ODETTA Prints and Multiples

Invader Rubik Camouflage, 2023 Diasec-mounted Giclée on aluminium composite panel, weighing 13.5kg 39 2/5 × 39 2/5 in | 100 × 100 cm Edition of 812

Very charming French mixed media portrait by Frida Khalo's iconic painter with a beautiful frame and a composition of glass and brenchs. On a great natural paper contour where you the can see its texture. Elegant colors. Frida Kahlo was born on July 6, 1907 in the house of her parents, known as La Casa Azul (The Blue House), in Coyoacan. Frida always claimed to be born on 1910, the year of the outbreak of the Mexican revolution, so that people could directly associate her with the modern Mexico. This detail well introduces us to a singular personality, characterized since her childhood by a deep sense of independence and rebellion against ordinary social and moral habits, moved by passion and sensuality, proud of her "Mexicanidad" and cultural tradition set against the reigning Americanization: everything mixed with a peculiar sense of humour. Her life was marked by physical suffering, started with the polio contracted at the age of five and worsen by her life-dominating event occurred in 1925. A bus accident caused severe injuries to her body owing to a pole that pierced her from the stomach to the pelvis. The medicine of her time tortured her body with surgical operations (32 throughout her life), corsets of different kinds and mechanical "stretching" systems. Lots of her works were painted laying in the bed. Drawing on personal experiences, her miscarriages, and her numerous operations, Kahlo's works are often characterized by portrayals of pain. Of her 143 paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. As a young artist, Kahlo approached the famous Mexican painter, Diego Rivera, who recognized her talent and her unique expression as truly special and uniquely Mexican. He encouraged her development as an artist and soon began an intimate relationship with Frida. They were married in 1929, despite the disapproval of Frida's mother, divorced and then remarried in 1940. She had also a lot of lovers, men and women, such as Leon...

Shepard Fairey God Save the Queen, 2012 Screenprint on wood panel in artist's frame Hand-signed by artist, Signed twice: Pencil signed, dated and annotated AP on the front; also penc...

Jackson Pollock Exclusive invitation with first day cover, 1999 Offset lithograph fold out invitation with postmarked first day cover Stamp with official postmark from the US Post Of...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Unframed This large, banner is amazing and super dramati...

My friend friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown i...

Arla Lucia is an evocative portrait by Indigenous artist Cara Romero. Romero focuses her lens on Native peoples in order to redefine cultural perceptions. ...

Invader Invaded Cube, 2023 Diasec-mounted Giclée on aluminium composite panel, weighing 13.5kg 39 2/5 × 39 2/5 in | 100 × 100 cm Edition of 459

Bardot Femme Fatale 2017 , signed and numbered on the front - limited edition n. III/X on paper White wood frame and glass About the artist : Russell Young is a American-British Pop...

Invader Rubik Shot Red Marilyn, 2023 Diasec-mounted Giclée on aluminium composite panel, weighing 13.5kg 39 2/5 × 39 2/5 in | 100 × 100 cm Edition of 774

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

I have a friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, unframed. His work has been shown in ...