RoGallery Paintings

Two Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 40.5 H in. x 55.5 in. W Mounted on acid-free board: 41 H x 56 in. W Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Antique post impressionist Art Deco figurative oil painting by French artist Bernard Py. This large size animated interior painting of two wom...

A dramatic scene of cowboys on horseback set in the Wild West. Twilight has fallen on a gang of four cowboys as they ride their horses across a river. Their riffles are ready as if anticipating an enemy. The piece measures 23 x 34.5. It is beautifully framed and ready to hang in an ornate, gilt wood frame with reflection proof glass. The overall measurements is 33 x 45 inches. About the Artist: David Sanders...

Signed lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed. Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment. Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang. Medium : Oil on coated wood. Artist : Raphaël Renaud Subject : Coin de AS (Title), (EN : Corner of AS). T...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

The Lute Player, the Flute Player and Singers making Music • 18thC Oil on iron sheet, ca. 32 x 26.5 cm • Later Frame, ca. 40 x 34 cm Here we have a...

"Moving and Changing" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, an...

"Self Love" presents a compelling portrait of a young man who exudes confidence and self-assurance. The subject is depicted wearing a suit, a symbol of elegance, professionalism, and societal norms. However, what sets this artwork apart is the way the young man embraces his individuality within the confines of societal expectations. His expression radiates a sense of self-acceptance and self-love, challenging traditional notions of conformity. The artwork serves as a reminder that true empowerment comes from embracing and celebrating one's authentic self. Tomiwa's artwork seeks to inspire viewers to recognize the transformative power of self-love. The young man's demeanor reflects a deep understanding of his worth and inner strength. Through his self-love, he finds the courage to stand tall, face challenges, and navigate his own path. The portrait becomes a visual representation of empowerment, as the young man's self-assuredness serves as a reminder that embracing one's identity can lead to personal growth and fulfillment. "Self Love" challenges societal stereotypes and expectations that often hinder individuals from embracing their true selves. The young man in the artwork defies conventional norms and radiates a sense of individuality. His confident presence challenges preconceived notions and encourages viewers to question and redefine societal standards. By celebrating one's authenticity, Tomiwa's artwork encourages viewers to break free from societal constraints and embrace their unique identities. At its core, "Self Love" is a visual representation of self-acceptance. The young man's expression and posture reflect a sense of contentment and self-assurance. This powerful message resonates with viewers, encouraging them to love and accept themselves unconditionally. The artwork reminds us that self-love is not about seeking external validation but finding inner peace and harmony by embracing our strengths, flaws, and unique qualities. "Self Love" serves as an inspiration for personal growth and development. The young man's confident stance and stylish attire symbolize the importance of self-care and self-expression. The artwork encourages viewers to prioritize their well-being, celebrate their individuality, and invest in their personal growth. It serves as a reminder that self-love is an ongoing journey, requiring self-reflection, compassion, and a commitment to nurturing one's mind, body, and spirit. "Self Love" by Tomiwa Arobieke is a captivating portrait artwork that celebrates the transformative power of self-love and the embrace of one's identity. Through his meticulous brushstrokes, Arobieke captures the essence of self-assurance, empowerment, and authenticity. The artwork encourages viewers to break free from societal expectations, embrace their individuality, and prioritize self-love as a catalyst for personal growth. "Self Love" is a powerful reminder that by embracing our true selves, we can find the strength to overcome obstacles and live a life of empowerment, fulfillment, and joy. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Arobieke Tomiwa...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. This original acrylic, oil pastel, watercolor, and ink artwork on paper measures 13 inches square. This artwork is not framed. This painting is signed by Brown on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and International shipping also available. A certificate of authenticity issued by the art gallery is included. Danny Brown uses his interest in fashion as well as his knowledge of color, design, and culture as inspiration for his paintings. The loss of friends to violence and incarceration, combined with the loss of a family member to gang violence pushed Brown to use art as a source of therapy and to project a positive inspiring image for his community. Brown’s art coalesces youth culture, art history, fashion and American consumerism and melds them all to create his unique style. Instantly relatable and recognizable, his cathartic paintings represent contemporary issues as well as a demographic that is traditionally underrepresented in fine art. His works speak to young Americans and inspire a whole new generation of art collectors and admirers. Since 2016, Daniel Brown...

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

"Purple Desert Mirage" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, a...