Regent Antiques Paintings and Screens

A stunning antique Chinese school ink wash painting, 19th century, ink and color on silk, finely detailed, richly decorated, elegantly colored, depicting landscape courtier processio...

Antique Chinese Export rice paper pith watercolor paintings. Featuring a man and woman in blue robes; framed in deeply beveled floral Aesthetic Period giltwood frames. Measures: 1...

A charming painting of Lord Krishna and his paramour Radha painted in mineral pigments (gouache) with gold and silver highlights circa mid 19th century in Jaipur style of painting. Krishna was a god (an incarnation of god Vishnu) who accomplished great feats and defeated insurmountable demons. However, he is also considered the most playful amongst gods and an epic lover of godly proportions. His love story with Radha (a married woman) has been the subject of much poetry and worship for centuries as it symbolized the divine love. Here, the lovers are depicted in a loving embrace offering one another a lotus flower. Radha is often depicted hopelessly resisting Krishna's advances as in this painting. The couple's heads are circled by a halo, signifying their divinity. The setting is typical of the interior modeling in the 19th century with use of heavy curtains...

From our recent Japanese acquisitions Original Japanese temple "blossoming lotus" flower bud stems form an attractive double bouquet. Made for a shrine altar, these flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is assembled and then joined in an arrangement of two stems and two bouquets and inserted into the vessel. Called "Jyôka" and they are placed on or next to an altar in a Buddhist temple. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese gilt Lotus...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

Flowers & Birds of the Four Seasons Pair of six-fold Japanese Screens. Ink, color, gofun and gold on paper. Second half of the 19th Centur...

A two-fold Japanese screen by the Rimpa school artist Sakai Hoitsu (1761-1828), Japan, 19th century, Edo period. This small Japanese folding screen pai...

From our recent Japanese acquisitions, a rare find, stem #3 Antique Original Japanese temple "blossominig lotus" flower bud stem. This finely hand carved wood and lacquered gold flower stem was made for a Buddhist 19th century temple altar...

Framed Chinese Painting of A Family on Horses, Late 19th Century

We have a unique Japanese aesthetic sense. And only we can introduce unique items through our purchasing channels in Japan and the experience we have gained so far, in such a way that no one else can imitate. It is an ink painting written after the Meiji era. The biggest attraction of this work is that it uses Chinese characters to create paintings. To explain in detail, it is written here in Chinese characters as "un-ryu" . "Un" is a cloud and "ryu" is a dragon. These are embodied and drawn by comparing them to the meaning of Chinese characters. And the clouds depict the clouds hanging over the mountain, and the dragon depicts the climbing toward the mountain. Humorous paintings...

19th Century Chinese watercolor in vivid colors of a teacher seated at a desk under a tree with students seated on cushions in an outd...

This pair of screens belongs to a genre of lyrical paintings of flowers, grasses, and other plants that flourished around the middle of the 17th century and became a specialty of the Sôtatsu studio. The use of a rather complex composition of clusters of flowers and the puddling of ink was initiated by Tawaraya Sôtatsu, the founder of the Rimpa School, who was active from 1600 until 1642. The screens are abstract and decorative but there is, at the same time, a keen sense of naturalism not only in the attention to accurate detail but in the profusion of vegetation. The passage of the year is symbolized by the variety of plants that bloom in different seasons. The tarashikomi - here used on leaves, petals and trunks - is a Classic Rinpa technique in which pale black ink or a color is brushed onto an area of a painting and then either darker ink, or the same or a contrasting color, is dropped into the first before it has completely dried, creating an effect of pooled colors with softly blurred edges. Its delicacy, preciousness, and effeminacy are identified with the over-refinement of its patrons, while the vigor, monochromatic discipline, sharp observation, and virile forms of the Kano school are a testament to the vitality of the rising warrior class. The plants are almost all identifiable: in the summer-spring part, you can find wheat, buttercups, irises, begonias, hydrangeas, coral bells...