RoGallery Drawings and Watercolor Paintings
to
1
1
1
1
Overall Height
to
Overall Width
to
1
1
127
16
14
8
7
1
Artist: Arman
Watch Gears, Ink Drawing
By Arman
Located in Long Island City, NY
Artist: Arman
Title: Watch Gears
Year: circa 1979
Medium: Ink on Paper Drawing, signed l.r.
Paper Size: 25 x 19 inches
Frame Size: 34 x 27.5 inches
Category
1970s Conceptual Still-life Drawings and Watercolors
Materials
Ink
Related Items
Modern British ink pen on paper work of a rose by Edmond Xavier Kapp
Located in Petworth, West Sussex
Eduard Xavier Kapp (British, 1890 – 1978)
Rose in bottle
Ink pen
Signed, inscribed and dated ‘For Paby, no7 out of 7 Kapp. 59’ (lower edge)
11 x 8.1/4 in. (28 x 21 cm.)
Edmond Kapp ...
Category
20th Century Modern Still-life Drawings and Watercolors
Materials
Paper, Ink
H 11 in W 8.25 in D 1 in
Tree Peonies
By Chao Chung
Located in Storrs, CT
Tree Peonies. Watercolor and sumi ink on paper mounted on silk. Image: 29 x 11 1/2. Signed with the artist's red seal. Text: "You can smell the fragrances with the spring breeze touc...
Category
Late 20th Century Showa Landscape Drawings and Watercolors
Materials
Ink, Watercolor
Terracotta Head, 6-7th Century C.E.
Located in Columbia, MO
HELEN HAWLEY
Terracotta Head, 6-7th Century C.E.
2024
Ink on paper
Framed: 12 x 16 inches
Category
21st Century and Contemporary Contemporary Still-life Drawings and Water...
Materials
Archival Paper, Ink
"Ranger", 1937 America's Cup Winner J-Class Racing Yacht Sailboat Ink on Paper
By Philippe Mallet
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This artwork depicts the Ranger, last J-class racing yacht to race for the America's Cup, defeating the Endeavour II in 1937.
The artist can draw custom designs on demand, feel free...
Category
2010s Other Art Style Figurative Drawings and Watercolors
Materials
Ink, Paper
"Freedom", Orange and Black Three-Masted Schooner Ink Drawing
By Philippe Mallet
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This artwork depicts a three-masted schooner named Freedom, hailing from New-York. The boat has brown booms, masts, keel and bow, and black and orange hull...
Category
2010s Other Art Style Figurative Drawings and Watercolors
Materials
Ink, Paper
Original Dora Maar, (Picasso's muse) fine ink drawing of herbs, 1998
By Dora Maar
Located in Petworth, West Sussex
This is a beautiful and fine avant-garde finished drawing of herbs by the French female artist, Dora Maar. Dora Maar was a distinctive artist in her own right marked by striking pho...
Category
20th Century Surrealist Still-life Drawings and Watercolors
Materials
Paper, Ink
H 11.25 in W 7.63 in D 1 in
Expressionist Miniature Drawing Wheat Stalks American Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink drawing of wheat stalks
There is an inscription "Happy New Year" on verso
Hand signed
Framed it measures 7.75 X 5.75
The actual paper is 3 X 3.5
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”
By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist.
Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.
Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
Category
1950s Expressionist Still-life Drawings and Watercolors
Materials
Ink
Expressionist Color Drawing Cobalt Glass Vintage Frame Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of flowers in vase.
Framed in a vintage cobalt blue glass original frame
Hand signed and dated
Framed it measures 13.5 X 10.5
The actual paper is 7.5 X 5.5
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”
By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist.
Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.
Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
Category
1950s Expressionist Still-life Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel, Ink
"Mohawk", Full Sail Black and Red Canadian Schooner Ink Drawing
By Philippe Mallet
Located in Clermont-Ferrand, Auvergne-Rhône-Alpes
This artwork depicts a Canadian schooner named Mohawk, hailing from Vancouver. The boat has blue booms, brown masts, black and white hull, red keel and bow.
The artist can draw cus...
Category
2010s Other Art Style Figurative Drawings and Watercolors
Materials
Ink, Paper
Bouquet of Roses - Original ink drawing, Signed
By Jean Dufy
Located in Paris, FR
Jean DUFY (1888-1964)
Bouquet of Roses
Original ink and lavish drawing
Signed with the artist stamp
On paper 29 x 36 cm (c. 12 x 14 in)
Very good condition, paper lightly yellowed
Category
Mid-20th Century Modern Still-life Drawings and Watercolors
Materials
India Ink
Family of Flowers
By Andy Warhol
Located in Toronto, Ontario
Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...
Category
1950s American Modern Still-life Drawings and Watercolors
Materials
Ink
Expressionist Ink, Pastel, Crayon Drawing Jewish American Modernist Ben Zion WPA
By Ben-Zion Weinman
Located in Surfside, FL
Expressionist ink and pastel crayon drawing of beans (carobs, flowers?) in pods
Hand signed.
Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name.
Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.”
By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist.
Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition.
Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
Category
Mid-20th Century Expressionist Still-life Drawings and Watercolors
Materials
Paper, Oil Crayon, Pastel, Ink