Peanut Gallery Prints and Multiples
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Untitled 1988
By Piero Dorazio
Located in Summit, NJ
Gorgeous lithograph in primary and secondary colors. Heavy paper with beautiful edges. Signed and dated 1988 in pencil by the artist on the front and again dated and titled on the ba...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Untitled 1988
By Piero Dorazio
Located in Summit, NJ
Gorgeous lithograph in primary and secondary colors. Heavy paper with beautiful edges. Signed and dated 1988 in pencil by the artist on the front and again dated and titled on the ba...
Category
1980s Abstract Abstract Prints
Materials
Lithograph
Untitled
By Piero Dorazio
Located in Summit, NJ
Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...
Category
1960s Abstract Abstract Prints
Materials
Aquatint
Frightened Cat
By Karel Appel
Located in Summit, NJ
Beautiful bold lithograph by Karel Appel pencil signed lower right and editioned H.C. VI/XV lower left.
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Wild Palms
By Carol Summers
Located in Summit, NJ
Gorgeous woodcut in vibrant colors with deckled edges. The piece is signed, titled and noted A/P on the front. It is framed in a beautiful matte silver cube frame under conservation ...
Category
1980s Abstract Prints and Multiples
Materials
Color, Pigment, Paper
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Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition.
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