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Period: 1930s
Pastoral Landscape with Reclining Odalisque and Fruit
By Benjamin G. Benno
Located in Long Island City, NY
This reclining nude portrait of a woman on a picnic makes several different art historical references. The bold, almost neon colors are reminiscent of the tropical paintings rendered by Gauguin at the end of the 19th century. The setting harkens back to "Luncheon in the Grass" by Manetl. And the pose is historically associated with sex workers and the goddess Venus, in paintings like "Olympia" by Manet, "Grande Odalisque" by Inges, and even further back like "Venus of Urbino...
Category
1930s Cubist Nude Drawings and Watercolors
Materials
Pastel
Cubist Mother, Pastel on Paper Drawing by Benjamin Benno
By Benjamin G. Benno
Located in Long Island City, NY
This cubist work on paper in bold monochrome pastel is almost a piece of optical art thanks to the series of geometric shapes that build out the bodies of the two figures. In the for...
Category
1930s Cubist Figurative Drawings and Watercolors
Materials
Pastel
Odalisque, Surrealist Charcoal on Paper Drawing by Benjamin Benno
By Benjamin G. Benno
Located in Long Island City, NY
A black and white charcoal drawing on paper by cubist and surrealist artist Benjamin Benno.Rather than depicting fruit or flowers on a table like a tra...
Category
1930s Modern Abstract Drawings and Watercolors
Materials
Paper, Charcoal
The "Cannonball", Locomotive Watercolor by Reginald Marsh
By Reginald Marsh
Located in Long Island City, NY
Artist: Reginald Marsh, American (1898 - 1954)
Title: The "Cannonball"
Year: 1936
Medium: Watercolor on Paper, signed, titled, and dated l.r.
Size: 16.5 in. x 22.5 in. (41.91 cm x 57...
Category
1930s American Impressionist Landscape Paintings
Materials
Watercolor
Western Landscape, Watercolor by Allen Tucker 1931
By Allen Tucker
Located in Long Island City, NY
Artist: Allen Tucker, American (1866 - 1939)
Title: Western Landscape
Year: 1931
Medium: Watercolor, signed and dated
Size: 14 in. x 20 in. (35.56 cm x 50.8 cm)
Category
1930s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Reclining Nude II
By Raphael Soyer
Located in Long Island City, NY
Artist: Raphael Soyer, American (1899 - 1987)
Title: Reclining Nude II
Year: circa 1930
Medium: Pastel and Watercolor on Paper, signed
Size: 15 in. x 20.5 in. (38.1 cm x 52.07 cm)
Fr...
Category
1930s American Realist Nude Drawings and Watercolors
Materials
Pastel, Watercolor
Eleanor, Watercolor on Archival Paper by Emmet Edwards
Located in Long Island City, NY
Artist: Emmet Edwards
Title: Eleanor
Medium: Watercolor on paper, signed, dated, and titled in pencil
Image Size: 21 x 14 inches
Frame Size: 28.5 x 21.5 inches
Category
1930s Expressionist Portrait Drawings and Watercolors
Materials
Watercolor, Archival Paper
New England Landscape, Watercolor by Allen Tucker
By Allen Tucker
Located in Long Island City, NY
Artist: Allen Tucker, American (1866 - 1939)
Title: New England Landscape
Year: 1936
Medium: Watercolor, signed and dated
Size: 19 in. x 28 in. (...
Category
1930s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
World's Fair 1934 (Chicago), Art Deco Drawing by A. Raymond Katz
By Alexander Raymond Katz
Located in Long Island City, NY
This is the original drawing for the cover of the Chicago World's Fair Guide Book by A. Raymond Katz (1895 - 1974). This design was used in variation on the guide book, posters and ...
Category
1930s Art Deco Figurative Drawings and Watercolors
Materials
Oil Pastel
Monhegan Cove, Gouache Painting by Joseph Solman 1937
By Joseph Solman
Located in Long Island City, NY
Artist: Joseph Solman, American (1909 - )
Title: Monhegan Cove
Year: 1937
Medium: Gouache on black paper, signed and dated l.c.
Size: 8.5 x 12 inches
Frame Size: 18 x 22 inches
Category
1930s Color-Field Landscape Drawings and Watercolors
Materials
Gouache
Seated Couple, Pencil and Watercolor on Paper by Raphael Soyer
By Raphael Soyer
Located in Long Island City, NY
Artist: Raphael Soyer, American (1899 - 1987)
Title: Seated Couple
Year: circa 1930
Medium: Pencil and Watercolor on Paper, signed
Size: 10 in. x 9 in. (25.4 cm x 22.86 cm)
Fram...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Pencil, Watercolor
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Central Park Zoo with Sea Lions and Animals
By Constantin Alajalov
Located in Miami, FL
A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front of a packed audience. The...
Category
1940s Impressionist Landscape Paintings
Materials
Gouache
Two Balinese Beauties (Mapeed), circa 1945
By Johan Rudolf Bonnet
Located in Amsterdam, NL
Rudolf Bonnet (1895-1978)
'Mepèèd' (Mapeed)
Signed lower right
Titled upper right
Pastel on gouache pigmented paper, 57 x 34 cm
In original carved ebo...
Category
1940s Nude Drawings and Watercolors
Materials
Paper, Crayon, Pastel, Gouache, Pencil
Free Shipping
H 22.45 in W 13.39 in D 0.04 in
Glamorous Nude with Red Coat emerging from Curtain, Golden Age of Hollywood
By Jaro Fabry
Located in Miami, FL
Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist:
ca. 1940 - ...
Category
1940s Art Deco Nude Paintings
Materials
Crayon, Watercolor
A girl II - XXI century, Contemporary Realistic Figurative Mixed Media Drawing
By Andrzej Szypluk
Located in Warsaw, PL
Contemporary realistic figurative mixed media drawing
PROVENANCE
Exhibited at Katarzyna Napiorkowska Gallery.
The Gallery is a primary representative for this artist.
The Gallery o...
Category
Early 2000s Realist Figurative Drawings and Watercolors
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1950's Modernist/ Cubist Painting - Red Roof Green Landscape
By Bernard Labbe
Located in Cirencester, Gloucestershire
French Landscape
by Bernard Labbe (French mid 20th century)
original gouache on board unframed
size: 9.5 x 13 inches
condition: very good and ready to be enjoyed
provenance: the art...
Category
Mid-20th Century Modern Landscape Paintings
Materials
Gouache
Farmers spanish pastel painting
Located in Barcelona, Barcelona
Signed "Blay".
Frame size 50x56 cm.
Category
1980s Impressionist Figurative Drawings and Watercolors
Materials
Pastel
"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category
1910s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
British Mid 20th Century Impressionist Painting London City Sketch
Located in Cirencester, Gloucestershire
London
Frank Duffield (British, 1908-1982)
original watercolor painting on thick artist paper, unframed
size: 8 x 10.5 inches
condition: overall very good, minor wear to the edges as...
Category
Mid-20th Century Impressionist Landscape Paintings
Materials
Watercolor, Paper
"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957)
Monhegan Island, Maine
Watercolor on paper
Sight 16 x 20 inches
Signed lower right
With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy.
In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines.
Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler.
During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
Materials
Paper, Watercolor
Sketch for Frescoed Frieze - Pencil and Gouache by Paul Bony - 1932
By Paul Henry Bony
Located in Roma, IT
Sketch for Frescoed Frieze is an interesting preparatory study realized by the artist Paul Bony, a famous French painter active in the last century. The artwork is in good state of p...
Category
1930s Cubist Figurative Drawings and Watercolors
Materials
Pencil, Gouache
H 7.33 in W 12.21 in D 0.04 in
Boulevard at summer. 1961, paper, watercolor, 37x52 cm
Located in Riga, LV
Boulevard. 1961, paper, watercolor, 37x52 cm
Laimdonis Grasmanis (1916-1970)
1933 – 1937 – Art school of Applied art in Liepaja
1937 – 1942 – Art Academy of Latvia
Artist took pa...
Category
1960s Realist Landscape Paintings
Materials
Paper, Watercolor
H 14.57 in W 20.48 in
Figures by River Landscape British Mid 20th Century Impressionist Painting
Located in Cirencester, Gloucestershire
Figures by River
Frank Duffield (British, 1908-1982)
signed original watercolor painting on thick artist paper, unframed
size: 10 x...
Category
Mid-20th Century Impressionist Landscape Paintings
Materials
Watercolor, Paper