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Period: Early 2000s
Albert Chubac French Artist Kinetic Rotating Steel Sculpture Girouette 2002
By Albert Chubac
Located in Chicago, IL
ALBERT CHUBAC FRENCH ARTIST STEEL KINETIC ROTATING SCULTPURE GIROUETTE 2002 1/2 SCHOOL OF NICE
Chubac was born in Geneva, Switzerland, in 1925 and re...
Category
Early 2000s French Modern Mobiles and Kinetic Sculptures
Materials
Steel
Jonathan Nesci Folded Aluminum Powder Coated White Jack Stool
By Jonathan Nesci
Located in Chicago, IL
Jonathan Nesci folded aluminum white powder coated Jack Stool. The Jack Stool debuted at ICCF in 2007 and helped to launch the career of contemporary designer Jonathan Nesci.
He ha...
Category
Early 2000s American Modern Stools
Materials
Aluminum
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Artist Biography from the Guggenheim
Yaacov Agam
B. 1928, RISHON-LE-ZION, PALESTINE
Yaacov Agam was born in Rishon-le-Zion, Palestine (now Israel), in 1928, the son of a rabbi and kabbalist, Yehoshua Gibstein. He studied at the Bezalel Academy in Jerusalem under Mordecai Ardon in 1946, moved to Zurich and then Paris, and studied at the Atelier d'art abstrait and at the Académie de la grande chaumière. While in Zurich, he met and was influenced by artist and teacher Johannes Itten, who was propagating Bauhaus ideas; he also found inspiration in Vasily Kandinsky's defense of abstraction, ber das Geistige in der Kunst. Insbesondere in der Malerei (On the Spiritual in Art: And Painting in Particular, 1911).
His first solo exhibition was at the Galerie Craven in Paris in 1953, entitled Peintures en Mouvement (Paintings in movement), where he showed two series of early work. In one, grids of painted strips that incorporated different designs on opposite sides created images that merged and changed as spectators shifted their viewing position (a type of lenticular print that eventually became known as an Agamograph). In the other, his Transformable Pictures (Images transformables, 1953–61), viewers could manually activate works and rearrange their visual elements. While not the first Optical-Kinetic artist, Agam encouraged spectator participation at a time when such strategies were rare. He exhibited, along with other pioneers of Kinetic art including Alexander Calder and Jean Tinguely, at the Le mouvement (Movement) exhibition at the Galerie Denise René in 1955.
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