Side-Gallery Furniture

Chaise longue Manufactured by Forma Brasil Brazil, 1958 Sculptural iron, upholstery. Measurements: 161.3 cm x 62.2 cm x 81.3 H cm. 63.5 in x 24.5 in x 32 H in. Literature: Aric Chen, Brazil Modern the rediscovery of twentieth-century brazilian furniture. The Monacelli Press, New York 2016, reproduite page 208 Provenance: Familia Niomar Muniz Sodré Bittencourt. Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Franco Campo & Carlo Graffi Set of four armchairs Manufactured by Home Italy, 1960 Iron structure, upholstery Measurements: 70 cm x 50 cm x 80 H cm 19.68 in x 27.55 in x 3...

Pierre Paulin Armchair and ottoman model “CM 190” Manufactured by Thonet France, 1954 Iron, fabric upholstery. Measurements: 57 cm x 49 cm x 67 H cm 22.44 in x 19.29 in x ...

Max Ingrand Mirror model “1669” Manufactured by Fontana Arte Italy, 1950s Colored glass, mirrored glass. Measurements 71 Ø cm. 28 Ø in. Provenance Private collection, ...

Vittorio Borrachia Room Divider Manufactured by Vittorio Borrachia Italy 1955 Larch wood, formica Measurements: 280 cm x 44 cm x 300h cm 110.23 in x 17.32 in x 118.11 P...

Gae Aulenti  Table lamp model “King Sun” Manufactured by Kartell Italy, 1967. Enameled aluminum, acrylic. Measurements: 74 cm x 79 cm x 71 H cm. 29 in x 19.25 in x 28 H in.

Gae Aulenti  Table lamp model “Poveglia” Manufactured by Vistosi Italy, 1969 Blown glass Measurements 38 cm diameter x 29 cm height 15 in diameter x 11.5 in height Deta...

Gae Aulenti Table lamp model “Patroclo” Manufactured by Artemide Pregnana (Italy), 1975 Blown glass, metal mesh Measures; 45.72 cm x 27.94 cm x 45.72 H cm 18 in x 11 in x ...

Osvaldo Borsani, (1911-1985) Pair of armchairs part of set model “P-35” Manufactured by Arredamenti Borsani, Varedo Italy, 1951 Walnut with fabric upholstery A pair of pale pi...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Dining chairs 2 available. Manufactured by Forma Moveis, Brazil, 1950 Wood, cane and silk upholstery Measurements 40 cm x 50 c...

Ilmari Tapiovaara (1914-1999) Pair of lounge chairs model “2468” Manufactured by Laukaan Puu Finland, 1959 Black lacquered wood and red woolen upholstery Measurements: 70 c...

Round coffee table Manufactured by Tepperman Brasil, 1968 Lacquered black wood Measurements 99 cm diameter x 28 height cm. 39 in diameter x 11.4 height in.

Paolo Tilche (1925-2000) Pair of armchairs model “Silvia” Manufactured by Arform, Italy, 1956 Rattan Pair of Italian 20th century ratan armchairs ...

Liceu de artes e oficios Pair of armchairs Manufactured by Liceo de Arte e Oficios Brazil, 1950 Solid jacaranda and upholstery Cream upholstered Mid-Century Modern Measure...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair, part of set with sofa Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measur...

Martin Eisler (1913-1977) and Carlo Hauner (1927-1997) Sofa Manufactured by Forma Moveis Brazil, 1950s Black painted metal, white/cream fabric upholstery...

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of lounge chairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measurements 65 cm x 64 cm x 90 H cm. 25.5 in x 25 in x 35.4 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Beside Carlos Hauner, Martin Eisler(1913­1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of low armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery. Measurements 70 cm x 53 cm x 71 H cm. 27.5 in x 21 in x 28 H in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 50s and 60s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Armchair model “Shell” Manufactured by Forma Moveis Brazil, 1955 Black painted metal, white fabric upholstery. A Mid-Century modern Brazilian Armchair by Martin Eisler & Carlo Hauner designed in 1955. The chairs are upholstered in a cream/white fabric with black painted metal legs. Measurements 74 cm x 77,5 cm x 78h cm. 29,1 in x 30,5 in x 30,7h in. Literature Móvel moderno Brasileiro, Marcelo Vasconcellos, Aeroplano, P. 201 Desenho da Utopia, Brazilian Modern Furnitures...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Coffee table Manufactured by Forma Moveis Brazil, 1950s Ebonized wood, glass top Midcentury design Brazilian coffee table. Measurements 60 cm diameter x 49 height cm. 23.50 in diameter x 19.3 height in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance.  Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1950s Black painted metal, fabric upholstery Measurements 66 cm x 80 cm x 94h cm. 26 in x 35 in x 37h in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance. Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

Ignazio Gardella (1905-1999) Round Table Round Dining Table Manufactured by Azucena Italy, 1950Varnished metal and polished brass legs, wooden top Measurements 120 cm diameter x 7...

Gio Ponti (1891-1979) Set of four dining chairs, model "leggera" Manufactured by Cassina Italy, 1951 Measurements 82.55 cm x 44.45cm x 45.72 cm. 32.55 in x 17.5 in x 18 in. Litera...

Franco Albini (1905-1977) Set of six dining chairs with arms (Price per chair) Manufactured by Forma Brazil Brazil, 1950s Solid jacaranda wood and fabric Measurements 58 cm x 55 c...

Branco e Preto (Miguel Forte, Jacob Ruchti, Plinio Groce, Roberta Aflalo, Carlos Millan & Che Y Hwa) Pair of armchairs model “R3” Sold as individual it...

Martin Eisler (1913-1977) & Carlos Hauner (1927-1997) Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 c...

Set of dining chairs (14 available) (Price is per chair) Manufactured by Tenreiro Movèis & Decorações Brasil, 1960 Jacaranda wood and cane Modern Br...

Sergio Rodrigues (1927-2014) Round dining table model “Stella” Manufactured by Oca Brazil, 1956 Jacaranda wood, brass, iron Measurements 122 cm diameter x 73 height cm 48 in diamet...

Martin Eisler(1913-1977) & Carlos Hauner (1927-1997) Armchair model “Reversible” Manufactured by Forma Moveis Brazil, 1955 Iron structure, brass, cotton upholstery Measurements: 10...

Mathieu Mategot (1910-2001). Serving cart Manufactured by Atelier Mategot. France, 1950s. Lacquered and perforated metal. Measurements 55 x 40 cm x 63.5 H cm. 21.65 in x 15.74 in x 25H in. Literature Philippe Jousse...

20th Century Italian Marble and wood Circular Dining Table Unknown designer Mid-century Modern dining table 43 Inches x 43 inches x 29 (H) Inches

Jose Zanine de Caldas (1919-2001). Side table. Manufactured by Mòveis Artísticos Z, Brazil, 1950. Marine plywood. Measuremenents: 70 cm x 46...

Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...

Branco e Preto (Carlos Milan). Coffee table. Manufactured by Mahlmeister & Cia, Brazil, 1950s. Solid jacaranda, ebonized wooden structure. Measurement...

Gio Ponti (1891-1979). Important desk Made for the University of Mantova manufactured by Schirolli in Italy, 1950. Walnut mid-century modern writing desk Measurements: 160 cm x ...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Ico Parisi (1916–1996). Sofa model "869." Manufactured by Figli di Amadeo de Cassina. Italy, 1960. Walnut wood and upholstery. Large Sofa 3/4 place designed with walnut wooden legs ...

Curved sofa Manufactured by l’Atelier di Varedo, Italy. Italy, 1947 Chesnut and upholstered in grey velvet Measurements 225 cm x 130 cm x 85h cm. 88,5 in x 51,18 in x 33,46h in. Li...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1955 Caviuna wood legs, velvet and cotton upholstery Measurements: 77 cm x 77 cm x 72 H cm. 30.3 in x 30.3 in x 28.3 H in. Literature: Casa & Jardim, 1956. Nº 92 Bio: Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Carlos Hauner & Martin Eisler Pair of armchairs Manufactured by Forma Moveis Brazil, 1950 Iron, velvet upholstery Orange Velvet Upholstery Measurements 63 cm x 53 cm x 76h cm 24,8 in x 20,86 in x 29,92h in Bio Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Roberto Sebastián Matta Seating system model “Malitte” Named after Malitte Pope, Matta´s wife Manufactured by Gavina (1966-1968) and Knoll International (1968-1974) Italy, 1966 ...

Carlos Hauner & Martin Eisler Buffet with five doors Manufactured by Forma Moveis Brazil, 1950 Caviuna wood, cane From the archives of Side Gallery, Barcelona Measurements 268 cm x 43 cm x 81 H cm 105.52 in x 16.92 in x 31.88 H in Literature Brasilian modern: The rediscovery of 20th century Brazilian furniture. Aric Chen. Brasil, 2016 Bio Beside Carlos Hauner, Martin Eisler (1913­-1977) was the founder for the iconic Brazilian furniture company Forma. He was born in Vienna, Austria, and studied architecture in his country. In 1938 he moved to Buenos Aires. After meeting Carlos Hauner in Brazil, he started traveling there frequently to collaborate on designs and, they founded Forma to sell their own designs as well as pieces licensed from Knoll International. Eisler also opened Forma in Buenos Aires, along with partners Arnold Hakel and Susi Aczel...

Jorge Zalszupin Coffee table model “Romana” Manufactured by L’Atelier Brazil, 1960s Jacaranda, marble From the archives of Side Gallery, Barcelona Measurements: 137.16 cm x 68.58 cm x 30.48 H cm 54 in x 27 in x 12 H in Literature Maria Cecilia Loschiavo dos Santos, Jorge Zalszupin, Design Moderno no Brasil, Éditions Olhares, São Paulo 2014 Concept Jorge Zalszupin collaboration with Oscar Niemeyer, a legend of Brazilian modernism, had a great influence on his aesthetics. He made his way to Brazil at the precise moment when the Brazilian form of modernistic architecture was being shaped by Niemeyer, Le Corbusier, and Lucio Costa. Zalszupin’s furniture fits perfectly with the style of this period in design. In his designs, Zalszupin blends simplicity of form with sensuality. Materials of the highest quality are the essence of his design practice. With a marble top affixed on thin, exquisitely curved wooden bases, the Romana coffee table...

Carlo Scarpa Dining table model “Quatour” Manufactured by Simon Gavina Italy, 1974 Walnut wood Measurements: 141 cm x 141 cm x 72 H cm 55.9 in x 55.9 in x 28 H in. Litera...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Gio Ponti Pair of armchairs, model «803» Manufactured by Cassina Italy, 1955 Walnut, fabric. From the archives of Side Gallery, Barcelona Measurements 80 cm x 75 cm x 81.5 H...

Joaquim Tenreiro Pair of armchairs model “Concha” Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1950 Pau marfim wood, upholstery From the archives of Side Gallery, Barce...

Joaquim Tenreiro, (1906-1992) Price is per Chair Rare set of 8 chairs variant of the “Cadeira baixa para quarto” Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1950 Jacarand...

Joaquim Tenreiro Pair of dining chairs Manufactured by Tenreiro Moveis e Decoraçoes Brasil, 1950 Jacaranda wood, cane From the archives of Side Gallery, Barcelona Measureme...

Joaquim Tenreiro Pair of armchairs model “Leve” Manufactured by Langenbach & Tenreiro Ltda Brasil, 1942 Jacaranda, upholstery From the archives of Side Gallery, Barcelona M...

Joaquim Tenreiro Three seats sofa Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1954 Jacaranda, upholstery From the archives of Side Gallery, Barcelona Measurements: ...

Joaquim Tenreiro Coffee table Manufactured by Tenreiro Moveis e Decoraçoes Brazil, 1950 Jacaranda wood, marble “beige snake” From the archives of Side Gallery, Barcelona Meas...

Sergio Rodrigues, Pair of shelves model “Georges Nelson” Manufactured by Oca Brasil, 1965 Jacaranda wood, chrome metal frame and leather From the archives of Side Gallery, Barce...

Joaquim Tenreiro Side table Manufactured by Tenreiro Moveis e Decoraçoes Brazil, 1950 Jacaranda, glass From the archives of Side Gallery, Barcelona Measurements 75 cm x 50...

Joaquim Tenreiro Single armchair model “Redonda” Manufactured by Tenreiro Moveis e Decoraçoes Brasil, 1950 Jacaranda wood, upholstery From the archives of Side Gallery, Barcelo...

Joaquim Tenreiro Two seats bench Manufactured by Tenreiro Moveis e Decoraçaos Brasil, 1958 Jacaranda wood, cane From the archives of Side Gallery, Barcelona Measurements 1...

Lisa Johansson-Pape Pair of table lamp model “Senator” Manufactured by Orno Finland, 1947 Brass, leather and aluminium From the archives of Side Gallery, Barcelona Measurements 41 cm diameter x 59 height cm 16.14 in diameter x 23.22 height in Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

Lisa Johansson-Pape Pair of floor lamps Manufactured by Orno Finland, 1947 Painted steel, brass and acrylic shade From the archives of Side Gallery, Barcelona Measurements 57.45 cm diameter x 146 cm height 22.61 in diameter x 57.48 in height Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

Lisa Johansson-Pape Table lamp Manufactured by Orno Finland, 1950 Brass, leather, canvas shade From the archives of Side Gallery. Barcelona Measurements 10 cm x 10 cm x 69 H cm 3.93 in x 3.93 in x 27.10 H in Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

Paavo Tynell Pair of wall lamps Manufactured by Taito Oy Finland, 1940 Brass, frosted glass diffuser From the archives of Side Gallery, Barcelona Measurements 32 cm x 41 H ...