inches. This work looks dazzling framed and hung on the wall -- but as it is a signed silkscreen on silk, but it can also be worn as a gorgeous and exclusive artistic fashion statement. Who else is wearing a Frank Stella scarf...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas Whimsical abstract composition by an unknown artist (20th Century). Lime green acrylic paint makes u...

Textural abstract geometric composition featuring two hearts on fibrous handmade paper by Marc Foster Grant (American, b. 1947). Signed and dated "Grant '05" lower right. Displayed i...

In And His Open Arms Embraced color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Arla Lucia is an evocative portrait by Indigenous artist Cara Romero. Romero focuses her lens on Native peoples in order to redefine cultural perceptions. ...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

Pigment & acrylic on rice paper