Susan Eley Fine Art
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Western Style Town, color photograph of small town, contemporary landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
Number Hill, small western town, contemporary documentary photography, landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
Herd, contemporary documentary photography, herd of cows and wind farm
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
Flux, neutral beige-colored mixed media collage, abstract
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
Jam Traffic, bright pink and purple abstracted mixed media piece
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
Untitled 35, abstract acrylic on canvas, red, blue and white
By Carlos Puyol
Located in New York, NY
Carlos Puyol graduated from the Instituto Universitario Nacional de Arte (IUNA) in Buenos Aires, Argentina. In 2000 he moved to Catalonia to pursue doctorate studies at the Universid...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Untitled 34, abstract acrylic painting on canvas, blue, red and purple
By Carlos Puyol
Located in New York, NY
Carlos Puyol graduated from the Instituto Universitario Nacional de Arte (IUNA) in Buenos Aires, Argentina. In 2000 he moved to Catalonia to pursue doctorate studies at the Universid...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
Deco, four foot welded steel sculpture, 2004
By Carole Eisner
Located in New York, NY
Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded
collage of drops and cut-out steel pieces from the same series of scrap she found in a
Conn...
Category
Early 2000s Abstract Abstract Sculptures
Materials
Metal, Steel
Please Call Me Back, green and purple abstract painting on canvas
By Ellen Hermanos
Located in New York, NY
Hermanos' interest in the emotional world threads not only through her art, but also through her alternate career as a psychotherapist. The artist uses brush, palette knife and spong...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Mixed Media
"Northern Saw-whet Owl"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Tri-colored Heron"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Clark's Nutcracker"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Blue-winged Warbler"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Sandhill Crane"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
"Common Redpoll"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Yellow-throated Vireo" - original bird photography by Matt Tillett
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
"White-throated Sparrow"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Two "Bohemian Waxwings"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Pine Siskin"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Pink Lake, square abstract monoprint
By Rachel Burgess
Located in New York, NY
The coastal landscapes of Maine have been the main source of inspiration for Rachel
Burgess for many years. Burgess’s ongoing fascination with how land meets water—
along rivers, lak...
Category
2010s Contemporary Landscape Prints
Materials
Monoprint, Paper, Monotype
Jackson, horse with geometric pattern, oil painting on panel
By Alicia Rothman
Located in New York, NY
Alicia Rothman received her MFA in printmaking and drawing from Indiana University,
Bloomington and graduated from Music & Art High School in NYC. Rothman has
taught drawing at NYU S...
Category
2010s Contemporary Animal Paintings
Materials
Oil, Panel
Intertwined 20-2, small mixed media work on paper, yellow and silver
By Francie Hester
Located in New York, NY
Acrylic, wax and aluminum leaf on paper. 15.5" x 15.5" framed.
Shown at VOLTA New York 2020. Aluminum leaf shines in the light.
Category
2010s Abstract Abstract Paintings
Materials
Paper, Mixed Media, Wax, Acrylic
Intertwined N, multicolored mixed media painting on aluminum
By Francie Hester
Located in New York, NY
Painter Francie Hester, born and raised in Columbus, Ohio, lives and works outside of Washington, DC. In 1999, Hester abandoned the traditional practice of painting on canvas to explore the properties of painting on aluminum...
Category
2010s Contemporary Abstract Paintings
Materials
Metal
Daily Drawing Series - 40 Days, original drawings, large scale installation
By Francie Hester
Located in New York, NY
The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness
fueled by the opportunity for contemplation and immersion.
The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The
brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work.
The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard.
An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Mixed Media, Wax, Acrylic
Confluence #6, small abstract work on paper, multicolored and silver
By Francie Hester
Located in New York, NY
Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering o...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Wax, Acrylic
Confluence #4, small abstract work on paper, multicolored and silver
By Francie Hester
Located in New York, NY
Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering o...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Wax, Acrylic
Confluence #3, small abstract work on paper, multicolored and silver
By Francie Hester
Located in New York, NY
Confluence continues the dialogue of the Daily Drawing Series, a visual diary that integrates day-to-day imagery to narrate a story about shifting time. In Confluence, the layering of fragmented and unfolding circles -- the underpinning for each piece -- defines a sense of deep and evolving space...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Wax, Acrylic
Viaduct, abstract blue and yellow painting on panel
By Liane Ricci
Located in New York, NY
White wood floater frame included. 25 1/8" x 37 1/8"
Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting a...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Wood Panel
Median, abstract neutral, blue and red painting on panel
By Liane Ricci
Located in New York, NY
Unframed.
Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and running alongside shapes, yet there is n...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic Polymer, Wood Panel
Indicator, abstract blue and pink painting on panel
By Liane Ricci
Located in New York, NY
Gold leaf floater framed included. 21" x 17"
Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and runni...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Wood Panel
Chutes and Ladders, abstract multicolored painting on panel
By Liane Ricci
Located in New York, NY
White wood floater frame included. 25 1/8" x 37 1/8"
Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting a...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Wood Panel
Deconstructed, grey abstract mixed media on board
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
Aviary, neutral abstracted birds, mixed media
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
Three Women, black and white work on paper, landscape
By Charles Buckley
Located in New York, NY
We are delighted to debut Charles Buckley’s most recent series of ink drawings, based on photographs sourced from the mid-20th century. Buckley ...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Paper, Ink
Pew Musicians, red work on paper with dog and horse
By Angela A'Court
Located in New York, NY
Mixed media on paper. Framed: 15" x 18"
My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...
Category
2010s Contemporary Portrait Drawings and Watercolors
Materials
Paper, Mixed Media, Mulberry Paper, Monotype
Angel Songs, bright red geometric pattern, work on paper
By Angela A'Court
Located in New York, NY
Mixed media on paper. Framed: 15" x 18"
My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media
Every Moment, brown and pink print of cups, work on paper
By Angela A'Court
Located in New York, NY
Mixed media on paper. Framed: 15" x 18"
My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media
Hunters, purple print of two hunters and their dog
By Angela A'Court
Located in New York, NY
Mixed media on paper. Framed: 18" x 15.25"
My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media
Warm Shade, bright orange abstract print on paper
By Angela A'Court
Located in New York, NY
Mixed media on paper. Framed: 15" x 18"
My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media
TumbleWeed 04, abstract mixed media on paper, multicolored
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 5 in the series. TumbleWeed 05 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Thes...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
TumbleWeed 05, abstract mixed media on paper, multicolored
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 5 in the series. TumbleWeed 03 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Thes...
Category
2010s Contemporary Mixed Media
Materials
Monotype, Paper, Mixed Media, Etching
TumbleWeed 01, abstract mixed media on paper, blue
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 5 in the series. TumbleWeed 01 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Thes...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
Mind Over Matter, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
Mind Over Matter is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
These small,...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
Turning Over A New Leaf, autumn leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
Turning Over A New Leaf is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
These small, one of a kind prints mak...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
The Rustling III, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. The Rustling III is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
T...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
The Rustling II, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. The Rustling II is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
Th...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
The Rustling I, green leaves, mixed media on paper
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. The Rustling I is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
The...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
Behind Bars No. 3, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
Behind Bars No. 2, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. Behind Bars No. 2 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
Behind Bars No. 1, abstract mixed media on paper, grey
By Karin Bruckner
Located in New York, NY
This unique print is 1 of 3 in the series. Behind Bars No. 1 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press.
...
Category
2010s Contemporary Mixed Media
Materials
Paper, Mixed Media, Etching, Monotype
Delft, bright blue still life, plants in pots and vases
By Angela A'Court
Located in New York, NY
A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocabulary. This practice allows her to contain the...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Paper, Pastel
Jordaan, large interior work on paper, still life with plants
By Angela A'Court
Located in New York, NY
Home / Couple / Pair / Domestic / Still Life
A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocab...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Pastel, Paper
One Peony, interior still life scene, green work on paper
By Angela A'Court
Located in New York, NY
A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocabulary. This practice allows her to contain the...
Category
2010s Contemporary Still-life Drawings and Watercolors
Materials
Paper, Pastel
Still Life with Teapot, bright orange and yellow figurative scene
By Carole Eisner
Located in New York, NY
Acrylic on linen.
Featured in SOFA Chicago 2019.
Eisner has been active as both a painter and a sculptor since the 1960s. After receiving a BFA in painting from Syracuse University...
Category
1990s Contemporary Figurative Paintings
Materials
Linen, Acrylic
Drummer, 3 foot abstract steel sculpture
By Carole Eisner
Located in New York, NY
Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded
collage of drops and cut-out steel pieces from the same series of scrap she found in a
Conn...
Category
1980s Contemporary Abstract Sculptures
Materials
Steel
Fishy Story, bright multicolored figurative painting, under the sea
By Carole Eisner
Located in New York, NY
“After I achieved what I had set out to do in the geometric series in the 1970s and 80s, I turned to looser, figurative work in the 1990s . I wanted to portray energy, action and col...
Category
1990s Contemporary Figurative Paintings
Materials
Acrylic, Canvas
Split Circle
By Carole Eisner
Located in New York, NY
Painted welded steel.
Category
1970s Contemporary Abstract Sculptures
Materials
Steel
Mid-Century II, soft pastel abstract painting on canvas, pink and yellow
By Ellen Hermanos
Located in New York, NY
Acrylic on canvas.
Featured in Art Toronto 2019.
Category
2010s Contemporary Abstract Paintings
Materials
Canvas, Acrylic
Mid-Century I, soft pastel abstract painting on canvas, pink and yellow
By Ellen Hermanos
Located in New York, NY
Acrylic on canvas.
Featured in Art Toronto 2019.
Category
2010s Contemporary Abstract Paintings
Materials
Canvas, Acrylic
Vibe, abstract painting on canvas, purple, red and green
By Ellen Hermanos
Located in New York, NY
Acrylic on panel
Category
2010s Contemporary Abstract Paintings
Materials
Acrylic, Panel
