Susan Eley Fine Art
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Style: Contemporary
Crossing Lines, Intersections #7, blue and green mixed media painting
Located in New York, NY
The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and...
Category
2010s Contemporary Abstract Paintings
Materials
Metal
Crossing Lines, Intersections #8, blue and green mixed media painting
Located in New York, NY
The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and...
Category
2010s Contemporary Abstract Paintings
Materials
Metal
Crossing Lines, Intersections #9, blue and green mixed media painting
Located in New York, NY
The exhibition also includes Crossing Lines, a series created in collaboration with interdisciplinary artist Lisa Hill. This series draws on the literal and...
Category
2010s Contemporary Abstract Paintings
Materials
Metal
The Space Between, bright orange and yellow abstract landscape, surreal scene
By Rachelle Krieger
Located in New York, NY
Acrylic, spray paint, oil bar and oil on linen
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil Crayon, Oil, Spray Paint, Acrylic
Swamp Boogie, bright orange and green abstract landscape, surreal scene
By Rachelle Krieger
Located in New York, NY
Acrylic, spray paint, oil bar and oil on linen
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of worki...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil Crayon, Oil, Spray Paint, Acrylic
Winter Scene on Chesswood Trail, black and white charcoal drawing of bare tree
Located in New York, NY
Charcoal on paper drawing by Toronto-based artist Katherine Curci. Framed.
Katherine Curci began this series of charcoal drawings, premiered in This Land., at the start of the pande...
Category
2010s Contemporary Landscape Drawings and Watercolors
Materials
Paper, Charcoal
Wrap Up 2, blue and green abstract encaustic painting on panel, framed
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice.
Within t...
Category
2010s Contemporary Abstract Paintings
Materials
Encaustic, Wood Panel
Wrap Up 1, yellow and purple abstract encaustic painting on panel, framed
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice.
Within t...
Category
2010s Contemporary Abstract Paintings
Materials
Encaustic, Wood Panel
Reverberate 3, pink and purple abstract encaustic painting on panel, mixed media
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice.
Within t...
Category
2010s Contemporary Abstract Paintings
Materials
Fabric, Ink, Mixed Media, Encaustic, Wood Panel
Reverberate 2, yellow and blue abstract encaustic painting on panel, mixed media
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice.
Within t...
Category
2010s Contemporary Abstract Paintings
Materials
Encaustic, Wood Panel, Fabric, Ink, Mixed Media
Lacuna 7, yellow and green abstract encaustic painting on panel, stripes
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice.
Within t...
Category
2010s Contemporary Abstract Paintings
Materials
Encaustic, Wood Panel
Inhabit I, yellow and blue abstract encaustic painting on panel
By Amber George
Located in New York, NY
My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice.
Within t...
Category
2010s Contemporary Abstract Paintings
Materials
Encaustic, Wood Panel
Winter, monoprint of river during the day, snow, pastel blue and pink
By Rachel Burgess
Located in New York, NY
The coast of Maine, and in particular the river Piscataqua near Rachel Burgess’ childhood vacation home, has been the artist’s muse since the start of her career. Burgess’ stunning, ...
Category
2010s Contemporary Landscape Prints
Materials
Paper, Monoprint, Monotype
Turn, Turn, Turn (3), red and orange abstract painting, branches and forest
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil, Acrylic
Turn, Turn, Turn (1), red and orange abstract painting, branches and forest
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil, Acrylic
Night Blooms, multicolored abstract landscape painting, green and orange
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil Crayon, Oil, Acrylic
Nocturnal Weeds, multicolored abstract landscape painting, flora at night
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Oil, Acrylic, Linen, Oil Crayon
Toxic Swamp and Wildflowers, bright green and yellow abstracted landscape
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil Crayon, Oil, Spray Paint, Acrylic
In the Brambles, multicolored abstracted landscape painting, trees in forest
By Rachelle Krieger
Located in New York, NY
Framed size: 35" x 27"
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the ...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Spray Paint, Acrylic
Pandemic Poetry, abstracted landscape painting, trees in the forest
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil Crayon, Oil, Spray Paint, Acrylic
Transformations, bright yellow and orange abstracted landscape, forest
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Acrylic
Nourishing Resilience (A Walk in the Woods), large abstract painting of forest
By Rachelle Krieger
Located in New York, NY
During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil Crayon, Oil, Spray Paint, Acrylic
Walking the Path in Wonder, bright, multicolored, large abstracted landscape
By Rachelle Krieger
Located in New York, NY
The artist activates her landscapes with sensuous applications of pigment. She layers bold hues and constructs rhizomatic forms—then interrupted by intuitive streaks of spray paint. ...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Spray Paint, Acrylic
Clearing, bright, multicolored, large abstracted landscape
By Rachelle Krieger
Located in New York, NY
The artist activates her landscapes with sensuous applications of pigment. She layers bold hues and constructs rhizomatic forms—then interrupted by intuitive streaks of spray paint. ...
Category
2010s Contemporary Abstract Paintings
Materials
Linen, Oil, Spray Paint, Acrylic
Hope House, blue and grey acrylic painting, geometric abstraction
By Kentaro Hiramatsu
Located in New York, NY
Kentaro Hiramatsu, Hope House (2005), Acrylic on wood panel, 18" x 33.5"
Category
Early 2000s Contemporary Abstract Paintings
Materials
Acrylic, Wood Panel
Reaching, figurative oil painting of woman reaching for vase, 1950s interior
By Kathy Osborn
Located in New York, NY
Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins with a meticulous arrangement...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Oil, Board
Come In, figurative oil painting of man and woman, 1950s, green
By Kathy Osborn
Located in New York, NY
Couple / Love / Romance /
Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins w...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Paper, Board
Montera, mixed media portrait of woman wearing skirt and hat, green
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Acrylic, Gouache, Pencil, Laser, Fabric
Fire, mixed media portrait of nude woman
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Fabric, Paper, Acrylic, Pencil, Laser, Gouache
Red Skirt, mixed media portrait of nude woman wearing mask, orange
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Acrylic, Pencil, Laser
Turban, mixed media portrait of nude woman wearing floral headpiece
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Acrylic, Pencil, Laser
Black Stockings, mixed media portrait of nude woman, neutral colors
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Acrylic, Pencil, Laser, Fabric
White Queen, mixed media portrait of nude woman with feather headpiece
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Fabric, Paper, Crayon, Glitter, Mixed Media, Acrylic, Wood Panel, Pencil...
Silver Eve, mixed media portrait of woman with flowers, neutral colors
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Silver
Eve and the Birds, mixed media portrait of nude woman with crows
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Crayon, Mixed Media, Acrylic, Wood Panel, Pencil, Laser
Matador, mixed media portrait of nude woman in dark garden
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Gold Leaf, Metal
Showgirl, nude portrait of performer, green and red, mixed media on panel
By Deirdre O'Connell
Located in New York, NY
“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Crayon, Mixed Media, Acrylic, Wood Panel, Pencil, Fabric, Glitter...
Reflection in Table, figurative painting of man's reflection, 1950s dining room
By Kathy Osborn
Located in New York, NY
Kathy Osborn paints highly detailed, interior scenes, inspired by imagery from the Post-War era of the 1950s and 60s. Osborn’s multi-step process begins with a meticulous arrangement...
Category
2010s Contemporary Figurative Paintings
Materials
Paper, Oil, Board
Mom (Lake Hemet?), black and white portrait of woman looking out at landscape
By Charles Buckley
Located in New York, NY
Charles Buckley sources images from the fifties and using acrylic ink, carefully renders familiar scenes of the everyday with lines of varying thicknesses. The subjects run the gamut...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Graphite, Paper
Blowhole #1, Nuku'alofa, Tonga, 30" x 40"
By Carolyn Monastra
Located in New York, NY
30" x 40" color photograph, unframed.
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Western Style Town, color photograph of small town, contemporary landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
Number Hill, small western town, contemporary documentary photography, landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
Herd, contemporary documentary photography, herd of cows and wind farm
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Landscape Photography
Materials
Color, C Print
Flux, neutral beige-colored mixed media collage, abstract
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
Jam Traffic, bright pink and purple abstracted mixed media piece
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
"Northern Saw-whet Owl"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Tri-colored Heron"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Clark's Nutcracker"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Blue-winged Warbler"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Sandhill Crane"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
"Common Redpoll"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Yellow-throated Vireo" - original bird photography by Matt Tillett
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
"White-throated Sparrow"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Two "Bohemian Waxwings"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Pine Siskin"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Landscape Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Pink Lake, square abstract monoprint
By Rachel Burgess
Located in New York, NY
The coastal landscapes of Maine have been the main source of inspiration for Rachel
Burgess for many years. Burgess’s ongoing fascination with how land meets water—
along rivers, lak...
Category
2010s Contemporary Landscape Prints
Materials
Monoprint, Paper, Monotype
Jackson, horse with geometric pattern, oil painting on panel
By Alicia Rothman
Located in New York, NY
Alicia Rothman received her MFA in printmaking and drawing from Indiana University,
Bloomington and graduated from Music & Art High School in NYC. Rothman has
taught drawing at NYU S...
Category
2010s Contemporary Animal Paintings
Materials
Oil, Panel
Intertwined N, multicolored mixed media painting on aluminum
By Francie Hester
Located in New York, NY
Painter Francie Hester, born and raised in Columbus, Ohio, lives and works outside of Washington, DC. In 1999, Hester abandoned the traditional practice of painting on canvas to explore the properties of painting on aluminum...
Category
2010s Contemporary Abstract Paintings
Materials
Metal
Deconstructed, grey abstract mixed media on board
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
Aviary, neutral abstracted birds, mixed media
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Mixed Media, Acrylic, Board
