Pascal Fine Art

Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Orig...

Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued u...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

Artist: Sam Francis (American, 1923-1994) Title: "Untitled (SF-348) (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

Title: Paintings and Drawings Year: 1991 Medium: Lithograph on premium paper, exhibition poster Size: 39 x 26 inches Condition: Excellent Notes: Published by the Leo Castelli Gallery...

Abstract Expressionist lithograph on BFK Rives paper of a late 20th century work by French artist Eliane Larus. A lively and highly colourful lithograph...

This colorful abstract lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Miro's works at the Musee d'Art Moderne De La Ville in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

Edition of 75 Signed and numbered in pencil

This original lithograph of an abstract depiction of Van Gogh by Jose Luis Cuevas was printed at the Atelier Mourlot in 1968 and is dated in the plate on the bottom right of the image. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: José Luis Cuevas is a Mexican artist who worked primarily with etchings, illustrations, sculptures, and paintings, though he is perhaps best known for his drawings. According to Cuevas, “perhaps because I was born in a paper mill and pencil factory, paper has always had a great fascination for me.” He briefly attended the eminent Mexican institution Escuela de Pintura, however Cuevas considers himself a self-taught draughtsman in search of an alternative to the Mexican Muralists and their social messages. For Cuevas, his drawings represent the isolation of man and an inability to communicate, many of his drawings featuring distorted human figures and figures transformed into animals. His work was inspired by the graphic styles of Francisco de Goya, Pablo Picasso, and José Guadalupe Posada...

Robert Motherwell, American (1915 - 1991) Lincoln Center's Mostly Mozart Festival, 25th Anniversary. Lithograph, Edition of 800, unsigned and unnumber...

Artist's copy (Epreuve d'Artiste) of a large lithograph of a tree in colours by Yasse Tabuchi, hand signed and dated to the bottom right and dedicated to the bottom left. Yasse Tabuchi was born in 1921 in Kitakyûshû in the south of Japan. He first became acquainted with the techniques of oil painting in primary school. Here, he was also introduced to methods of copper engraving. During World War II, at only 17 years of age, he was called for military service in the Japanese army. In 1948, he returned to the University of Tokyo and completed his studies in Art History with a dissertation about French Colourism from Delacroix to Bonnard. He experienced a world of inspiration in non-fiction books, particularly in those concerning The Impressionists and Pre-Raphaelites. Tabuchi continuously searched for a more dualistic access to art, which is both technical and intellectual. In 1951, Tabuchi traveled to Paris in order to study at the Sorbonne. In 1953 he made his artistic debut at the Salon des Réalités Nouvelles showing four oil works on canvas. He soon built up a reputation in the Post-War art world with his abstract works in vivid colours. During this time, he socialised with many other Japanese artists, as well as some of the members of the CoBrA group. Tabuchi soon shifted from the figurative style of his earlier Parisian works to an increasing level of abstraction. Influenced by Surrealist painting, his works were characterised by organic symbols, reflecting his ideas about the universe. After 1955 he began to experiment with colours and his palette became darker influenced by the difficulties he was experiencing at the time. In 1958, Tabuchi was invited to take part in an exhibition about Japanese abstract paintings, arranged by the National Museum of Modern Art in Tokyo. At the beginning of the 1960s, he went on a world tour to India and Japan, where he became fascinated by the glimmering golden shades of the Orient, especially prevalent in sacred temples. Tabuchi’s fascination with the colour gold became an important element in his later works and is used as a symbol of universal divinity. The figuration is divided in different sections, inspired by Japanese painted screens...