Stern Pissarro Gallery Still-life Drawings and Watercolors

Oak Leaf Peace Wreath with Dove and Serpent Around 1700 Black chalk on thin, brownish paper 39,8 x 52,7 cm Inscribed "N" in the centre left This drawing is probably by an Italian Ar...

Clematis 4, Iris 4 and Iris 5 Triptych Overall Size cm : H90 x W60 Clematis 4 [2021] original Coloured pencil on 150gsm paper Image size: H:29 cm x W:21 cm Co...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual paper is 7.5 X 5.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Drawings of skulls are often called vanitas, which often contain collections of objects symbolic of the inevitability of death and the transience and vanity of earthly achievements and pleasures; it exhorts the viewer to consider mortality and to repent. This still life vanitas drawing is matted with a heavy white mat and framed in a bronze toned wooden frame measuring 15.75 x 16.25 inches. John Hrehov Skull and Ornament colored pencil on paper 7h x 8w in 17.78h x 20.32w cm JHR006 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas...

Fruit basket is an original sketch pencil drawing realized by Serge Fontinsky (1887-1971) in the half of the 20th Century. Good conditions, minor cosmetic wear. Hand-signed on the...

The Pears is original drawing in pastel on paper realized by Herta Hausmann. With the stamp of "Atelier Herta Hausmann" on the rear. Good conditions except for folding at the top. ...

Flowers is a drawing realized by Albert Fernand-Renault in the early 20th Century. Pencil on paper. Stamped signed. Good Conditions with diffused foxing. The artwork is realized ...

Flowers is an original orangish drawing in pastel realized by Gustave Bourgogne, Hand-signed by the artist on the rear. The State of preservation is good. Sheet dimension: 59 x 46 ...

Pastel and Color Pencils on Hahnemühle paper 300g - Pastel, Drawing, flowers, Interior Work Title : Pansy and Vase Artist : Gabriel Riesnert (French a...

Coloured Pencils and pastel on Hahnemühle paper - Realistic Figurative original Drawing, Colorful, Interior. Work Title : Intérieur Provence Artist : Gabriel Riesnert...

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...