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Artist: Liz Sweibel
Liz Sweibel, Untitled (Scrapings #10), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Abstract Sculptures
Materials
Wood, Paint, Found Objects
Liz Sweibel, All Fall Down 7, 2019, Thread, vellum, Abstract Drawing
By Liz Sweibel
Located in Darien, CT
The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019.
At sea, stacks of containers topple from a load...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, All Fall Down 6, 2019, Thread, vellum, Abstract Drawing
By Liz Sweibel
Located in Darien, CT
The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019.
At sea, stacks of containers topple from a load...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, All Fall Down 4, 2019, Thread, vellum, Abstract Drawing
By Liz Sweibel
Located in Darien, CT
The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019.
At sea, stacks of containers topple from a load...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, All Fall Down 3, 2019, Thread, vellum, Abstract Drawing
By Liz Sweibel
Located in Darien, CT
The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019.
At sea, stacks of containers topple from a load...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, All Fall Down 2, 2019, Thread, vellum, Abstract Drawing
By Liz Sweibel
Located in Darien, CT
The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019.
At sea, stacks of containers topple from a load...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, All Fall Down 1, 2019, Thread, vellum, Abstract Drawing
By Liz Sweibel
Located in Darien, CT
The drawings in this series are from photos of marine accidents, and made of thread, knots, and vellum. All were completed in 2019.
At sea, stacks of containers topple from a load...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, Untitled #2 (MOL Comfort, 6.27.13, 11.46 am) 2015, Post-Minimalist
By Liz Sweibel
Located in Darien, CT
These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, Untitled #1 (MOL Comfort, 6.27.13, 11.46 am) 2015, Post-Minimalist
By Liz Sweibel
Located in Darien, CT
These thread-and-vellum drawings document the aftermath of the earthquake and tsunami in Japan in March 2011. They began as a reaction to photographs of the devastated landscape, p...
Category
21st Century and Contemporary Post-Minimalist Abstract Drawings and Wate...
Materials
Thread, Vellum
Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category
2010s Abstract Abstract Sculptures
Materials
Wood, Paint, Found Objects
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Abstract Sculptures
Materials
Found Objects, Wood, Paint
Liz Sweibel, Untitled (Scrapings #1), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Abstract Sculptures
Materials
Wood, Paint, Found Objects
Liz Sweibel, Untitled (Splinter 8 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Abstract Sculptures
Materials
Wood, Paint, Found Objects
Liz Sweibel, Untitled (Splinter 2 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Abstract Sculptures
Materials
Wood, Paint, Found Objects
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